This book helps us understand the "strategies of being" of the greatest postwar artists, and by extension other artists both well-known and little celebrated. Professor Fineberg focuses on artists' lives and how they intersected with broader cultural issues. Individual artists looked at in depth include Calder, Hofmann, Gorky, Motherwell, de Kooning, Pollock, Newman, Rothko, David Smith, Dubuffet, Giacometti, Bacon, Rauschenberg, Oldenburg, Johns, Beuys, Klein, Warhol, Rosenquist, Westermann, Arneson, Hesse, Nauman, Christo, Polke, Guston, Bearden, Aycock, Kiefer, Clemente, Borofsky, Basquiat, and Wojnarowicz.

Art Since 1940: Strategies of Being

Arts & Photography

FINEBERG, Jonathan

History & Criticism

PRENTICE/HALL

ART SINCE 1940

This comprehensive and authoritative book illustrates art from the 1940's and stresses the individuality of the artists in relation to their political, social, and cultural contexts. The book focuses on the meaning of the major works and innovations. It features nearly 600 illustrations (approximately half in color) representing art since 1940, both in Europe and America. It explores the full range of periods, artists, and movements: New York in the Forties; Calder, Hofmann, Gorky, Motherwell, De Kooning; Existentialism (Pollock, Newman, Rothko, David Smith); The New European Masters of the Late Forties (Dubuffet, Giacometti, Bacon), plus so much more. For anyone interested in Postwar Art.

Art Since 1940

Pearson College Div

This comprehensive and authoritative book illustrates art from the 1940's and stresses the individuality of the artists in relation to their political, social, and cultural contexts. The book focuses on the meaning of the major works and innovations. It features nearly 600 illustrations (approximately half in color) representing art since 1940, both in Europe and America. It explores the full range of periods, artists, and movements: New York in the Forties; Calder, Hofmann, Gorky, Motherwell, De Kooning; Existentialism (Pollock, Newman, Rothko, David Smith); The New European Masters of the Late Forties (Dubuffet, Giacometti, Bacon), plus so much more. For anyone interested in Postwar Art.

Art Since 1940 (3rd Edition)

Pearson

Christo and Jeanne-Claude are renowned for their dramatic and innovative public projects. Their installations often feature fabric - sometimes wrapped around existing structures or used to create large-scale temporary environments. Some of their most influential projects include Running Fence in Sonoma and Marin Counties, California, Surrounded Islands in Miami, the Pont Neuf Wrapped in Paris, the Wrapped Reichstag in Berlin, and The Umbrellas simultaneously in Japan and California. Now New York City, where they have lived and worked for forty years, will be the site for a much-anticipated Christo and Jeanne-Claude project. The Gates will consist of saffron-colored fabric panels suspended from the horizontal tops of over 7,500 sixteen-foot-tall vinyl gates, positioned at regular intervals throughout 23 miles of walkways of Central Park. The installation will be on view for sixteen days, beginning February 12, 2005 (weather permitting). This book, published in conjunction with a major exhibition that opens in April 2004 at The Metropolitan Museum of Art, celebrates the culmination of the artists' vision for The Gates, a project that began in 1979. It includes an illustrated introduction by Jonathan Fineberg that surveys the career of Christo and Jeanne-Claude and assesses their contribution to contemporary art and culture. The heart of the book consists of beautiful reproductions of the various preparatory collages and drawings that Christo has created for The Gates project, many of which have not been previously published, and detailed documentation of the personalities and events that have led up to the project. This volume also features four highly engaging, unpublished interviews conducted by Fineberg with the artists, from the 1970s to a recent interview of July 2003.

Christo and Jeanne-Claude: On the Way to The Gates, Central Park, New York City

Individual Artists

Yale University Press

An exciting and richly illustrated book presenting an accessible survey of Christo and Jeanne-Claude’s career and celebrates the long-awaited Gates project for Central Park, New York City Christo and Jeanne-Claude are renowned for their dramatic and innovative public projects. Their installations often feature fabric—sometimes wrapped around existing structures or used to create large-scale temporary environments. Some of their most influential projects include Running Fence inSonoma and Marin Counties, California, Surrounded Islands inMiami, the Pont Neuf Wrapped in Paris,the Wrapped Reichstag inBerlin, and The Umbrellas simultaneouslyin Japan and California. Now New York City, where they have lived and worked for forty years, will be the site for a much-anticipated Christo and Jeanne-Claude project. The Gates willconsist of saffron-colored fabric panels suspended from the horizontal tops of over 7,500 sixteen-foot-tall vinyl gates, positioned at regular intervals throughout 23 miles of walkways of Central Park. The installation will be on view for sixteen days, beginning February 12, 2005 (weather permitting). This book, published in conjunction with a major exhibition that opens in April 2004 at The Metropolitan Museum of Art, celebrates the culmination of the artists’ vision for The Gates, a project that began in 1979. It includes an illustrated introduction by Jonathan Fineberg that surveys the career of Christo and Jeanne-Claude and assesses their contribution to contemporary art and culture. The heart of the book consists of beautiful reproductions of the various preparatory collages and drawings that Christo has created for The Gates project, many of which have not been previously published, and detailed documentation of the personalities and events that have led up to the project. This volume also features four highly engaging, unpublished interviews conducted by Fineberg with the artists, from the 1970s to a recent interview in July 2003.

Christo and Jeanne-Claude: On the Way to The Gates, Central Park, New York City (Metropolitan Museum of Art Series)

An innovative and dynamic look at 20-century American art, focusing on its relationship to the nation’s evolving identity and ambitions. How did artists of the twentieth century use their work to respond to their unique personal experiences and moment in history? This provocative question is explored in this engaging new book on American art. By focusing on broad, defining themes, embodied in the work of such pivotal artists as Georgia O’Keeffe, Jackson Pollock, Robert Rauschenberg, and Andy Warhol, the authors look at how art provided a means for re-imagining America, visualizing what it had become, and where it might go in a century of turbulent change. Richly illustrated with 400 color images, Imagining America is organized around three main themes: nature and the ways diverse artists responded to the transformation of the landscape from pastoral to industrial; how artists as different as Thomas Eakins and Jackson Pollock demonstrated the perpetual inclination to reinvent both personal and national identity; and the ways that key artists like Stuart Davis, Andy Warhol, and Jean-Michel Basquiat taught us to understand the media and popular culture on a deeper level. The authors also provide a context of social history and parallel developments in American music and film. With an innovative design, a fabulous selection of iconic images, and an engaging juxtaposition of visual themes, Imagining America presents American art and artists in a completely new light.

Imagining America: Icons of 20th-Century American Art

CARLIN, JOHN

History

Alice Aycock (b. 1946) emerged onto the New York art scene in the 1970s and is best known for her large-scale public sculptures that often combine an industrial appearance with references to weightlessness as well as to science and cosmology. Aycock also has embraced the practice of drawing throughout her enormously productive career. Alice Aycock: Drawings is the first exploration of her spectacular drawings, which include elements of mirage, fantasy, and science, and evoke both abstract thinking and bodily sensation. The works on paper featured in this handsome volume highlight the major themes that have governed her artistic practice: the role of architecture as a founding point of reference; the importance of mechanics and structure; and references to nature. As author Jonathan Fineberg demonstrates, Aycock is an artist who thinks on paper. Her works are often equal parts engineering plan and science fiction imagining. Visualizing such contradictions allows us to, in her words, transport ourselves “farther into another place.”

Alice Aycock Drawings: Some Stories Are Worth Repeating

Other Distribution

The first major book to consider the life and work of Robert Arneson, A Troublesome Subject tells the fascinating story of how a high school art teacher transformed himself into an artist of international stature and ambition. Representing the full scope of Arneson’s career in a rich survey of color reproductions, this book is at once a study of the trajectory of contemporary culture, the work of Robert Arneson, and the relationship between the two. It shows how Arneson’s work articulated the crisis of narcissism that has defined American culture since 1970. Jonathan Fineberg develops his ongoing work toward a psychosocial history of art as he proceeds through Arneson’s career―chronicling his early life, the formation of a personal style, and finding a unique subject matter in his famous post-1970 turn to self-portraiture.

A Troublesome Subject: The Art of Robert Arneson

University of California Press

The Innocent Eye

"When I was the age of these children I could draw like Raphael. It took me many years to learn how to draw like these children."--Pablo Picasso, upon viewing an exhibition of children's drawings, as quoted by Sir Herbert Read in 1945
 The idea that modern art looks like something a child can do is a long-standing cliché. For some modernists, however, the connection between their work and children's art was direct and explicit. This groundbreaking and heretical book, centered on such modern masters as Klee, Kandinsky, Picasso, and Miró, presents for the first time material from the collections of child art that these artists actually possessed as they undertook some of the greatest masterworks of their careers. As the first art historian to pursue this connection in detail, Jonathan Fineberg here explores the importance of children's art to the work of key modernists from Matisse to Jackson Pollock. Fineberg's inquiry unfolds in this handsome book, which juxtaposes modern masterpieces with the drawings by children that directly influenced them. Fineberg discusses the effect of primitivism and Freudian thought on some of these artists, and demonstrates how they valued children's art for many reasons, including its naive spontaneity and celebration of the moment, imaginative use of visual language, and its universality and candor. For each of the masters who collected child art, the reasons for doing so are as varied as his or her unique style.
 Fineberg has uncovered most of these major collections of child art assembled by celebrated modernists. Many examples from these collections are reproduced in this book for the first time, together with explanations as to why expressionists, cubists, futurists, and others displayed the art of children alongside their own work in exhibitions of the early twentieth century. In chapters devoted to Larionov, Kandinsky and Münter, Klee, Picasso, Miró, Dubuffet, the Cobra artists, and artists after World War II, Fineberg examines how each artist exploited aspects of child art to formulate his or her own artistic breakthroughs.
 With over 170 color plates and 140 black and white illustrations, this visually compelling book will stimulate new research among art historians and will inspire museum visitors to see some of their favorite modern masterpieces in a new way.

Princeton University Press

See the best price to sell, buy, or rent books by FINEBERG, Jonathan. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by FINEBERG, Jonathan

See the best price to sell, buy, or rent books by FINEBERG, Jonathan. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Art Since 1940: Strategies of Being

Art Since 1940

Art Since 1940 (3rd Edition)

Christo and Jeanne-Claude: On the Way to The Gates, Central Park, New York City

Christo and Jeanne-Claude: On the Way to The Gates, Central Park, New York City (Metropolitan Museum of Art Series)

Imagining America: Icons of 20th-Century American Art

Alice Aycock Drawings: Some Stories Are Worth Repeating

A Troublesome Subject: The Art of Robert Arneson

The Innocent Eye

The Innocent Eye