In this remarkable biography, Sally Festing shows us how impressions of Gertrude Jekyll have become distorted in the popular imagination: how her real contribution to garden design is underrated, especially the profound influence she was to have upon the architect Sir Edwin Lutyens. The plain, myopic figure who stares sternly from Victorian photographs was, the author suggests, altogether more complicated, abrasive, autocratic, impatient, fun-loving, and lovable than she has ever been made out to be. An illuminating portrait of a formidable and admirable woman.

Gertrude Jekyll

Crafts, Hobbies & Home

Festing, Sally

Gardening & Landscape Design

Penguin Uk

Traces the life of the garden designer, artist, craftswoman, and writer, describing the influence her family, the arts and crafts movement, and John Ruskin, had on the course of her life

Gertrude Jekyll: A Biography

Arts & Photography

Viking Adult

Barbara Hepworth: A life of forms

Biographies & Memoirs

VIKING

Showmen: The Voice of Travelling Fair People

Shaun Tyas

In response to mental health issues experienced by his two siblings, my father Derek Richter became a noted neuro-psychiatrist and founder of the Mental Health Research Fund (now Foundation). For more than sixty years, the Foundation has funded pioneering research and challenged the status of mental health in the UK. After his death, I inherited hundreds of family letters, diaries and medical notes that are the source of my poems. They reveal how his personal life affected his dedication to discover the cause and treatment of mental illness, and how this became the driving force of his life.

My Darling Derry: Letter-poems about Derek Richter founder of The Mental Health Foundation

Literature & Fiction

Poetry

Fair Acre Press

Sally Festing's White Queens Last Stand is a collection with a strong ekphrastic dimension inspired by the sculptures of Germaine Richier. "French Sculptor, Germaine Richier, was the first woman to be given a solo retrospective at the Musée National d'Art Moderne (in Paris, 1956). Following her early death, she was largely forgotten in the art world. But she had a few champions. In 1955, David Sylvester asserted that 'nobody perhaps occupies so central, so crucial a position in contemporary sculpture.' He was right. 'Surely one of the most original sculptors of our century', echoed American critic and historian, Michael Gibson in 1996. 'Form and subject matter display a no-nonsense authenticity which deserves to be prized above all else.' Such recognition came many years before her work began to feature in academic feminist studies. She was one of the very few women artists to receive international success in the 1940s and 1950s. I've been obsessed with Richier's work for a long time, looked at it in the Tate, read about the artist, and paid my respects by visiting the landscape that was seminal to her. On Sunday, 3 March 2003, I printed 'Stes Maries-de-la-Mer' across the page of my holiday-diary. Wake from a siesta in the back of a Citroën parked round a stone-covered square. Hard-pollarded trees. Grubby white hotel. The rest of the page was written outside in a wobbly hand. Long grey beaches. Trees peppered with holes & striped with algae drift into weird beasts. Wedges of wood entombed in shifty, sifty sand. Great tufts of marram, flapping in the wind. Dead birds. Uprooted willows. Huge skies. Tamarisks. Perennial samphire. Sea purslane. The unexpected part: all these plants were familiar. It was a coincidence that the landscape of Richier's childhood had strong similarities with a spot on the North Norfolk coast that's part of mine. I swam in her sea and felt at home. The Camargue is, of course, more 'extreme', and this is a word Richier used about her work. Critics used it too. Through metamorphoses, one argued, Richier appears to ask what lies at the extreme reaches of the human body. Richier's sculpture became a point of reference for my poetry, Because of this, some diary jottings, and comments are woven between poems as well as in the four-page Timeline." - Sally Festing

White Queen's Last Stand: Poems on the Life and Work of Germaine Richier (1902 - 1959)

Knives Forks and Spoons

Biografía de una de las pioneras en la escultura británica y en un arte hasta ahora dominado por hombres.

Barbara Hepworth (Spanish Edition)

History & Criticism

Circe Ediciones, S.L.U.

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Books by Festing, Sally