A Fool's Alphabet

Literature & Fiction

FAULKS, SEBASTIAN

Contemporary

RANDOM HOUSE UK

Birdsong

Random House]

ON GREEN DOLPHIN STREET

Hutchinson

1st edition Hutchinson 2001 large paperback, fine, In stock shipped from our UK warehouse

On Green Dolphin Street

Focusing on a richly significant time in our recent past, Sebastian Faulks, the bestselling author of Birdsong and Charlotte Gray, has written his first novel set in America. The year is 1960—a fascinating moment of transition in our country, when the comfortable Eisenhower years were drawing to a close and the ruthlessly competitive Nixon/Kennedy presidential campaign signaled the beginning of a starkly different decade. Mary van der Linden has recently moved from London to Washington, D.C., with her two children and her loving, admired husband, Charlie, who is posted to the British Embassy. Nearly forty, Mary has spent a lifetime as a loyal daughter, wife and mother. But in this year of so much change, she feels compelled to break away from her familiar world and is drawn to the freedom of New York City, which is effervescent with parties, jazz, three- martini lunches, girls in their summer dresses and men in their Sinatra hats and big ties. Greenwich Village is still charmingly bohemian, and Miles Davis’s hit tune “On Green Dolphin Street” is playing everywhere. Mary finds a hotel room in New York and then finds a lover, while back in Washington her husband drinks to forget the demands of his job, the absence of his wife and the Cold War paranoia that has overtaken the capital. Faulks breaks new ground with this novel: It is a love story, not a war story, and it is set in America rather than France. Yet readers of his two previous bestselling novels will recognize the close focus of the historical setting, the unforgettable characters and the gathering emotional power of the narrative. On Green Dolphin Street is a dramatic, tremendously moving novel that is certain to extend the American audience for this prodigiously talented author’s work.

A powerful contemporary novel set in London from a master of literary fiction. London, the week before Christmas, 2007. Over seven days we follow the lives of seven major characters: a hedge fund manager trying to bring off the biggest trade of his career; a professional footballer recently arrived from Poland; a young lawyer with little work and too much time to speculate; a student who has been led astray by Islamist theory; a hack book-reviewer; a schoolboy hooked on skunk and reality TV; and a Tube train driver whose Circle Line train joins these and countless other lives together in a daily loop. With daring skill, the novel pieces together the complex patterns and crossings of modern urban life. Greed, the dehumanising effects of the electronic age and the fragmentation of society are some of the themes dealt with in this savagely humorous book. The writing on the wall appears in letters ten feet high, but the characters refuse to see it — and party on as though tomorrow is a dream. Sebastian Faulks probes not only the self-deceptions of this intensely realised group of people, but their hopes and loves as well. As the novel moves to its gripping climax, they are forced, one by one, to confront the true nature of the world they inhabit.

A Week in December

Sebastian Faulks’s new novel is a bolt from the blue: contemporary, demotic, angry, heart-wrenching, and funny, in the deepest shade of black. Mike Engleby says things that others dare not even think. A man devoid of scruple or self-pity, he rises without trace in Thatcher’s England and scorches through the blandscape of New Labour. In the course of his brief, incandescent career, he and the reader encounter many famous people — actors, writers, politicians, household names — but by far the most memorable is Engleby himself. Sebastian Faulks’s new novel can be read as a lament for a generation and the country it failed. It is also a meditation on the limits of science, the curse of human consciousness and on the lyrics of 1970s’ rock music. And beneath this highly disturbing surface lies an unfolding mystery of gripping narrative power. For when one of Mike’s contemporaries unaccountably disappears, the reader has to ask: is even the shameless Engleby capable of telling the whole truth?

Engleby

Human Traces

What is it to be human? This question, as in Birdsong, is at the heart of Human Traces. The story begins in Brittany where a young, poor boy somehow passes his medical exams and goes to Paris, where he attends the lectures of Charcot, the Parisian neurologist who set the world on its head in the 1870s. With a friend, he sets up a clinic in the mysterious mountain district of Carinthia in south-east Austria. If The Girl at the Lion d’Or was a simple three-movement symphony, Birdsong an opera, Charlotte Gray a complex four-movement symphony and On Green Dolphin Street a concerto, then Human Traces is a Wagnerian grand opera.

"Human Traces" explores the question of what kind of beings men and women really are. Jacques Rebiere and Thomas Midwinter, both sixteen when the story starts in 1876, come from different countries and contrasting families. They are united by an ambition to understand how the mind works and whether madness is the price we pay for being human. As psychiatrists, they travel on a quest from the squalor of the Victorian lunatic asylum to the crowded lecture halls of the renowned Professor Charcot in Paris; from the heights of the Sierra Madre in California to the plains of unexplored Africa. Their search is made urgent by the case of Jacques's brother Olivier, for whose severe illness no name has yet been found. Thomas's sister Sonia becomes the pivotal figure in the volatile relationship between the two men. It threatens to explode with the arrival in their Austrian sanatorium of an enigmatic patient, Fraulein Katharina von A, whose illness epitomises all that divides them. As the concerns of the old century fade and the First World War divides Europe, the novel rises to a climax in which the value of being alive is called into question. This is Sebastian Faulks's most ambitious novel yet, with scenes of emotional power recalling his most celebrated work, yet set here on an even larger scale.

Genre Fiction

Random House Adult Trade Publishing Group

Bestselling British author Sebastian Faulks reinvents the unreliable narrator with his singular, haunting creation—Mike Engleby."My name is Mike Engleby, and I'm in my second year at an ancient university." With that brief introduction we meet one of the most mesmerizing, singular voices in a long tradition of disturbing narrators. Despite his obvious intelligence and compelling voice, it is clear that something about solitary, odd Mike is not quite right. When he becomes fixated on a classmate named Jennifer Arkland and she goes missing, we are left with the looming question: Is Mike Engleby involved? As he grows up, finding a job and even a girlfriend in London, Mike only becomes more and more detached from those around him in an almost anti-coming-of-age. His inability to relate to others and his undependable memory (able to recall countless lines of text yet sometimes incapable of summoning up his own experiences from mere days before) lead the reader down an unclear and often darkly humorous path where one is never completely comfortable or confident about what is true.Mike Engleby is a chilling and unforgettable character, and Engleby is a novel that will surprise and beguile Sebastian Faulks' readership.

Literary

Vintage

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Books by FAULKS, SEBASTIAN

See the best price to sell, buy, or rent books by FAULKS, SEBASTIAN. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

A Fool's Alphabet

Birdsong

ON GREEN DOLPHIN STREET

On Green Dolphin Street

On Green Dolphin Street

A Week in December

Engleby

Human Traces

Human Traces

Engleby