Turner: The Great Watercolours

A Royal Academy of Arts Publication  J. M. W. Turner (1775-1851) is considered Britain's greatest painter. While he is best known for his stunning oils, Turner also created major works in watercolor, many of which rival his oils in their breadth of scale, depth of tone, richness of color, and wealth of detail. This handsome volume, published on the 150th anniversary of Turner's death to accompany an unparalleled exhibition of his finished watercolors at the Royal Academy of Arts, London, is a milestone in Turner scholarship.  Eric Shanes, a well-known expert on Turner and curator of the related exhibition, places the artist's watercolors in the wider context of his painted work and provides individual commentaries on the approximately 200 lush colorplates. Evelyn Joll investigates the market forces that brought Turner's watercolors into being, while Andrew Wilton analyzes their extraordinary effect on the art of later watercolorists. Finally, Ian Warrell discusses the critical reception to the work of this prodigiously talented artist. Turner: The Great Watercolours will stand at the forefront of thinking on Turner for years to come. ERIC SHANES is a leading expert on Turner and founding editor of Turner Studies (1980-1991).  EVELYN JOLL is an independent art historian based in London.  IAN WARRELL is a curator at Tate Britain.  ANDREW WILTON is keeper and senior research fellow, Tate Britain.  200 illustrations in full color, 10 x 11"

Arts & Photography

eric-shanes

History & Criticism

Royal Academy of Arts

The Life and Masterworks of J.M.W. Turner (Temporis Series)

Parkstone International

Turner (Perfect Squares)

Individual Artists

Grange Books

As well as being one of the leading figures in the American Pop Art movement, Andy Warhol was a painter, printmaker, occasional sculptor and filmmaker whose work carried on the tradition of Dadaism which questioned the very validity of art itself. He used images and objects, and the means of their production to draw draw parallels with cultural processes. Thus, by means of a variety of techniques, but principally the choice of images, their visual repetition and pictorial isolation, and the use of colour, Warhol makes us aware of contemporary materialism, political manipulation, economic exploitation, conspicuous consumption, media hero-worship, and the creation of artificially-induced needs and aspirations. Through manipulating images and the public persona of the artist, Warhol also confronts us with the contradictions and superficialities of contemporary culture and the art it has engendered, whilst incorporating in his paintings and sculptures the very techniques of mass production that are central to the modern world, emphasizing to the point of absurdity the complete detachment from social and artistic commitment that he saw in the world around him. Despite the unevenness and shallowness of much of his later work, Andy Warhol was one of the most brilliant, challenging and intentionally infuriating artists of the last half of the twentieth century.

Warhol (Perfect Squares)

Grange Books Plc

<p>Highlights of this title include: - His life - His work - A detailed biography</p>

Andy Warhol

The Pop Art Tradition: Responding to Mass-Culture

Sirrocco

pop art

Parkstone

Warhol (Master Painters S.) Hardcover - Import, 1993 by ERIC SHANES (Author)

Warhol (Master Painters S.)

Humor & Entertainment

Pop Culture

Studio Editions

Turner's Watercolour Explorations 1810-1842

History

Tate Publishing

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