Masquerade: Queer Poetry in America to the End of World War II

Masquerade is the most comprehensive anthology yet published of poetry by American gays, lesbians, bisexuals, and transgendered persons. It includes representative poems from more than 100 writers from pre-colonial times to the end of the Second World War. The anthology begins with selections of anonymous texts from the oral traditions of Hawaii and Native America, followed by voodoo chants and cowboy songs (with a few limericks thrown in for good measure). The selections are arranged by the year of the poet’s birth and include samplings of poetry by a racially and ethnically diverse group of men and women. Contemporary readers will know the work of some of these poets, such as Gertrude Stein and Walt Whitman. Other poets, such as George Santayana and Adah Isaacs Menken, will be strangers to most. In all, these poets created a rich heritage of verse that has been for the most part masked throughout the history of American literature.

Literature & Fiction

Elledge, Jim

History & Criticism

Indiana University Press

Masquerade is the most comprehensive anthology yet published of poetry by American gays, lesbians, bisexuals, and transgendered persons. It includes representative poems from more than 100 writers from pre-colonial times to the end of the Second World War. The anthology begins with selections of anonymous texts from the oral traditions of Hawaii and Native America, followed by voodoo chants and cowboy songs (with a few limericks thrown in for good measure). The selections are arranged by the year of the poet’s birth and include samplings of poetry by a racially and ethnically diverse group of men and women. Contemporary readers will know the work of some of these poets, such as Gertrude Stein and Walt Whitman. Other poets, such as George Santayana and Adah Isaacs Menken, will be strangers to most. In all, these poets created a rich heritage of verse that has been for the most part masked throughout the history of American literature.

Religion & Spirituality

A Student's Guide to Getting Published

Reference

Swartwout, Susan

Writing, Research & Publishing Guides

Pearson

This is a biography of arguably the most provocative and mysterious artist of the 20th century. Henry Darger was utterly unknown during his lifetime, keeping a quiet, secluded existence as a janitor on Chicago's North Side. When he died his landlord discovered a treasure trove of more than three hundred canvases.

Henry Darger, Throw Away Boy: The Tragic Life of an Outsider Artist

Overlook Duckworth+

Issue #32 of OCHO: A Journal of Queer Arts, featuring art by Kim Leutwyler, Zachari Logan, Bobby Lucy, Christopher Sousa, and Truong Tran; and poetry by Derrick Austin, Linda Benninghoff, Steven Cordova, Jim Elledge, Carlton Fisher, Jane Eaton Hamilton, Alyse Knorr, Chip Livingston, M. Mack, Tommy Pico, and Valerie Wetlaufer.

Ocho #32: A Journal of Queer Arts

Austin, Derrick

Benninghoff, Linda

Cordova, Steven

Fisher, Carlton

Hamilton, Jane Eaton

Knorr, Alyse

Arts & Photography

CreateSpace Independent Publishing Platform

While some art historians tend to dismiss Darger as possibly psychotic, Jim Elledge cuts through the cloud of controversy and rediscovers Darger as a damaged and fearful gay man, raised in a world unaware of the consequences of child abuse or gay shame. This thoughtful, sympathetic biography tells the true story of a tragically misunderstood artist. Drawn from fascinating histories of the vice-ridden districts of 1900s Chicago, tens of thousands of pages of primary source material, and Elledge's own work in queer history, Henry Darger, Throwaway Boy also features a full-color reproduction of a never-before-seen canvas from a private gallery in New York, as well as a previously undiscovered photograph of Darger with his lifelong companion William Schloeder, or "Whillie" as Henry affectionately referred to him. Engaging, arresting, and ultimately illuminating, Henry Darger, Throwaway Boy brings alive a complex, brave, and compelling man whose outsider art is both challenging and a triumph over trauma.

Henry Darger, Throwaway Boy: The Tragic Life of an Outsider Artist

Humor & Entertainment

Harry N. Abrams

A 2018 Chicago Writers Association Book of the Year Honorable Mention Lambda Literary Award LGBTQ Nonfiction Finalist A history of gay Chicago told through the stories of queer men who left a record of their sexual activities in the Second City, this book paints a vivid picture of the neighborhoods where they congregated while revealing their complex lives. Some, such as reporter John Wing, were public figures. Others, like Henry Gerber, who created the first “homophile” organization in the United States, were practically invisible to their contemporaries. But their stories are all riveting. Female impersonators and striptease artists Quincy de Lang and George Quinn were arrested and put on trial at the behest of a leader of Chicago’s anti-“indecency” movement. African American ragtime pianist Tony Jackson’s most famous song, “Pretty Baby,” was written about one of his male lovers. Alfred Kinsey’s explorations of the city’s netherworld changed the future of American sexuality while confirming his own queer proclivities. What emerges from The Boys of Fairy Town is a complex portrait and a virtually unknown history of one of the most vibrant cities in the United States.

The Boys of Fairy Town: Sodomites, Female Impersonators, Third-Sexers, Pansies, Queers, and Sex Morons in Chicago's First Century

History

Americas

Chicago Review Press

"Makes the case that we should consider Gerber not an asterisk, but a forefather of the gay-rights movement—one who would influence later generations of activists."—The Atlantic\nBorn in 1892 in Germany, Henry Gerber was expelled from school as a boy and lost several jobs as a young man because of his homosexual activities. He emigrated to the United States and enlisted in the army for employment. After his release, he explored Chicago’s gay subculture: cruising Bughouse Square, getting arrested for “disorderly conduct,” and falling in love. He was institutionalized for being gay, branded an “enemy alien” at the end of World War I, and given a choice: to rejoin the army or be imprisoned in a federal penitentiary.\nGerber re-enlisted and was sent to Germany in 1920. In Berlin, he discovered a vibrant gay rights movement, which made him vow to advocate for the rights of gay men at home. He founded the Society for Human Rights, the first legally recognized US gay-rights organization, on December 10, 1924.\nWhen police caught wind of it, he and two members were arrested. He lost his job, went to court three times, and went bankrupt. Released, he moved to New York, disheartened.\nLater in life, he joined the DC chapter of the Mattachine Society, a gay-rights advocacy group founded by Harry Hay who had heard of Gerber’s group, leading him to found Mattachine.\nAn Angel in Sodom is the first and long overdue biography of the founder of the first US gay rights organization.

An Angel in Sodom: Henry Gerber and the Birth of the Gay Rights Movement

Biographies & Memoirs

Historical

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