One of the leading female artists of the late 20th century, Lee Bontecou (b. 1931) became widely known for her welded steel sculptures and plastic and epoxy molded assemblages from the 1960s and 1970s. Her powerful and original constructions, which were both critically acclaimed and actively collected, evoked natural phenomena and organic biological life even as they grew more abstract. This monograph-the first extensive analysis of her art-presents some 50 sculptures and more than 100 drawings, including her celebrated early works as well as later pieces that are little known and have never been publicly exhibited or published. Along with four original essays, this volume also includes a reprint of Donald Judd's influential 1965 Arts Magazine article on Bontecou. 
At last, through this major survey of her work-which accompanies an exhibition organized by the Museum of Contemporary Art, Chicago, and ULCA Hammer Museum-we are able to reevaluate the career of an artist who has become legendary in the art world because of the impact of her striking early work and the enormous influence she continues to have on younger artists.

Lee Bontecou: A Retrospective (an exhibition catalogue)

Arts & Photography

Elizabeth A.T. Smith

Ann Philbin

Individual Artists

Harry N. Abrams

Published on the occasion of an exhibition at MoCA, Los Angeles.

CATHERINE OPIE

Colette Dartnall

Museum of Contemporary Art

This catalogue focuses on work produced by the Chilean-born artist Roberto Sebastian Matta from 1939-1948 when he lived in exile in New York. Matta, who has spent most of his life living and working in Europe, occupies a unique and pivotal place in the history of American art of this period. Of all the surrealists in exile in New York during these years, Matta formed the closest links with American artists of his own generation and served as a catalytic force in communicating ideas about surrealist processes and relating to the development of a new language of abstract painting. Matta in America includes full-color illustrations of approximately twenty paintings and twenty drawings made during the artist's American sojourn. An essay tracing the development in the 1940s of Matta's work and highlighting his interactions with other artists of the period is complemented by an essay by art historian William Rubin. Originally written for the Centre Georges Pompidous's 1985 Matta monograph, Rubin's essential text, "Matta in the United States: A Personal Note," has never before been published in English.

Matta in America: Paintings and Drawings of the 1940s

William Rubin

Museum Of Contemporary Art, Chicago

Jenny Holzer

Hatje Cantz

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Books by Elizabeth A.T. Smith