The Microphone Book provides a fundamental background on how microphones operate. Detailed chapters analyze the different types of microphones including, among others, pressure and pressure gradient microphones; first order directional microphones, high directionality microphones, and wireless microphones. Chapters based on actual recording sessions/studio operations focus on different microphone applications in recording venues such as studio recording, classical recording, news gathering, and more. Surround sound is covered from both a creative and a technical viewpoint. The Microphone Book takes the reader into the studio or concert hall to see how performers are positioned and how the best microphone array is determined. Problem areas such as reflections, studio leakage and isolation are analyzed from practical viewpoints. Creative solutions to such matters as stereo sound staging, perspective, and balance are also covered in detail. Written by an internationally recognized author and consultant in the recording industry, The Microphone Book draws on the author's long experience with microphone technology and application to offer a comprehensive guide to recording and sound reinforcement engineers at all levels of expertise. *John Eargle won the 2001 scientific and engineering academy award for the concept, design and engineering of the modern constant-directivity, direct radiator style motion picture loudspeaker systems *Heavily illustrated with helpful diagrams, charts and equations *Examines problem areas and offers practical tips and solutions

The Microphone Book (Audio Engineering Society Presents)

Arts & Photography

Rayburn, Ray A.

Eargle, John

Music

Focal Press

Handbook of Recording Engineering

John Eargle's 4th edition of The Handbook of Recording Engineering is the latest version of his long-time classic hands-on book for aspiring recording engineers. It follows the broad outline of its predecessors, but has been completely recast for the benefit of today's training in recording and its allied arts and sciences. Digital recording and signal processing are covered in detail, as are actual studio miking and production techniques -- including the developing field of surround sound. As always, the traditional topics of basic stereo, studio acoustics, analog tape recording, and the stereo LP are covered in greater detail than you are likely to find anywhere except in archival references. This book has been completely updated with numerous new topics added and outdated material removed. Many technical descriptions are now presented in Sidebars, leaving the primary text for more general descriptions. Handbook of Recording Engineering, Fourth Edition is for students preparing for careers in audio, recording, broadcast, and motion picture sound work. It will also be useful as a handbook for professionals already in the audio workplace.

Business & Money

Job Hunting & Careers

Springer

Sound Recording

Engineering & Transportation

Engineering

Van Nostrand-Reinhold Co.

The Handbook of Recording Engineering is a logical outgrowth of the first two editions of Sound Recording. The ten years since the first edition have seen no slackening in the development of recording technology, and they have wit nessed an almost phenomenal growth in the teaching of recording and audio engineering at all academic levels. The earlier editions of Sound Recording have been widely used as texts at all educational levels, and it is the author's intent in the Handbook of Recording Engineering to produce a book which is even more suited to these purposes. At the same time, the book has been organized as a true handbook, which presents of reference material in easily accessible form. a broad array The organization of the book is unique in that it progresses as the signal transmission chain itself does-from the recording venue on through the micro phone, transmission channel, and finally to the listening environment. The first six chapters thus form a logical sequence, and the author recommends that in structors using the Handbook follow them accordingly. Chapter One presents a discussion of acoustical fundamentals, including an introduction to some basic psychoacoustical considerations having to do with performance spaces. Chapter Two covers the basic operating principles of mi crophones, while Chapter Three extends the discussion of microphones to cover the entire range of stereophonic imaging phenomena.

Science & Math

Van Nostrand-Reinhold

Complete info on microphone patterns, what they are and what they do. Sensitivity and what effects does it have. Placement, proximity &amp; distance. Several microphone polar patterns. Stereo usage, special conditions &amp; more!

Microphone Handbook

Elar Pub Co

Anyone interested in electronic sound reinforcement should have this book. The book introduces electrical fundamentals, & proceeds to acoustical fundamentals. The "Psychoacoustical Aspects" chapter is brief, dealing with the varying frequency response of the hearing system with changes in level, masking & critical bandwidth, echo perception & directional cues, besides concert hall requirements. High-frequency & low-frequency radiating systems are discussed, followed by special mid-frequency systems & "Dividing Networks-Component Matching." "System Architecture" is broad, including information on rational specification & functions with minimum distortion & noise. "System Intelligibility Criteria" is an important chapter. Included in the distributed & paging systems chapters are pew-back systems & information for all distributed systems. Artificial ambience systems (electronic reverberation & surround systems) information is current. The speech privacy & noise masking chapter provides the basics & engineering information for such systems. Chapters on high-level sound reproduction & theater sound reinforcement are "overviews" that may be expanded in the future. The final chapter concerns column loudspeakers & line arrays. All chapters are illustrated with understandable figures. There are also photographs & drawings of other manufacturers' products. Excellent chapter references are provided. Author of the Microphone Handbook, also published by ELAR, Eargle brings vision & experience to sound system engineering.

Handbook of Sound System Design

The second edition of Loudspeaker Handbook follows the same general outlines as the highly successful first edition and has been augmented and updated in many areas of technology. Most notable are the developments in large-scale, programmable line arrays, distributed mode loudspeakers, and ultrasonic-based audio transduction. Additionally, the core chapters on low frequency systems, system concepts, and horn systems have been expanded to include both more analytical material and a richer array of examples. Much of the success of the first edition has been due to its accessibility both to loudspeaker engineers and to lay technicians working in the field - a point of view the author maintains in the present work. A full understanding of the underlying technology requires a fairly rigorous engineering background through the second year of professional study. At the same time, the generous use of graphs, with their intuitive thrust, will be useful to all readers. Loudspeaker Handbook, Second Edition continues to be appropriate for use in courses at the undergraduate senior level, for graduate students, and for professionals in audio and acoustical engineering.

Loudspeaker Handbook

Computers & Technology

Computer Science

The second edition of Loudspeaker Handbook follows the same general outlines as the highly successful first edition and has been augmented and updated in many areas of technology. Most notable are the developments in large-scale, programmable line arrays, distributed mode loudspeakers, and ultrasonic-based audio transduction. Additionally, the core chapters on low frequency systems, system concepts, and horn systems have been expanded to include both more analytical material and a richer array of examples. Much of the success of the first edition has been due to its accessibility both to loudspeaker engineers and to lay technicians working in the field - a point of view the author maintains in the present work. A full understanding of the underlying technology requires a fairly rigorous engineering background through the second year of professional study. At the same time, the generous use of graphs, with their intuitive thrust, will be useful to all readers. Loudspeaker Handbook, Second Edition continues to be appropriate for use in courses at the undergraduate senior level, for graduate students, and for professionals in audio and acoustical engineering.

Handbook of Recording Engineering, 4th ED

SPRINGER (SIE) (2009-01-01)

See the best price to sell, buy, or rent books by Eargle, John. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Eargle, John

See the best price to sell, buy, or rent books by Eargle, John. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Microphone Book (Audio Engineering Society Presents)

Handbook of Recording Engineering

Sound Recording

Handbook of Recording Engineering

Microphone Handbook

Handbook of Sound System Design

Handbook of Recording Engineering

Loudspeaker Handbook

Loudspeaker Handbook

Handbook of Recording Engineering, 4th ED