An examination of India's bourgeois, its lifestyle and aspirations as manifested in fiction and film. It begins by looking at heroines and notions of idealized womanhood in a historical perspective, and examines how these are reworked in modern narratives, how conflicts are resolved and new models developed. A major theme is the redefinition of love and romance among the Indian middle classes, as part of the creation of a bourgeois individual revolving around love, romance and marriage. The book concentrates on the most radical of India's metropolitan bourgeoisies, that of the city of Mumbai (Bombay).

All You Want Is Money, All You Need Is Love: Sexuality and Romance in Modern India (Gender & Women's Studies/Literature & the Arts)

Politics & Social Sciences

Dwyer, Rachel

Social Sciences

Cassell

An examination of India's bourgeois, its lifestyle and aspirations as manifested in fiction and film. It begins by looking at heroines and notions of idealized womanhood in a historical perspective, and examines how these are reworked in modern narratives, how conflicts are resolved and new models developed. A major theme is the redefinition of love and romance among the Indian middle classes, as part of the creation of a bourgeois individual revolving around love, romance and marriage. The book concentrates on the most radical of India's metropolitan bourgeoisies, that of the city of Mumbai (Bombay).

All You Want Is Money, All You Need Is Love: Sex and Romance in Modern India (Gender & Women's Studies/Literature & the Arts)

History

Filming the Gods

Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas.  Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.

Filming the Gods: Religion and Indian Cinema

Reference

Routledge

Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.

Bollywood

Routledge, Taylor & Francis Group

As the largest producer of films in the world, Indian cinema is both a major industry and a distinctive art form that permeates daily life in that country and shapes emerging global cultures elsewhere. While much has been written on the history of Indian cinema, its iconography and aesthetics have yet to be analyzed as reflections of national and cultural identities. In this important new work, Rachel Dwyer and Divia Patel focus on the development of Bombay-based commercial cinema since 1913, exploring the symbolic role of settings and costumes in staging the nation and the function of makeup and hairstyles in defining notions of beauty, sexuality, and consumption. The authors also examine how factors such as ethnicity, modernization, and Westernization impact reception of film along caste, region, language, and religious lines. The economic influence of advertising in actually determining film content and the dissemination of its imagery are also discussed. Film studies scholars recently have begun to investigate advertising in the film industry and this book makes an important contribution to this emerging subfield in its engagement with Indian cinema and the impact of advertising on the culture at large.

Cinema India: The Visual Culture of Hindi Film

Humor & Entertainment

Movies

Rutgers University Press

As the largest producer of films in the world, Indian cinema is both a major industry and a distinctive art form that permeates daily life in that country and shapes emerging global cultures elsewhere. While much has been written on the history of Indian cinema, its iconography and aesthetics have yet to be analyzed as reflections of national and cultural identities. In this important new work, Rachel Dwyer and Divia Patel focus on the development of Bombay-based commercial cinema since 1913, exploring the symbolic role of settings and costumes in staging the nation and the function of makeup and hairstyles in defining notions of beauty, sexuality, and consumption. The authors also examine how factors such as ethnicity, modernization, and Westernization impact reception of film along caste, region, language, and religious lines. The economic influence of advertising in actually determining film content and the dissemination of its imagery are also discussed. Film studies scholars recently have begun to investigate advertising in the film industry and this book makes an important contribution to this emerging subfield in its engagement with Indian cinema and the impact of advertising on the culture at large.

This is a complete course in spoken and written Gujarati. If you have never learned Gujarati before, or if your skills need brushing up, Teach Yourself Gujarati is for you. Rachel Dwyer has created a practical course that is both fun and easy to work through. She explains everything clearly along the way and gives you plenty of opportunities to practice what you have learned. The course structure allows you to work at your own pace, arranging your learning to suit your needs. The course contains: Fifteen graded units of dialogues, culture notes, grammar, and exercises; A step-by-step pronunciation guide; A Gujarati-English vocabulary. By the end of the course you'll be able to cope with a whole range of situations and communicate fully and confidently with Gujarati-speaking people.

Gujarati: A Complete Course for Beginners (Teach Yourself) (English and Gujarati Edition)

Words, Language & Grammar

Teach Yourself

Teach Yourself Gujarati: A Complete Course for Beginners (Teach Yourself Series)

Yash Chopra

As a charismatic director in the Indian film industry, Chopra's name is synonymous with the glamour of the romantic film and a certain style within Indian culture. Spanning four decades, his directed features include some of the classic films of Indian film history, such as "Deewaar" and "Kabhi Kabhie". His directorial career began in 1959 with "Dhool Ka Phool" and he has been a major producer since 1973, consolidating his success in the 1990s with a series of huge box office hits including "Dilwale Dulhaniya Le Jayenge". He has also worked in other Hindi movie genres, directing action movies such as "Mashaal" and a thriller, "Darr". This book discusses in depth his work with the Hindi megastar Amitabh Bachanan in films such as "Deewaar", "Trishul", "Kala Patthar" and "Silsila" and how, in his transformation of the look of mainstream cinema in "Dil To Pagal Hai" and other films, Yash Chopra has proved to be a tireless innovator within a mainstream tradition. The author integrates this analysis with information about the man and his work, based on interviews with Yash Chopra, his family, his colleagues, his stars, his contemporaries and major critics that include views from Amitabh Bachchan, Shahrukh Khan, Shashi Kapoor and Sri Devi. A study of a top contemporary Indian film director, Rachel Dwyer's book also examines the influence on Chopra of predecessors such as Raj Kapoor and how his own legacy can be seen in such films as "Kuch Kuch Hota Hai" and younger directors such as Karan Johar and Aditya Chopra.

Arts & Photography

History & Criticism

British Film Institute

See the best price to sell, buy, or rent books by Dwyer, Rachel. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Dwyer, Rachel

See the best price to sell, buy, or rent books by Dwyer, Rachel. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

All You Want Is Money, All You Need Is Love: Sexuality and Romance in Modern India (Gender & Women's Studies/Literature & the Arts)

All You Want Is Money, All You Need Is Love: Sex and Romance in Modern India (Gender & Women's Studies/Literature & the Arts)

Filming the Gods: Religion and Indian Cinema

Filming the Gods

Bollywood

Cinema India: The Visual Culture of Hindi Film

Cinema India: The Visual Culture of Hindi Film

Gujarati: A Complete Course for Beginners (Teach Yourself) (English and Gujarati Edition)

Teach Yourself Gujarati: A Complete Course for Beginners (Teach Yourself Series)

Yash Chopra