The Pledge

DÜRRENMATT, FRIEDRICH

Mystery, Thriller & Suspense

Penguin Books, Ltd.

Play Strindberg: The Dance of Death

Literature & Fiction

Dramas & Plays

CAPE.

The physicists

The Physicists

Kirkup 1918, James

Vintage/Ebury (A Division of Random House Group)

Melodrama / Characters: 16 male, 4 femaleScenic Requirements: InteriorThe scene is a madhouse and the focus is on three inmates who are nuclear physicists. One thinks he is Newton and another, Einstein. The third has visitations from Solomon. They appear to be nice, likeable lunatics, but nothing is as simple as it seems. Are they really mad? Or are they playing some murderous game with the world as the stake? Who is earnest and who is the spy? Gradually we learn that each has been led down the path to moral destruction, past the signposts of truth, the purity of science, and personal responsibility. The asylum to which their paths have led them seems much saner than the mad world they've left behind. "Brooding over all is the head of the sanatorium, a psychiatrist, who has to enact the most frightening scene at the close of the play.... Mixes bizarre comedy and satire, sometimes extremely amusing, with a science fiction approach." Stage, London.

In 1935 Dr Isaak Kohler, a distinguished Zurich councilman, walks into a restaurant full of well-known politicians, businessmen and artists, and shoots a university professor in open view. For his crime, Kohler is sentenced to twenty years in prison. Dr Kohler, happy as a lark and infectiously content behind bars, sends for Spat, a young, down-on-his-luck lawyer and asks him to re-investigate his case on the supposition that he is innocent. Spat does the seemingly impossible - he manages to have the murderer acquitted - and in the process is driven to madness. The lawyer becomes obsessed with his intellectual enterprise and, seduced by the notion of justice, decides to murder the murderer. Durrenmatt tells the final part of the story in his own voice, and reveals the sorry fate that befalls Spat after he becomes the unwitting participant in Dr Kohler's conspiracy of revenge. The Execution of Justice is a brilliant allegorical thriller that dramatises the distinction between justice and the law.

The execution of justice

J. Cape

The Assignment: (Or) On Observing the Observer of the Observers

Agee, Joel

Mystery

The Swiss writer Friedrich Dürrenmatt (1921–90) was one of the most important literary figures of the second half of the twentieth century. During the years of the cold war, arguably only Beckett, Camus, Sartre, and Brecht rivaled him as a presence in European letters. Yet outside Europe, this prolific author is primarily known for only one work, The Visit. With these long-awaited translations of his plays, fictions, and essays, Dürrenmatt becomes available again in all his brilliance to the English-speaking world. Dürrenmatt’s concerns are timeless, but they are also the product of his Swiss vantage during the cold war: his key plays, gathered in the first volume of Selected Writings, explore such themes as guilt by passivity, the refusal of responsibility, greed and political decay, and the tension between justice and freedom. In The Visit, for instance, an old lady who becomes the wealthiest person in the world returns to the village that cast her out as a young woman and offers riches to the town in exchange for the life of the man, now its mayor, who once disgraced her. Joel Agee’s crystalline translation gives a fresh lease to this play, as well as four others: The Physicists, Romulus the Great, Hercules and the Augean Stables, and The Marriage of Mr. Mississippi. Dürrenmatt has long been considered a great writer—but one unfairly neglected in the modern world of letters. With these elegantly conceived and expertly translated volumes, a new generation of readers will rediscover his greatest works.

Friedrich Dürrenmatt: Selected Writings, Volume 1, Plays (Volume 1)

University of Chicago Press

The Swiss writer Friedrich Dürrenmatt (1921–90) was one of the most important literary figures of the second half of the twentieth century. During the years of the cold war, arguably only Beckett, Camus, Sartre, and Brecht rivaled him as a presence in European letters. Yet outside Europe, this prolific author is primarily known for only one work, The Visit. With these long-awaited translations of his plays, fictions, and essays, Dürrenmatt becomes available again in all his brilliance to the English-speaking world. Dürrenmatt’s essays, gathered in this third volume of Selected Writings, are among his most impressive achievements. Their range alone is astonishing: he wrote with authority and charm about art, literature, philosophy, politics, and the theater. The selections here include Dürrenmatt’s best-known essays, such as “Theater Problems” and “Monster Essay on Justice and Law,” as well as the notes he took on a 1970 journey in America (in which he finds the United States “increasingly susceptible to every kind of fascism”). This third volume of Selected Writings also includes essays that shade into fiction, such as “The Winter War in Tibet,” a fantasy of a third world war waged in a vast subterranean labyrinth—a Plato’s Cave allegory rewritten for our own troubled times. Dürrenmatt has long been considered a great writer—but one unfairly neglected in the modern world of letters. With these elegantly conceived and expertly translated volumes, a new generation of readers will rediscover his greatest works.

Friedrich Dürrenmatt: Selected Writings, Volume 3, Essays (Volume 3)

History & Criticism

Set in a small town in Switzerland, The Pledge centers around the murder of a young girl and the detective who promises the victim’s mother he will find the perpetrator. After deciding the wrong man has been arrested for the crime, the detective lays a trap for the real killer—with all the patience of a master fisherman. But cruel turns of plot conspire to make him pay dearly for his pledge. Here Friedrich Dürrenmatt conveys his brilliant ear for dialogue and a devastating sense of timing and suspense. Joel Agee’s skilled translation effectively captures the various voices in the original, as well as its chilling conclusion. One of Dürrenmatt’s most diabolically imagined and constructed novels, The Pledge was adapted for the screen in 2000 in a film directed by Sean Penn and starring Jack Nicholson.

Contemporary

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