Max Dupains's Australia

Dupain, Max

VIKING

Max Dupain

Arts & Photography

Photography & Video

David Ell Press

Max Dupain, who took Australia's most famous photograph, Sunbaker, loved the beach. This collection of Dupain's photographs is, by his own admission, among his 'best work'. In it we see Dupain's fascination with shadows, with sand patterns, with the arcs of seascape - and above all, with the people who indulged themselves on Australia's urban and country beaches over a period of sixty years. These images demonstrate how vital a part the beach plays in the Australian consciousness. Jill White, as custodian of Dupain's personal/exhibition archive, offers us here the opportunity to share his vision of the beach as a place of relaxation and renewal.

Dupain's beaches

Chapter & Verse

Max Dupain (1911-1992) is Australia's best known and most admired photographer. His famous Sunbaker (1937) graces the cover of DUPAIN'S BEACHES, the latest publication from Chapter & Verse, which contains a lovely selection of photographs from Dupain's vast archive. Photographer Jill White, Dupain's former personal assistant, chose the images from the exhibition archive which he bequeathed to her. Jill printed the photographs for the book and this show to celebrate its launch.

Dupain's Beaches

White, Jill

Cawood, Matthew

<div>In the Western media, stories about China seem to fall into one of two categories: China&rsquo;s astounding economic development or its human rights abuses. As human rights discourses follow increasingly hegemonic conventions, especially with regard to China, many of their key assumptions remain unexamined. This special issue-the second in a two-part series beginning with &ldquo;Cosmologies of the Human&rdquo;-critically investigates the relationship between China and the human as it plays out in law, politics, biopolitics, political economy, labor, medicine, and culture. The contributors interrogate the evolving meanings of &ldquo;China&rdquo; and &ldquo;the human,&rdquo; both inside China and internationally. 	The issue tracks the ways in which global discourses treat China-still officially socialist-as similar to, different from, and alternative to Western capitalist modernities. Several essays probe the modern theoretical underpinnings of human rights abuses in China, including a crucial distinction between &ldquo;the human&rdquo; and &ldquo;the people.&rdquo; Others review the impact of Maoism on Marxist debates in China and in the West, as well as the specific influences of Mao&rsquo;s writings on French politics and theory in the 1960s. A visual dossier compares eight contemporary Chinese artists, directors, and public image-makers in order to discuss the figure of the human from Tiananmen Square to the 2008 Beijing Olympics. While many contributors discuss China and the West comparatively, the issue interrogates the universalizing claims of both Western and Chinese norms of the human by privileging the local, particular, and eccentric. Contributors: Ackbar Abbas, Michael Dutton, David L. Eng, Doug Howland, Petrus Liu, Camille Robcis, Teemu Ruskola, Shuang Shen, Shu-mei Shih, Wang Xiaoming David L. Eng is Professor of English, Comparative Literature, and Asian American Studies at the University of Pennsylvania. He is the author ofThe Feeling of Kinship: Queer Liberalism and the Racialization of IntimacyandRacial Castration: Managing Masculinity in Asian America, both also published by Duke University Press. Teemu Ruskola is Professor of Law at Emory University and Visiting Professor of Law at Georgetown University (2011&ndash;12). Shuang Shen is Assistant Professor of Comparative Literature and Chinese at Pennsylvania State University. </div>

David Moore

Writelight Pty Ltd

A collection of outstanding images of Sydney spanning a period of more than seventy years, and showcasing the work of two generations of the Dupain family. Here, for the first time, the vision of father and son are presented together. Capturing both human and architectural landscapes, each photographer presents their particular take on life in the harbour city. Sydney is the constant factor in the linked, but non-overlapping photographic careers of Max and Rex Dupain, with certain places and motifs that echo between generations. Bondi, for instance, has been a hunting ground for both generations. So too, the harbour and the life of the streets. Rex has not consciously followed in his father¹s footsteps, but in photographing the city¹s landmarks, he is putting his own stamp on a motif closely associated with Max¹s distinctive vision. He can be assured that Sydney herself has not stood still, waiting for another Dupain to come along.

Inside Sydney

Travel

Dupain, Rex

Australia & South Pacific

New Holland Pub.

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Books by Dupain, Max