"...he is and will be always the magister, the singular Master of the Dance." ―Robert Creeley Speaking of his own work, Robert Duncan (1919-1987) said: "I make poetry as other men make war or make love or make states or revolutions: to exercise my faculties at large." The Opening of the Field, his first major collection, was originally brought out in 1960; in it, Duncan introduced his "Structures of Rime," the open series he continued in his subsequent collections, Roots and Branches (1964) and Bending the Bow (1968), Ground Work: Before the War (1983), and Ground Work II: In the Dark (1987). "Structures of Rime" affirms his belief in the universal integrity of the poem itself in the living process of language. Thus in "The Structure of Rime I" he declares: "O Lasting Sentence, / sentence after sentence I make in your image. In the feet that measure the dance of my pages I hear cosmic intoxications of the man I will be."

The opening of the field

Literature & Fiction

Duncan, Robert

Poetry

London: Jonathan Cape

Robert Duncan: The Collected Early Poems and Plays (The Collected Writings of Robert Duncan)

A landmark in the publication of twentieth-century American poetry, this first volume of the long-awaited collected poetry, non-critical prose, and plays of Robert Duncan gathers all of Duncan’s books and magazine publications up to and including Letters: Poems 1953–1956. Deftly edited, it thoroughly documents the first phase of Duncan’s distinguished life in writing, making it possible to trace the poet’s development as he approaches the brilliant work of his middle period. This volume includes the celebrated works Medieval Scenes and The Venice Poem, all of Duncan’s long unavailable major ventures into drama, his extensive “imitations” of Gertrude Stein, and the remarkable poems written in Majorca as responses to a series of collaged paste-ups by Duncan’s life-long partner, the painter Jess. Books appear in chronological order of publication, with uncollected periodical and other publications arranged chronologically, following each book. The introduction includes a biographical commentary on Duncan’s early life and works, and clears an initial path through the textual complexities of his early writing. Notes offer brief commentaries on each book and on many of the poems. The volume to follow, The Collected Later Poetry and Plays, will include The Opening of the Field (1960), Roots and Branches (1964), Bending the Bow (1968), Ground Work (1984), and Ground Work II (1987).

History & Criticism

University of California Press

Robert Duncan: The Collected Later Poems and Plays (Volume 3) (The Collected Writings of Robert Duncan)

Profoundly original yet insistent on the derivative quality of his work, transgressive yet affirmative of tradition, Robert Duncan (1919-1988) was a generative force among American poets, and his poetry and poetics establish him as a major figure in mid- and late- 20th-century American letters. This second volume of Robert Duncan’s collected poetry and plays presents authoritative annotated texts of both collected and uncollected work from his middle and late writing years (1958-1988), with commentaries on each of the five books from this period: The Opening of the Field, Roots and Branches, Bending the Bow, and the two volumes of Ground Work. The biographical and critical introduction discusses Duncan as a late Romantic and postmodern American writer; his formulation of a homosexual poetics; his development of the serial poem; the notation and centrality of sound as organizing principle; his relations with such fellow poets as Robin Blaser, Charles Olson, and Jack Spicer; his indebtedness to Alfred North Whitehead; and his collaborations with the painter Jess Collins, his lifelong partner. Texts include his anti-war poems of the 1960s and 70s, his homages to Dante and other canonical poets, and his translations from the French of Gérard de Nerval, as well as the complete Structure of Rime and Passages series.

This magisterial work, long awaited and long the subject of passionate speculation, is an unprecedented exploration of modern poetry and poetics by one of America’s most acclaimed and influential postwar poets. What began in 1959 as a simple homage to the modernist poet H.D. developed into an expansive and unique quest to arrive at a poetics that would fuel Duncan’s great work in the 1970s. A meditation on both the roots of modernism and its manifestation in the work of H.D., Ezra Pound, D.H. Lawrence, William Carlos Williams, Edith Sitwell, and many others, Duncan’s wide-ranging book is especially notable for its illumination of the role women played in creation of literary modernism. Until now, The H.D. Book existed only in mostly out-of-print little magazines in which its chapters first appeared. Now, for the first time published in its entirety, as its author intended, this monumental workat once an encyclopedia of modernism, a reinterpretation of its key players and texts, and a record of Duncan’s quest toward a new poeticsis at last complete and available to a wide audience.

The H.D. Book (The Collected Writings of Robert Duncan)

Robert Duncan: Collected Essays and Other Prose (Volume 4) (The Collected Writings of Robert Duncan)

This volume in the Collected Writings of Robert Duncan series gathers a far-reaching selection of Robert Duncan’s prose writings including most of his longer and more well-known essays along with other prose that has never been widely available. Ranging in original publication dates between 1940 and 1985, the forty-one titles reveal a great deal about Duncan’s life in poetry―including his impressions of poets whose work he admires, both contemporaries and precursors. Evocative and eclectic, this work delineates the intellectual contexts and sources of Duncan’s poetics, and opens a window onto the literary communities in which he participated.

This magisterial work, long awaited and long the subject of passionate speculation, is an unprecedented exploration of modern poetry and poetics by one of America’s most acclaimed and influential postwar poets. What began in 1959 as a simple homage to the modernist poet H.D. developed into an expansive and unique quest to arrive at a poetics that would fuel Duncan’s great work in the 1970s. A meditation on both the roots of modernism and its manifestation in the work of H.D., Ezra Pound, D.H. Lawrence, William Carlos Williams, Edith Sitwell, and many others, Duncan’s wide-ranging book is especially notable for its illumination of the role women played in creation of literary modernism. Until now, The H.D. Book existed only in mostly out-of-print little magazines in which its chapters first appeared. Now, for the first time published in its entirety, as its author intended, this monumental work―at once an encyclopedia of modernism, a reinterpretation of its key players and texts, and a record of Duncan’s quest toward a new poetics―is at last complete and available to a wide audience.

H.D. Book (The Collected Writings of Robert Duncan) (Volume 1)

Boughn, Michael

Coleman, Victor

Essays & Correspondence

This volume in the Collected Writings of Robert Duncan series gathers a far-reaching selection of Robert Duncan’s prose writings including most of his longer and more well-known essays along with other prose that has never been widely available. Ranging in original publication dates between 1940 and 1985, the forty-one titles reveal a great deal about Duncan’s life in poetry―including his impressions of poets whose work he admires, both contemporaries and precursors. Evocative and eclectic, this work delineates the intellectual contexts and sources of Duncan’s poetics, and opens a window onto the literary communities in which he participated.

A landmark in the publication of twentieth-century American poetry, this first volume of the long-awaited collected poetry, non-critical prose, and plays of Robert Duncan gathers all of Duncan’s books and magazine publications up to and including Letters: Poems 1953–1956. Deftly edited, it thoroughly documents the first phase of Duncan’s distinguished life in writing, making it possible to trace the poet’s development as he approaches the brilliant work of his middle period. This volume includes the celebrated works Medieval Scenes and The Venice Poem, all of Duncan’s long unavailable major ventures into drama, his extensive “imitations” of Gertrude Stein, and the remarkable poems written in Majorca as responses to a series of collaged paste-ups by Duncan’s life-long partner, the painter Jess. Books appear in chronological order of publication, with uncollected periodical and other publications arranged chronologically, following each book. The introduction includes a biographical commentary on Duncan’s early life and works, and clears an initial path through the textual complexities of his early writing. Notes offer brief commentaries on each book and on many of the poems. The volume to follow, The Collected Later Poetry and Plays, will include The Opening of the Field (1960), Roots and Branches (1964), Bending the Bow (1968), Ground Work (1984), and Ground Work II (1987).

Profoundly original yet insistent on the derivative quality of his work, transgressive yet affirmative of tradition, Robert Duncan (1919-1988) was a generative force among American poets, and his poetry and poetics establish him as a major figure in mid- and late- 20th-century American letters. This second volume of Robert Duncan’s collected poetry and plays presents authoritative annotated texts of both collected and uncollected work from his middle and late writing years (1958-1988), with commentaries on each of the five books from this period: The Opening of the Field, Roots and Branches, Bending the Bow, and the two volumes of Ground Work. The biographical and critical introduction discusses Duncan as a late Romantic and postmodern American writer; his formulation of a homosexual poetics; his development of the serial poem; the notation and centrality of sound as organizing principle; his relations with such fellow poets as Robin Blaser, Charles Olson, and Jack Spicer; his indebtedness to Alfred North Whitehead; and his collaborations with the painter Jess Collins, his lifelong partner. Texts include his anti-war poems of the 1960s and 70s, his homages to Dante and other canonical poets, and his translations from the French of Gérard de Nerval, as well as the complete Structure of Rime and Passages series.

Literary Nonfiction. Poetry History &amp; Criticism. Poetics. Latino/Latina Studies. LGBT Studies. Featuring Diane di Prima, Robert Duncan, Margaret Randall, Muriel Rukeyser, and Jack Spicer. Edited by David Hadbawnk and Sean Reynolds, erica kaufman, Meira Levinson, Bradley Lubin, Megan Paslawski, Kyle Waugh, Rachael Wilson, Ana Božičević, Rowena Kennedy-Epstein, and Margaret Randall, with General Editor Ammiel Alcalay. LOST &amp; FOUND: THE CUNY POETICS DOCUMENT INITIATIVE publishes unexpected, genre-bending works by important 20th century writers. Unearthed from personal and institutional archives in the United States and abroad, these materials are edited by doctoral students at the Graduate Center, CUNY. SERIES II is a collection of 6 chapbooks featuring Diane di Prima's Mysteries of Vision: Some Notes on H.D. and R.D.'S H.D. (on Robert Duncan); a transcription of Robert Duncan's Charles Olson Memorial Lecture; selections from the Mexico City-based literary magazine El Corno Emplumado [The Plumed Horn] by Margaret Randall; Selections from Muriel Rukeyser's Spanish Civil War Archive; and Jack Spicer's Beowulf. Edited, annotated, and with accompanying essays, The London Review of Books calls this "a serious and worthy enterprise." Diane di Prima calls the series "a gold mine" and Joanne Kyger writes: "What a brilliant cast of characters. Just exactly what one (myself) would like to read." SERIES II includes: Jack Spicer's Beowulf: Selections (Parts I &amp; II) (David Hadbawnk and Sean Reynolds, editors) Robert Duncan: Charles Olson Memorial Lecture (erica kaufman, Meira Levinson, Bradley Lubin, Megan Paslawski, Kyle Waugh, Rachael Wilson, and Ammiel Alcalay, editors) Diane di Prima: The Mysteries of Vision: Some Notes on H.D. (Ana Božičević, editor) Diane di Prima: R.D.'s H.D. (Ammiel Alcalay, editor) Barcelona, 1936: Selections from Muriel Rukeyser's Spanish Civil War Archive (Rowena Kennedy-Epstein, editor) Margaret Randall: Selections from El Corno Emplumado/The Plumed Horn (Margaret Randall, editor)

Lost & Found: The CUNY Poetics Document Initiative, Series II

Randall, Margaret

SPICER, Jack

DiPrima, Diane

RUKEYSER, Muriel

United States

The Center for the Humanities, The Graduate Center, CUNY

See the best price to sell, buy, or rent books by Duncan, Robert. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Duncan, Robert

See the best price to sell, buy, or rent books by Duncan, Robert. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The opening of the field

Robert Duncan: The Collected Early Poems and Plays (The Collected Writings of Robert Duncan)

Robert Duncan: The Collected Later Poems and Plays (Volume 3) (The Collected Writings of Robert Duncan)

The H.D. Book (The Collected Writings of Robert Duncan)

Robert Duncan: Collected Essays and Other Prose (Volume 4) (The Collected Writings of Robert Duncan)

H.D. Book (The Collected Writings of Robert Duncan) (Volume 1)

Robert Duncan: Collected Essays and Other Prose (Volume 4) (The Collected Writings of Robert Duncan)

Robert Duncan: The Collected Early Poems and Plays (The Collected Writings of Robert Duncan)

Robert Duncan: The Collected Later Poems and Plays (Volume 3) (The Collected Writings of Robert Duncan)

Lost & Found: The CUNY Poetics Document Initiative, Series II