A Partial History of Lost Causes: A Novel

Literature & Fiction

DuBois, Jennifer

United States

Random House Audio |

Partial History of (Lib)(CD)

Literary

BOOKS ON TAPE]

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY "Slate ""Cosmopolitan ""Salon BuzzFeed BookPage" Written with the riveting storytelling of authors like Emma Donoghue, Adam Johnson, Ann Patchett, and Curtis Sittenfeld, "Cartwheel "is a suspenseful and haunting novel of an American foreign exchange student arrested for murder, and a father trying to hold his family together. When Lily Hayes arrives in Buenos Aires for her semester abroad, she is enchanted by everything she encounters: the colorful buildings, the street food, the handsome, elusive man next door. Her studious roommate Katy is a bit of a bore, but Lily didn t come to Argentina to hang out with other Americans. Five weeks later, Katy is found brutally murdered in their shared home, and Lily is the prime suspect. But who is Lily Hayes? It depends on who s asking. As the case takes shape revealing deceptions, secrets, and suspicious DNA Lily appears alternately sinister and guileless through the eyes of those around her: the media, her family, the man who loves her and the man who seeks her conviction. With mordant wit and keen emotional insight, "Cartwheel" offers a prismatic investigation of the ways we decide what to see and to believe in one another and ourselves. In "Cartwheel, " duBois delivers a novel of propulsive psychological suspense and rare moral nuance. No two readers will agree who Lily is and what happened to her roommate. "Cartwheel" will keep you guessing until the final page, and its questions about how well we really know ourselves will linger well beyond. WINNER OF THE HOUSATONIC BOOK AWARD A smart, literary thriller for] fans of Gillian Flynn s"Gone Girl." "The Huffington Post" "" Psychologically astute . . . DuBois hits the] larger sadness just right and dispenses with all the salacious details you can readily find elsewhere. . . . The writing in "Cartwheel" is a pleasure electric, fine-tuned, intelligent, conflicted. The novel is engrossing, and its portraiture hits delightfully and necessarily close to home. "The New York Times Book Review" (Editor s Choice) Marvelous . . . a gripping tale . . . Every sentence crackles with wit and vision. Every page casts a spell. Maggie Shipstead, author of "Seating Arrangements" You ll] break your own record of pages read per minute as you tear through this book. "Marie Claire" Jennifer duBois is destined for great things. "Cosmopolitan" A convincing, compelling tale . . . The story plays out in all its well-told complexity. New York "Daily News" A] gripping, gorgeously written novel . . . The emotional intelligence in "Cartwheel "is so sharp it s almost ruthless a tabloid tragedy elevated to high art. Grade: ] A- " Entertainment Weekly" Sure-footed and psychologically calibrated . . . As the pages fly, the reader hardly notices that duBois has stretched the genre of the criminal procedural. "Newsday" Provocative, meaningful and suspenseful. "Chicago Tribune " Jennifer duBois is] heir to some of the great novelists of the past, writers who caught the inner lives of their characters and rendered them on the page in beautiful, studied prose. "Pittsburgh Post-Gazette" "From the Hardcover edition.""

Cartwheel: A Novel

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Slate • Cosmopolitan • Salon • BuzzFeed • BookPage Written with the riveting storytelling of authors like Emma Donoghue, Adam Johnson, Ann Patchett, and Curtis Sittenfeld, Cartwheel is a suspenseful and haunting novel of an American foreign exchange student arrested for murder, and a father trying to hold his family together. When Lily Hayes arrives in Buenos Aires for her semester abroad, she is enchanted by everything she encounters: the colorful buildings, the street food, the handsome, elusive man next door. Her studious roommate Katy is a bit of a bore, but Lily didn’t come to Argentina to hang out with other Americans. Five weeks later, Katy is found brutally murdered in their shared home, and Lily is the prime suspect. But who is Lily Hayes? It depends on who’s asking. As the case takes shape—revealing deceptions, secrets, and suspicious DNA—Lily appears alternately sinister and guileless through the eyes of those around her: the media, her family, the man who loves her and the man who seeks her conviction. With mordant wit and keen emotional insight, Cartwheel offers a prismatic investigation of the ways we decide what to see—and to believe—in one another and ourselves. In Cartwheel, duBois delivers a novel of propulsive psychological suspense and rare moral nuance. No two readers will agree who Lily is and what happened to her roommate. Cartwheel will keep you guessing until the final page, and its questions about how well we really know ourselves will linger well beyond. WINNER OF THE HOUSATONIC BOOK AWARD • Look for special features inside. Join the Random House Reader’s Circle for author chats and more. “A smart, literary thriller [for] fans of Gillian Flynn’s Gone Girl.”—The Huffington Post “Psychologically astute . . . DuBois hits [the] larger sadness just right and dispenses with all the salacious details you can readily find elsewhere. . . . The writing in Cartwheel is a pleasure—electric, fine-tuned, intelligent, conflicted. The novel is engrossing, and its portraiture hits delightfully and necessarily close to home.”—The New York Times Book Review (Editor’s Choice) “Marvelous . . . a gripping tale . . . Every sentence crackles with wit and vision. Every page casts a spell.”—Maggie Shipstead, author of Seating Arrangements “[You’ll] break your own record of pages read per minute as you tear through this book.”—Marie Claire “A convincing, compelling tale . . . The story plays out in all its well-told complexity.”—New York Daily News “[A] gripping, gorgeously written novel . . . The emotional intelligence in Cartwheel is so sharp it’s almost ruthless—a tabloid tragedy elevated to high art. [Grade:] A-”—Entertainment Weekly “Sure-footed and psychologically calibrated . . . Reviewers of duBois’s first novel, A Partial History of Lost Causes, called it brainy and beautiful, a verdict that fits this successor. . . . As the pages fly, the reader hardly notices that duBois has stretched the genre of the criminal procedural.”—Newsday “The power of Cartwheel resides in duBois’ talent for understanding how the foreign world can illuminate the most deeply held secrets we keep from others, and ourselves.”—Chicago Tribune

Random House Trade Paperbacks

A shocking crime triggers a media firestorm for a controversial talk show host in this provocative novel—a story of redemption, a nostalgic portrait of New York City, and a searing indictment of our culture of spectacle. One of the The New York Times’s “10 Books to Watch for in April” • “Jennifer duBois is a brilliant writer.”—Karen Russell, author of Vampires in the Lemon Grove Talk show host Matthew Miller has made his fame by shining a spotlight on the most unlikely and bizarre secrets of society, exposing them on live television in front of millions of gawking viewers. However, the man behind The Mattie M Show remains a mystery—both to his enormous audience and to those who work alongside him every day. But when the high school students responsible for a mass shooting are found to be devoted fans, Mattie is thrust into the glare of public scrutiny, seen as the wry, detached herald of a culture going downhill and going way too far. Soon, the secrets of Mattie’s past as a brilliant young politician in a crime-ridden New York City begin to push their way to the surface. In her most daring and multidimensional novel yet, Jennifer duBois vividly portrays the heyday of gay liberation in the seventies and the grip of the AIDS crisis in the eighties, alongside a backstage view of nineties television in an age of moral panic. DuBois explores an enigmatic man’s downfall through the perspectives of two spectators—Cel, Mattie’s skeptical publicist, and Semi, the disillusioned lover from his past. With wit, heart, and crackling intelligence, The Spectators examines the human capacity for reinvention—and forces us to ask ourselves what we choose to look at, and why. Praise for The Spectators With The Spectators, duBois is staking out larger literary territory. The new novel is full of small pleasures that accumulate as proof that this writer knows her stuff. . . . DuBois’s mastery of . . . details earns our trust as she expands The Spectators into a billowing meditation on the responsibility of public figures to contribute something worthwhile to the culture. Although her book takes place decades ago, duBois’s message has a contemporary urgency as well.”—The New York Times “Heart-rending and visceral . . . DuBois’s language is dexterous, and her pacing impressive. . . . The Spectators is a treatise on the media’s power and a finely wrought example of intimate pain.”—USA Today

The Spectators: A Novel

Random House]

FINALIST FOR THE PEN/HEMINGWAY PRIZE FOR DEBUT FICTION In Jennifer duBois’s mesmerizing and exquisitely rendered debut novel, a long-lost letter links two disparate characters, each searching for meaning against seemingly insurmountable odds. With uncommon perception and wit, duBois explores the power of memory, the depths of human courage, and the endurance of love. NAMED BY THE NATIONAL BOOK FOUNDATION AS A 5 UNDER 35 AUTHOR • WINNER OF THE CALIFORNIA BOOK AWARD GOLD MEDAL FOR FIRST FICTION • WINNER OF THE NORTHERN CALIFORNIA BOOK AWARD FOR FICTION • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY O: THE OPRAH MAGAZINE “Astonishingly beautiful and brainy . . . [a] stunning novel.”—O: The Oprah Magazine “I can’t remember reading another novel—at least not recently—that’s both incredibly intelligent and also emotionally engaging.”—Nancy Pearl, NPR In St. Petersburg, Russia, world chess champion Aleksandr Bezetov begins a quixotic quest: He launches a dissident presidential campaign against Vladimir Putin. He knows he will not win—and that he is risking his life in the process—but a deeper conviction propels him forward. In Cambridge, Massachusetts, thirty-year-old English lecturer Irina Ellison struggles for a sense of purpose. Irina is certain she has inherited Huntington’s disease—the same cruel illness that ended her father’s life. When Irina finds an old, photocopied letter her father wrote to the young Aleksandr Bezetov, she makes a fateful decision. Her father asked the chess prodigy a profound question—How does one proceed in a lost cause?—but never received an adequate reply. Leaving everything behind, Irina travels to Russia to find Bezetov and get an answer for her father, and for herself. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Salon • BookPage Praise for A Partial History of Lost Causes “A thrilling debut . . . [Jennifer] DuBois writes with haunting richness and fierce intelligence. . . . Full of bravado, insight, and clarity.”—Elle “DuBois is precise and unsentimental. . . . She moves with a magician’s control between points of view, continents, histories, and sympathies.”—The New Yorker “A real page-turner . . . a psychological thriller of great nuance and complexity.”—The Dallas Morning News “Terrific . . . In urgent fashion, duBois deftly evokes Russia’s political and social metamorphosis over the past thirty years through the prism of this particular and moving relationship.”—Publishers Weekly (starred review) “Hilarious and heartbreaking and a triumph of the imagination.”—Gary Shteyngart

The Dial Press

From Jennifer duBois, "one of a handful of living American novelists who can comprehend both the long arc of history and the minute details that animate it" (Karan Mahajan) and "a writer of thrilling psychological precision" (Justin Torres), comes a gripping new novel. In 2001, a few months after the death of her husband, Angela is devastated when she is ejected from her graduate program in linguistics at Harvard University. Soon after, she suffers a miscarriage. Spinning and raw, and with suppressed unresolved trauma, the young widow and her four-year-old child move into her mother's house. Trained with an understanding of spoken language as the essential foundation of thought, Angela finds underpaid work at the Center, a fledgling organization utilizing an experimental therapy aimed at helping nonspeaking patients with motor impairments. Through the Center, Angela begins to work closely with Sam, a twenty-eight-year-old patient who has been confined to his bedroom for most of his life. Sam quickly takes to the technology--and so does Angela. Her once deeply philosophical interest in language comes vividly to life through her interactions with Sam. Angela becomes intensely drawn to him, and their relationship soon turns intimate. When Sam's family discovers their relationship, they intervene and bring charges. As Angela tells her story from prison in the form of an unrepentant plea, we are plunged into the inner workings of her mind as she rejects all else in pursuit of a more profound understanding of language and humanity. As the sole narrator and perspective giver, Angela's understanding pushes and pulls us into ambiguity, and a Nabokovian hall of mirrors emerges as she tumbles deeper and deeper into obsession. Provocative and profound in its exploration of the basis of humanity, this is an extraordinary novel from one of our most acclaimed contemporary writers.

The Last Language: A Novel

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Social Sciences

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See the best price to sell, buy, or rent books by DuBois, Jennifer. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by DuBois, Jennifer

See the best price to sell, buy, or rent books by DuBois, Jennifer. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

A Partial History of Lost Causes: A Novel

Partial History of (Lib)(CD)

Cartwheel: A Novel

Cartwheel: A Novel

The Spectators: A Novel

A Partial History of Lost Causes: A Novel

The Last Language: A Novel

Now Hiring! Outdoor Jobs

Now Hiring!: Destination Resort Jobs