From its founding in 1919, the function and identity of the Bauhaus was mobilized by warring factions, as it passed through the guiding hands of its three directors (the apolitical Walter Gropius, the Communist Hannes Meyer and the progressive Mies van der Rohe). Even beyond the well-known controversies that arose between colleagues during the heroic Bauhaus years, the reception and legacy of the various Modernist icons associated with the Bauhaus led to dispute: Socialists, Communists, Nazis, Stalinists, Capitalists, Cold Warriors, student revolutionaries in the 1960s and later dissidents, all have created their own image of the Bauhaus. Bauhaus Conflicts 1919-2009 examines the critical reception of the legendary school, its teachers, students and pedagogical philosophy and the battles over its legacy that continue to this day.

Bauhaus Conflicts 1919-2009: Controversies and Counterparts

Arts & Photography

Droste, Magdalena

Breuer, Gerda

Etzold, Jörn

History & Criticism

Hatje Cantz

Bauhaus 1919-1933

Benedikt Taschen

Used. Very Good conditions. May have soft reading marks and name of the previous owner.

Archiv, Bauhaus

History

Taschen America, LLC

Bauhaus

Functional beauty: the seminal modernist movement Founded in Weimar in 1919, the Bauhaus school developed a revolutionary approach that fused fine art with craftsmanship and engineering in everything from architecture to furniture, typography, and even theater. Originally headed by Walter Gropius, the Bauhaus counted among its members artists and architects such as Paul Klee, Lyonel Feininger, Wassily Kandinsky, László Moholy-Nagy, and Marcel Breuer. In 1930, Ludwig Mies van der Rohe took over as the leader, but soon after, in 1933, the Nazi government shut down the school. During its fourteen years of existence, Bauhaus managed to change the faces of art, architecture, and industrial design forever and is still hugely influential today. About the Series: Each book in TASCHEN’s Basic Architecture Series features:<ul>
<li>an introduction to the life and work of the architect</li> <li>the major works in chronological order</li> <li>information about the clients, architectural preconditions as well as construction problems and resolutions</li> <li>a list of all the selected works and a map indicating the locations of the best and most famous buildings</li> <li>approximately 120 illustrations (photographs, sketches, drafts and plans)</li> </ul>

The Bauhaus: 1919 - 1933 : Reform and Avant-garde

Architecture

Best of Bauhaus: An in-depth study of the seminal movement in art and architecture The Bauhaus Archiv/Museum of Design in Berlin holds the most important collection on the Bauhaus today. Documents, workshop products from all areas of design, studies sketches in the classroom, and architectural plans and models are all part of its comprehensive inventory. The Bauhaus Archiv is dedicated to the study and presentation of the history of the Bauhaus, including the new Bauhaus in Chicago and the Hochschule für Gestaltung (Institute of Design) in Ulm. This book, drawn from the Archiv’s extensive collection, traces this monumental movement in art and architecture via the work of its most important proponents, including Walter Gropius, Marcel Breuer, Wassily Kandinsky, and Paul Klee.

Bauhaus: 1919 - 1933

The Bauhaus Archiv Museum of Design in Berlin holds the most important collection on the Bauhaus today. Documents, workshop products from all areas of design, studies sketches in the classroom, and architectural plans and models are all part of its comprehensive inventory. "The Bauhaus Archiv" is dedicated to the study and presentation of the history of the Bauhaus, including the new Bauhaus in Chicago and the Hochschule fur Gestaltung (Institute of Design) in Ulm. This book, drawn from the Archiv's extensive collection, traces this monumental movement in art and architecture via the work of its most important proponents, including Walter Gropius, Marcel Breuer, Vassily Kandinsky, and Paul Klee.

Collections, Catalogs & Exhibitions

Marcel Breuer, Design

Reference

Droste, M

Foreign Language Study & Reference

In a fleeting 14-year period between two world wars, Germany’s Bauhaus school of art and design changed the face of modernity. With utopian ideals for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology which they applied across artistic media and practices, from film to theater, sculpture to ceramics.
This book is made in collaboration with the Bauhaus-Archiv/Museum für Gestaltung in Berlin, the world’s largest collection on the history of the Bauhaus. Documents, studies, photographs, sketches, plans, and models record not only the realized works but also the leading principles and personalities of this idealistic creative community through its three successive locations in Weimar, Dessau, and Berlin. From informal shots of group gymnastics to drawings from a class taught by Paul Klee, from extensive architectural plans to an infinitely sleek ashtray by Marianne Brandt, the collection pulsates with the colors, materials, and geometries that made up the Bauhaus vision of a “total” work of art.
As we approach the school’s centenary, this is a defining account of its energy and rigor, not only as a trailblazing movement in modernism but also as a paradigm of art education, where creative expression and cutting-edge ideas led to simultaneously functional and beautiful creations. Featured artists include Josef Albers, Marianne Brandt, Walter Gropius, Gertrud Grunow, Paul Klee, Ludwig Mies van der Rohe, and Lilly Reich.

Bauhaus: 1919-1933

Religion & Spirituality

Taschen

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