This highly acclaimed introduction to the medieval lyric during the period 850-1300 is now reissued in a third edition, which includes a new preface and substantial new bibliographical indications. After an introductory discussion of the performers and performance of lyrics in the middle ages, each chapter analyses one of the major lyrical genres. While the rise of religious lyric and the transformations of love-lyric receive the fullest treatment, there are also chapters on women's songs, on the alba, on dance-songs, and on `lyrics of realism'. Each chapter centres on close critical discussion of outstanding lyrics, with generous quotation of texts and translations.

The medieval lyric (Modern languages and literature)

Literature & Fiction

Dronke, Peter

History & Criticism

Hutchinson

Poetic individuality in the Middle Ages: New departures in poetry, 1000-1150

Poetry

Clarendon P.

Medieval Latin and the rise of European love-lyric

Oxford University Press

This book gives a detailed picture of the contributions made by women writers to Western literature from the third century to the thirteenth. Many of the texts Peter Dronke presents and interprets have hitherto remained unknown, or virtually inaccessible; some have never been edited or translated before. The emphasis throughout is on personal testimonies, and on texts that have notable literary or intellectual interest. Thus the book affords many new insights into medieval literature, not only into the writings of renowned women such as Hrotsvitha or Heloise, but also into those of a number of neglected writers who are exceptional in their gifts and individuality. Already highly influential, Women Writers of the Middle Ages continues to be essential reading for specialists and students alike in medieval literature, medieval intellectual history, and women's studies.

Women Writers of the Middle Ages: A Critical Study of Texts from Perpetua to Marguerite Porete

Cambridge University Press

This book gives a detailed picture of the contributions made by women writers to Western literature from the third century to the thirteenth. Many of the texts Peter Dronke presents and interprets have hitherto remained unknown, or virtually inaccessible; some have never been edited or translated before. The emphasis throughout is on personal testimonies, and on texts that have notable literary or intellectual interest. Thus the book affords many new insights into medieval literature, not only into the writings of renowned women such as Hrotsvitha or Heloise, but also into those of a number of neglected writers who are exceptional in their gifts and individuality. Already highly influential, Women Writers of the Middle Ages continues to be essential reading for specialists and students alike in medieval literature, medieval intellectual history, and women's studies.

Dante and Medieval Latin Traditions

In this book, Peter Dronke illustrates how medieval Latin traditions can help us to understand Dante's great poem 'The Divine Comedy'. He first discusses medieval conceptions of allegory and vision, image and metaphor, symbol and myth, as well as some of Dante's own insights into the nature of poetic meaning. Later chapters relate particular moments in the Comedy - the giants in Inferno, the apocalyptic showings in Purgatorio, and the solar heaven in Paradiso - to Dante's Latin inheritance. All quotations from Italian are accompanied by English translations.

Peter Dronke is one of the most eminent scholars of medieval literature, and in this new book he illustrates a number of ways in which medieval Latin traditions can help us to understand Dante's great poem, The Divine Comedy. The first chapter of the book includes both an account of those medieval conceptions of allegory and vision, image and metaphor, symbol and myth that are most relevant to Dante's poetry, and a discussion of some of Dante's own insights into the nature of poetic meaning. Later chapters focus on particular moments in the Comedy - the giants in Inferno, the apocalyptic showings in Purgatorio, and the solar heaven in Paradiso - relating these moments to Dante's rich and varied Latin inheritance, and suggesting how this approach can bring the poetry to life for modern readers. All quotations from Italian are accompanied by English translations.

Peter Dronke illuminates a unique literary tradition: the narrative that mixes prose with verse. Highlighting a wide range of texts, he defines and explores the creative ways in which mixed forms were used in Europe from antiquity through the thirteenth century. Verse with Prose distinguishes for the first time some of the most significant uses of mixed forms. Dronke looks at the way prose and verse elements function in satirical works, beginning in the third century B.C. with Menippus. He examines allegorical techniques in the mixed form, giving especially rewarding attention to Boethius' Consolation of Philosophy. His lucid analysis encompasses a feast of medieval sagas and romances, ranging from Iceland to Italy, including vernacular works by Marguerite Porete in France and Mechthild in Germany. A number of the medieval Latin texts presented have remained virtually unknown, but emerge here as narratives with unusual and at times brilliant literary qualities. To enable not only specialists but all who love literature to respond to the works discussed, they are quoted in fresh translations, as well as in the originals.

Verse with Prose from Petronius to Dante: The Art and Scope of the Mixed Form (Carl Newell Jackson Lectures)

Harvard University Press

This highly acclaimed introduction to the medieval lyric during the period 850-1300 is now reissued in a third edition, which includes a new preface and substantial new bibliographical indications. After an introductory discussion of the performers and performance of lyrics in the middle ages, each chapter analyses one of the major lyrical genres and centres on close critical discussion of outstanding lyrics, with generous quotation of texts and translations. While the rise of religious lyric and the transformations of love-lyric receive the fullest treatment, there are also chapters on women's songs, on the alba, on dance-songs, and on `lyrics of realism'.

The Medieval Lyric

BOYE6

See the best price to sell, buy, or rent books by Dronke, Peter. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Dronke, Peter

See the best price to sell, buy, or rent books by Dronke, Peter. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The medieval lyric (Modern languages and literature)

The medieval lyric (Modern languages and literature)

Poetic individuality in the Middle Ages: New departures in poetry, 1000-1150

Medieval Latin and the rise of European love-lyric

Women Writers of the Middle Ages: A Critical Study of Texts from Perpetua to Marguerite Porete

Women Writers of the Middle Ages: A Critical Study of Texts from Perpetua to Marguerite Porete

Dante and Medieval Latin Traditions

Dante and Medieval Latin Traditions

Verse with Prose from Petronius to Dante: The Art and Scope of the Mixed Form (Carl Newell Jackson Lectures)

The Medieval Lyric