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Rolling Stone Magazine: The Uncensored History

DRAPER, Robert

History

Harpercollins

Honorable Mention, Carr P. Collins Award for Best Book of Nonfiction, 2006
Grover Lewis was one of the defining voices of the New Journalism of the 1960s and 1970s. His wry, acutely observed, fluently written essays for Rolling Stone and the Village Voice set a standard for other writers of the time, including Hunter S. Thompson, Joe Eszterhas, Timothy Ferris, Chet Flippo, and Tim Cahill, who said of Lewis, "He was the best of us." Pioneering the "on location" reportage that has become a fixture of features about moviemaking and live music, Lewis cut through the celebrity hype and captured the real spirit of the counterculture, including its artificiality and surprising banality. Even today, his articles on Woody Guthrie, the Allman Brothers, the Rolling Stones concert at Altamont, directors Sam Peckinpah and John Huston, and the filming of The Last Picture Show and One Flew over the Cuckoo's Nest remain some of the finest writing ever done on popular culture.
To introduce Grover Lewis to a new generation of readers and collect his best work under one cover, this anthology contains articles he wrote for Rolling Stone, Village Voice, Playboy, Texas Monthly, and New West, as well as excerpts from his unfinished novel The Code of the West and his incomplete memoir Goodbye If You Call That Gone and poems from the volume I'll Be There in the Morning If I Live. Jan Reid and W. K. Stratton have selected and arranged the material around themes that preoccupied Lewis throughout his life—movies, music, and loss. The editors' biographical introduction, the foreword by Dave Hickey, and a remembrance by Robert Draper discuss how Lewis's early struggles to escape his working-class, anti-intellectual Texas roots for the world of ideas in books and movies made him a natural proponent of the counterculture that he chronicled so brilliantly. They also pay tribute to Lewis's groundbreaking talent as a stylist, whose unique voice deserves to be more widely known by today's readers.

Splendor in the Short Grass: The Grover Lewis Reader

Lewis, Grover

Jan Reid

W.K. Stratton

Humor & Entertainment

University of Texas Press

Literature & Fiction

United States

Describes the development of the musical style of the rock band ZZ Top, and depicts the lives of the group's members

Zz Top

Arts & Photography

Music

Ballantine Books

An illustrated biography of the career of one of California's most charismatic front men and the five talented musicians who back him. Discography. Videography

Huey Lewis & the News

Biographies & Memoirs

Arts & Literature

This striking debut novel is an intensely powerful story of imprisonment, both behind walls and within the personal confines of human relationships. Shepherdsville, East Texas, is a town defined--architecturally, financially, and socially--by its state penitentiaries, among them the bleak Hope Prison Farm. It's a town where virtually every inhabitant is either an inmate or a prison employee, a town where crime literally pays. Shepherdsville's two most famous citizens are Sonny Hope, its larger-than-life prison director, and Hadrian Coleman, its most notorious convict. Their friendship since boyhood has followed a pattern of mutual dependence, keeping them at once in collusion and on opposite sides of the law. At age fifteen, introspective and emotionally vulnerable, Hadrian killed a man and was sentenced to fifty years at Hope Farm. However, twenty years later, he achieves the unthinkable and escapes from the prison. After years of life on the run, he's summoned back to Shepherdsville to receive a full governor's pardon secured by Sonny, who now runs the prison and, by extension, the town. Hadrian knows that Sonny's motives are not entirely clean, that this is a favor that will require something in return. When the nature of that payment is finally made clear, he must determine who really owes what to whom and whether carrying out Sonny's demand will result in a lifetime spent in his power. As Hadrian vacillates between loyalty to his friend and the struggle to do right, he is pulled toward a final showdown with Sonny--a crisis that will not only change the lives of the two men but also finally free Hadrian from Shepherdsville and from his past. Hadrian's Walls won the Steven Turner Award, given by The Texas Institute of Letters for the best first work of fiction.

Hadrian's Walls

KNOPF

Inside information from more than two hundred "Rolling Stone" employees, contributors, and groupies recounts the magazine's evolution

DOUBLEDAY

One of BookPage's Best Books of 2020 "The detailed, nuanced, gripping account of that strange and complex journey offered in Robert Draper's To Start a War: How the Bush Administration Took America Into Iraq is essential reading--now, especially now&nbsp;. . .&nbsp;Draper's account [is] one for the ages&nbsp;. . .&nbsp;A must-read for all who care about presidential power."&nbsp;--The Washington Post From the author of the New York Times bestseller Dead Certain comes the definitive, revelatory reckoning with arguably the most consequential decision in the history of American foreign policy--the decision to invade Iraq. Even now, after more than fifteen years, it is hard to see the invasion of Iraq through the cool, considered gaze of history. For too many people, the damage is still too palpable, and still unfolding. Most of the major players in that decision are still with us, and few of them are not haunted by it, in one way or another. Perhaps it's that combination, the passage of the years and the still unresolved trauma, that explains why so many protagonists opened up so fully for the first time to Robert Draper. Draper's prodigious reporting has yielded scores of consequential new revelations, from the important to the merely absurd. As a whole, the book paints a vivid and indelible picture of a decision-making process that was fatally compromised by a combination of post-9/11 fear and paranoia, rank naïveté, craven groupthink, and a set of actors with idées fixes who gamed the process relentlessly. Everything was believed; nothing was true. The intelligence failure was comprehensive. Draper's fair-mindedness and deep understanding of the principal actors suffuse his account, as does a storytelling genius that is close to sorcery. There are no cheap shots here, which makes the ultimate conclusion all the more damning. In the spirit of Barbara Tuchman's The Guns of August and Marc Bloch's Strange Defeat, To Start A War will stand as the definitive account of a collective process that arrived at evidence that would prove to be not just dubious but entirely false, driven by imagination rather than a quest for truth--evidence that was then used to justify a verdict that led to hundreds of thousands of deaths and a flood tide of chaos in the Middle East that shows no signs of ebbing.

To Start a War: How the Bush Administration Took America into Iraq

Middle East

Penguin Press

“Essential . . . one for the ages . . . a must read for all who care about presidential power.” —The Washington Post\n“Authoritative . . . The most comprehensive account yet of that smoldering wreck of foreign policy, one that haunts us today.” —LA Times\nOne of BookPage's Best Books of 2020\nTo Start a War paints a vivid and indelible picture of a decision-making process that was fatally compromised by a combination of post-9/11 fear and paranoia, rank naïveté, craven groupthink, and a set of actors with idées fixes who gamed the process relentlessly. Everything was believed; nothing was true. Robert Draper’s fair-mindedness and deep understanding of the principal actors suffuse his account, as does a storytelling genius that is close to sorcery. There are no cheap shots here, which makes the ultimate conclusion all the more damning.\nIn the spirit of Barbara W. Tuchman’s The Guns of August and Marc Bloch’s Strange Defeat, To Start A War will stand as the definitive account of a collective scurrying for evidence that would prove to be not just dubious but entirely false—evidence that was then used to justify a verdict that led to hundreds of thousands of deaths and a flood tide of chaos in the Middle East that shows no signs of ebbing.

Penguin??Books

The disturbing eyewitness account of how a new breed of Republicans—led by Marjorie Taylor Greene, Paul Gosar, Matt Gaetz, Lauren Boebert, and Madison Cawthorn—far from moving on from Trump, have taken the politics of hysteria to even greater extremes and brought American democracy to the edge\nThe violent insurrection at the U.S. Capitol on January 6, 2021, was a terrible day for American democracy, but many people dared to hope that at least it would break the fever that had overcome the Republican Party and banish Trump's relentless lies about the stealing of the 2020 election. That is not what happened. Instead, “the big steal” has become dogma among an ever-higher percentage of American Republicans. What happened to the Republican Party, and America, during the Trump presidency is a story we more or less think we know. What has happened to the party since, it turns out, is even more disquieting. That is the story Robert Draper tells in Weapons of Mass Delusion.\nThrough his extraordinarily intrepid cross-country reporting, Draper chronicles the road from January 6 to the 2022 midterms among the Republican base and in the U.S. Congress, rendering unforgettable portraits of how Marjorie Taylor Greene and her ilk came to shape their party’s terms of engagement to an extent that would have been unimaginable even five years ago. He also brings to life the efforts of a dwindling group of Republicans who are willing to push back against the falsehoods, in the face of a group of ascendent demagogues who are merrily weaponizing them. With a base whipped up into a perpetual frenzy of outrage by conspiracy theories—not just about the big steal but about COVID and vaccines, pedophilia and Antifa and Black Lives Matter and George Soros and President Obama, and on and on and on—the forces of reason within the GOP are on the defensive, to put it mildly. The book also benefits greatly from reporting conducted in Texas, Arizona, Georgia, New Hampshire, and other bellwether states in the country of the mind one might call a fever of undending conspiracies.\nRobert Draper has been a wise, fearless, and fair-minded chronicler of the American political scene for over twenty-five years. He has seen the good, the bad, and the ugly. He has never seen it this ugly. Ultimately, this book tells the story of a fearful test of our ability, as a country, to hold together a system of government grounded in truth and the rule of law. Written on the eve of the 2022 midterm elections, Draper’s account of a party teetering on the precipice of madness reveals how the GOP fringe became its center of gravity.

Weapons of Mass Delusion: When the Republican Party Lost Its Mind

Politics & Social Sciences

Social Sciences

See the best price to sell, buy, or rent books by DRAPER, Robert. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by DRAPER, Robert

See the best price to sell, buy, or rent books by DRAPER, Robert. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Rolling Stone Magazine: The Uncensored History

Splendor in the Short Grass: The Grover Lewis Reader

Splendor in the Short Grass: The Grover Lewis Reader

Zz Top

Huey Lewis & the News

Hadrian's Walls

Rolling Stone Magazine: The Uncensored History

To Start a War: How the Bush Administration Took America into Iraq

To Start a War: How the Bush Administration Took America into Iraq

Weapons of Mass Delusion: When the Republican Party Lost Its Mind