Published in conjunction with an exhibition organized by the Tacoma Art Museum, Tacoma, Washington, March-June 1995, also presented in modified form at Reed College, Portland, Oregon, August-October 1995. Presents an overview of the visual arts in the Northwest architecture, painting, sculpture, and crafts in the historical and economic context of postwar development, reflecting the decade's popular belief in progress along with its anxiety. Heavily illustrated in b&amp;w, with ten pages of color. Annotation copyright Book News, Inc. Portland, Or.

Jet Dreams: Art of the Fifties in the Northwest

Arts & Photography

Douglas F. Cooley Memorial Art Gallery

Tacoma Art Museum

History & Criticism

Univ of Washington Pr

This is the catalogue for a 1998 exhibition held at Reed College, Portland Oregon. The artist's name guud san glans, Robert Davidson combines his Haida and his English names. Twenty-four color plates display his totem poles, which draw from Northwest coast Indian tradition but extend that vocabulary to incorporate new ideas. An introduction (by Susan Fillin-Yeh) and an interpretive essay (by curator Rhyne) offer context and interpretation; an annotated bibliography suggests further resources. The exhibition checklist also includes sculpture, masks, jewelry, paintings, and prints, but these are not pictured. Distributed by U. of Washington Press. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Expanding the Circle: The Art of Guud San Glans, Robert Davidson

Davidson, Robert

Fillin-Yeh, Susan

Rhyne, Charles S.

Photographs taken by MacArthur fellow Robert Adams since the late 1960s have decisively changed the ways many think about the American West. As we enter the 21st century, it is no surprise that environmental urgencies, including his own very deeply felt concerns, have shaped thinking about Adams's art. This volume surveys Adams's work since its beginnings to offer a new, thematic approach to its layered meanings and complexities and includes previously unpublished photographs.

Sunlight, Solitude, Democracy, Home: Photographs by Robert Adams

Rubinfien, Leo

ADAMS, ROBERT

Individual Artists

Douglas F Cooley Memorial Art

What Is a Man? enriches our understanding of the paradigm shift produced by feminist theory, that gender is constructed, not ìnatural,î and is political. Indeed, Kampenís essay explores new ground, for as she points out, ìfew scholars until very recently have written about the way that gender as a category illuminates our understanding of manhood, and fewer still are the archaeologists and art historians who have studied masculinity in late antiquity.î Kampen draws on pioneering studies of sexuality in classical art, including her own work, to direct attention to the many social and artistic masculinities in play in the late Roman world. What Is a Man? gathers together a diverse group of objects, including portrait sculpture, sarcophagus fragments, pottery, ivory carving, textiles, and coins. All the objects are illustrated in color.

What Is a Man?: Changing Images of Masculinity in Late Antique Art

Kampen, Natalie Boymel

Marlowe, Elizabeth Mae

Molholt, Rebecca Marie

. large format, slight wear to covers, contents clean, 1996

Hogarth and the Shows of London

Stevens, Andrew

Helen Foresman Spencer Museum of Art

Hogarth, William

Elvehjem Museum of Art

Drawing

Chazen Museum of Art

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Books by Douglas F. Cooley Memorial Art Gallery