A pumpkin is transformed into a coach. Bluebeard's young wife unlocks the door of the forbidden room. Children lost in the forest find shelter, but the house belongs to an ogre. These and many other scenes from the stories of Charles Perrault reach deep into the imagination and are never forgotten. Now, in this scintillating new translation, the fairy tales of Perrault--stories that are known and loved around the world--are available in a beautiful gift edition. This superb translation by Christopher Betts exactly captures the tone and flavor of Perrault's world, and the delightful spirit of the originals. In addition to the classic prose tales--including The Sleeping Beauty in the Wood, Little Red Riding-Hood, Bluebeard, Puss in Boots, Cinderella, and Hop o' my Thumb--this new translation adds Perrault's tales in verse: a long poem on the subject of Patient Griselda; the notorious Donkey-Skin, often expunged from nineteenth-century collections; and the comic Three Silly Wishes. Bett's introduction deftly illuminates why in Perrault's hands these humble fairly tales have such great imaginative power, showing how they transmute into vivid fantasies the hidden fears and conflicts by which children are affected--fears of abandonment, conflicts with siblings and parents--and resolve so satisfactorily the problems experienced by children during the process of growing up. The volume also includes appendices on related tales and selected variants, a bibliography, chronology, and notes. With twenty-six stunning illustrations by Gustave Doré, an attractive ribbon marker, and colorful end papers, this wonderful collection of Perrault's fairy tales will make a delightful gift for children of any age.

The Complete Fairy Tales (Oxford World's Classics Hardcovers)

Literature & Fiction

Doré, Gustave

Betts, Christopher

PERRAULT, CHARLES

Literary

Oxford University Press

Why the Mariner stops three young men bidden to a wedding feast makes a fascinating and morally rich tale told in rhyme. In the seaman's story, the very simple act of shooting an albatross brings terrifying bad luck--and until the Mariner understands the meaning of what he has done, there can be no repentance. Just like the wedding guest in the poem, who feels himself compelled to listen, readers will become spellbound by the rhythm, language, and complexity of Coleridge's timeless classic. Doré's marvelous drawings capture all the mysterious atmosphere of the poem's events and many locations, from the most elegant mansions to the wild open sea.

The Rime of the Ancient Mariner

COLERIDGE, SAMUEL TAYLOR

Arts & Photography

Cassell

Le Capitaine Fracasse... (French Edition)

GAUTIER, Théophile

History

Wentworth Press

The First Mortgage

Cook, E. U.

Franklin Classics

French illustrator Gustave Doré (1833-83) began his prolific career at the age of 15, and his dramatic engravings have exercised an incalculable influence over latter-day artists. The remarkable scope of his work ranges from Milton, Dante, and the Bible to Rabelais, Shakespeare, and street scenes of 19th-century London.Nowhere but in the Bible were dramatic textual material and the artistry of Gustave Doré more perfectly matched. The Book of Books seemed to unleash a new power of creation in Doré not apparent in his previous work. In the Creation scenes, the horrifying visions of the Flood, the battle sequences with their monumental crowds, the plates depicting the life of Jesus - many of which have now become the standard iconography - and finally the vision of the New Jerusalem, Doré reached the fullest expressions of his extraordinary talent. This book collects all 241 plates - long out of print - that Doré executed for the Bible. In these plates, reproduced from outstanding early editions, the artist not only captures the dramatic intensity of the Scriptures, but sustains it longer than any other single artist was able to do. In addition, Doré reimagined all the scenes, so that what he produced was not a mere reworking of what centuries of other artists had already done, but a new and fresh visual interpretation of the Bible. Each plate is accompanied by the verses from the Authorized (King James) Version of the Bible that the scene depicts, and an Introduction by Millicent Rose covers Doré's life and art in general. This is a sumptuous book that everyone, from those interested in Scripture to lovers of great art, will be proud to possess.

The Doré Bible illustrations

Graphic Design

Dover Publications. Inc.

Gustave Doré (1832–83) was perhaps the most successful illustrator of the nineteenth century. His Doré Bible was a treasured possession in countless homes, and his best-received works continued to appear through the years in edition after edition. His illustrations for Dante's Divine Comedy constitute one of his most highly regarded efforts and were Doré's personal favorites. The present volume reproduces with excellent clarity all 135 plates that Doré produced for The Inferno, Purgatory, and Paradise. From the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise, Doré's illustrations depict the passion and grandeur of Dante's masterpiece in such famous scenes as the embarkation of the souls for hell, Paolo and Francesca (four plates), the forest of suicides, Thaïs the harlot, Bertram de Born holding his severed head aloft, Ugolino (four plates), the emergence of Dante and Virgil from hell, the ascent up the mountain, the flight of the eagle, Arachne, the lustful sinners being purged in the seventh circle, the appearance of Beatrice, the planet Mercury, and the first splendors of paradise, Christ on the cross, the stairway of Saturn, the final vision of the Queen of Heaven, and many more. Each plate is accompanied by appropriate lines from the Henry Wadsworth Longfellow translation of Dante's work.

The Dore Illustrations for Dante's Divine Comedy (136 Plates by Gustave Dore)

History & Criticism

Dover Publications

Generous sampling of Doré’s magnificent illustrations for Rabelais’ Gargantua and Pantagruel, including all 60 original full-page illustrations and 192 smaller works—all meticulously reproduced from rare original editions. Captions.

Doré's Illustrations for Rabelais

Individual Artists

Gustave Doré (1832–1883) was the greatest illustrator of 19th-century France and the leading book illustrator of his day. His startling conceptions and brooding surreal imagery lent overwhelming power to his often definitive illustrations of the classics: The Divine Comedy, Gargantua, and Pantagruel, The Rime of the Ancient Mariner, and the Bible, among others. In 1879, having produced over 90 illustrated books, he published the last major work of his illustrious career: 618 illustrations for Ludovico Ariosto's magnificent epic poem, Orlando Furioso. Little known today, the work contains some of Doré's finest illustrations. Ariosto's poem combines medieval legends of King Arthur and Charlemagne in a long, complex narrative involving scores of characters, numerous interweaving subplots, and many interpolated tales. The conflict of Christian versus Moor provides the epic background of the work. The present volume contains 208 of Doré's finest illustrations for the poem, painstakingly reproduced from a beautifully printed 19th-century German edition. Included are all 81 full-page plates, the large frontispiece, many other illustrations that fill an entire Dover page, and a generous sampling of smaller, chiefly zinc-engraved plates. The latter consist of many lively and felicitous drawings reproduced directly from Doré's originals without the intermediate service of his team of wood engravers. Ariosto's extended saga provided an almost endless succession of characters, creatures, and events upon which Doré lavished the skill and experience of a lifetime. The illustrations range from brilliant quick sketches to highly finished and shaded studies, many of which convey and incomparable feeling of metaphysical gloom. Desolate landscapes, ghostly castles, and titanic battles furnish darkly romantic settings in which tiny human figures often appear overwhelmed — helpless pawns of destiny. Against this stark backdrop, a panorama of jousting knights, damsels in distress, heroic deeds, romantic interludes, and mystical events comes to life under Doré's exuberant pen style. His haunting interpretations, suffused with a shadowy mysticism, seem the perfect visual expression of Ariosto's monumental historico mythological tableau. For this edition, Stanley Appelbaum has selected illustrations and provided captions describing the scene depicted, with appropriate canto and stanza numbers. He has also provided an informative introduction and plot summary. Anyone interested in the special artistic magic that results from the fusion of great art and great literature will want to add this inexpensive reprint of one of Doré's finest achievements to their bookshelves.

Doré's Illustrations for Ariosto's "Orlando Furioso": A Selection of 208 Illustrations (Dover Fine Art, History of Art)

"His Don Quixote … from its first to its last page [is] a marvel of imagination, poetry, sentiment, and sarcasm. . . . People still speak of it only as 'Doré's Don Quixote'." — Life and Reminiscences of Gustave Doré Doré himself had something of Quixote's chivalry and spent an arduous life drafting impossible dreams; he knew fame as well as pain, disillusionment, and failure. At age 30 he was ready for Quixote and prepared to realize his dream of illustrating the world's great books. Doré never became the painter he yearned to be, but he came very close to realizing his desired intimacy with the classics. His sympathy with Cervantes' satire was so close that, of the numerous Quixote interpretations by many outstanding artists, Doré's has become the standard. The French translation of Cervantes that Doré illustrated is forgotten; here is the memorable remnant of that work — all 120 full-page plates, plus a selection of 70 characteristic headpiece and tailpiece vignettes. As can be seen in the backgrounds, Doré was ready professionally as well as emotionally for Quixote. He had traveled through Spain preparing an earlier work, and his graphic memory was as strong and indelible as that of another great Quixote interpreter, Picasso. From Sancho's village through Spanish hills and dry plateaus, in the Pyrenees and by the sea, in rural castles and Barcelona luxury, Doré illuminated the seventeenth-century setting with a nineteenth-century acquaintance with the scene. Doré was also a careful student of Renaissance costume and architecture; his minutiae, so copious, are invariably correct. Captions written especially for this edition describe the action with reference to the original Spanish text, capturing high points of the story. But of course Doré conveys it all in a picture: the famous windmill charge, traversing the Sierra Morena, battling the Knight of the White Moon, visions of giants, dragons, flaming lakes, and damsels, the Dulcinea never found, all in full-page wood engravings. Doré's marvelous penchant for ghostly effects in panoramic landscapes and seascapes finds large scope here, carefully engraved by one of the best of his longtime studio engravers, H. Pisano. Doré's Man of la Mancha glows with the artist's own enchantment and humor. Artists and illustration aficionados will add this royalty-free volume to other Dover editions of Doré's works — art he created to stand with great literature that now stands alone. Doré's Quixote indeed stands alone, unique among the knights and graphic castles in Spain.

Doré's Illustrations for Don Quixote (Dover Fine Art, History of Art)

One of the most prolific and successful book illustrators of the 19th century, Gustave Dore produced drawings for a host of literary classics.  These drawings were then published as wood engravings.  Astonishingly diverse, his illustrations range from brooding, surrealistic images to sprightly and humorous sketches. This superb pictorial archive contains nearly 700 Dore prints meticulously reproduced from rare, original plates.

Dore Spot Illustrations: A Treasury from His Masterworks (Dover Pictorial Archive Series)

Comics & Graphic Novels

Grafton, Carol Belanger

How To Create Comics & Manga

Dover Pubns

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