Modern American Paintings (Unesco Art)

Dore Ashton

Fontana

Images of An Era: The American Poster 1945-1975

Arts & Photography

et.al.

Milton Glaser

Margaret Cogswell

Decorative Arts & Design

The MIT Press; Smithsonian Institution NCFA

Marcelo Bonevardi (1929-1994) was one of the most innovative artists of his generation. A native of Argentina, Bonevardi spent the greater part of his career in New York City, where he absorbed avant-garde practices and influences such as abstraction and primitivism, using them to invent a pictorial and symbolic language with which to express his deep spirituality and affinity for myth and ritual. Bonevardi is best known for his shaped canvases, which combine elements of painting and sculpture, reflecting his early training and lifelong interest in architecture. During his lifetime, Bonevardi received many honors, including the International Prize at the X Bienal de Saõ Paulo, first prize in the "Ten Argentine Artists at the United Nations" permanent installation, and the Platinum Prize from the Konex Foundation. Bonevardi's work has been collected by many leading North American and Latin American museums, including the Museum of Modern Art and the Guggenheim Museum in New York City; the Museo Nacional de Bellas Artes and the Museo de Arte Moderno in Buenos Aires; the Museu de Arte Contemporânea de Universidade in Saõ Paulo; and the Museo Rufino Tamayo in Mexico City. This lavishly illustrated volume presents the first comprehensive overview of the life and work of Marcelo Bonevardi. Noted art historian Dore Ashton provides a biographical and critical essay that traces Bonevardi's artistic development and situates him in the New York art scene of the 1960s and 1970s. Ashton illuminates the diverse influences that helped shape Bonevardi's art, as well as his contribution to important trends in North American and Latin American abstraction. Ronald Christ's in-depth essay draws on extensive interviews with the artist and reviews of his work to offer a focused analysis of the unique themes and techniques that constitute Bonevardi's signature style. Accompanying the essays and chronologies of the artist's life and exhibitions is a catalogue of over three hundred images, most in full color, that comprise a stunning visual summation of Marcelo Bonevardi's oeuvre.

Bonevardi: Chasing Shadows, Constructing Art

Ronald Christ

History & Criticism

University of Texas Press

Dore Ashton has updated the bibliography and added a new concluding chapter to her classic study of the paintings and drawings of Philip Guston, the only study of his work completely authorized by the artist. Philip Guston (1913-1980) was one of the most independent of the painters whose work was loosely linked by the term "abstract expressionism" during the 1950s, and he baffled admirers of his lushly beautiful abstract expressionist paintings by moving abruptly in mid-career to gritty figurative paintings in an almost cartoon-like style. One of the few critics who saw this at the time as a progressive development in his work was Dore Ashton, who here analyzes Guston's paintings and drawings in the context of the cultural milieu in which he worked, illuminating the dilemma facing artists who try to live with, understand, and express both the ideals of art and the reality of the world.

A Critical Study of Philip Guston

University of California Press

Arshile Gorky (1904-1948) is recognized as one of the most crucial and intriguing figures in the early shaping of Abstract Expressionism. Gorky pioneered a complex vocabulary of forms by fusing landscapes remembered from his childhood home in Armenia with surrealist imagery and abstract plumes of color. In so doing, he helped create a distinctly new vision for painting, leading American art into one of the most experimental periods in its history. Gorky's most important paintings and drawings were executed from 1940 through 1947, powerfully expansive years that many regard as his breakthrough period. His rich, mature work of these years is the focus of this illuminating volume, the most comprehensive book on the subject. Michael Auping's valuable text provides an introduction to the life and art of Arshile Gorky as well as an insightful consideration of the grand psychological landscape The Liver is the Cock's Comb, 1944, a work pivotal to the development of Gorky's style. Dore Ashton writes a lucid account of this artist who tends to resist classification, contributing an art historical overview of Gorky's appreciation of such modern innovators of abstraction and Surrealism as Miro and Kandinsky. Matthew Spender provides biographical details of Gorky's early years, while a selection of Gorky's personal letters further sheds an intimate light on the artist and his achievements.

Arshile Gorky: The Breakthrough Years

Michael Auping

Matthew Spender

Rizzoli / Modern Art Museum of Fort Worth

Noguchi: New Sculpture, May 6-4 June 1983

Pace Gallery Pubns

John Walker: Collage

Knoedler and Company

A catalog accompanying an exhibition of works from the 1960s through 1980s including acrylic, oil, and watercolor paintings along with collages.  A seminal figure among the Abstract Expressionists, Robert Motherwell (1915-1991) was also a writer and philosopher of abstract painting in post-war America. His paintings and theoretical approach forever shaped the formal discourse of his era.  Motherwell's prominence on the New York scene coincided with the fabled convergence of a new momentum in American-led abstraction - presented by forward-thinking curators at MoMA and The Whitney Museum of Art, and such galleries as Art of This Century, Samuel Kootz and Sidney Janis. Author Dore Ashton looks at the full scope of his career and "total immersion in art" along with the numerous rich art historical touchstones present in his work.

Robert Motherwell: Paintings and Collages, April 10 - May 27, 1992

Locks Gallery

In the nearly seven decades of his career, Tàpies created a prolific and singular body of work that redefined painting and influenced future generations of artists. Following the Spanish Civil War and World War II, Tàpies sought to develop a new kind of painting. In the 1950s he began making his first matter paintings using materials such as marble dust and resin. These paintings positioned Tàpies as a leading figure in Europe's avant-garde and signaled the beginning of a lifelong investigation of materials and forms that made him one of the most influential post-war artists. 88 p, ills colour &amp; bw, 23 x 25 cm, pb, English

Antoni Tapies: 1923 - 2012

Tàpies, Antoni

Barbara Rose

Pace

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Books by Dore Ashton