Published on the occasion of an exhibition organized by The Art Museum and Galleries, California State University.

Jim Dine Figure Drawings 1975-1979

DINE, Jim

Constance W. Glenn

Harper & Row Publishers, Inc. / Icon Editions

Celebrating the candle as a home decorating item, the authors present more than a hundred well-illustrated ideas and settings designed to help readers choose and place candles for maximum effect.

The Candlelit Home: Decorating with Candles Year-Round

Crafts, Hobbies & Home

Fry, John Terrell

WOLFE, Tom.

Crafts & Hobbies

Harry N. Abrams

Jim Dine (b. 1935) is one of America's best-known image-makers. This book, published to accompany the first major exhibition of Dine's work from the 1960s, reproduces a broad selection of his early mixed-media works, paintings, and sculptures. Many of the works featured in this volume contain elements of the now-familiar themes of Dine's career: tools, robes, hearts, palettes, and domestic interiors. Bringing together fascinating performance photographs with vivid full-color reproductions, the book is the first to explore the complex relationship between Dine's mixed-media works and his environments and theater pieces.

Jim Dine: Walking Memory, 1959-1969

Reference

Bell, Clare

Blaut, Julia

Celant, Germano

Catalogs & Directories

Guggenheim Museum Pubns

Jim Dine is one of America's best-known image-makers. This book, published to accompany the first major exhibition of Dine's work from the 1960s, reproduces a broad selection of his early mixed-media works, paintings and sculptures. Many of the works featured in this volume contain elements of the now-familiar themes of Dine's career: tools, robes, hearts, palettes and domestic interiors. Bringing together fascinating performance photographs with vivid full-color reproductions, the book is the first to explore the complex relationship between Dine's mixed-media works and his environments and theater pieces.

Jim Dine: Walking Memory 1959-1969

Arts & Photography

Individual Artists

Guggenheim Museum

Jim Dine is a consummate draftsman whose images of tools, large-scale nudes, self-portraits, and studies from nature and after antiquity are among the most accomplished and beautiful drawings of our time. This exhibition, the first major survey of Dine's drawings in 15 years, will feature over 100 of the finest examples from the 1970s to the present. During the 1960s, Dine's name was inextricably linked with Pop art. But he made a dramatic shift during the 1970s, devoting himself to drawing from life. Drawings of Jim Dine examines the artist's accomplishment by focusing not only on works on paper but also on drawings in a purer sense: ones that largely incorporate line and rely heavily on materials such as pencil, chalk, and charcoal. Although many examples in the exhibition deviate from this standard, the emphasis is on works that demonstrate the artist's skills as a draftsman and underscore his traditional underpinnings, even as he breaks new ground. Today, drawing remains at the core of Dine's range of expression. Through a restricted assortment of obsessive images, which continue to be reinvented in various guises--birds, Pinocchio, and others--Dine presents compelling stand-ins for himself and mysterious metaphors for his art. Since the last major survey of Dine's drawings, the medium has served as an indispensable component of his creative endeavor, in many ways representing the essence of his artistic achievement.

The Drawings of Jim Dine

Brodie, Judith

Natl Gallery of Art

NY 1983 1st ULAE. 4to., not paginaged (about 60pp., color and bw illus. by Jim Dine. Fine, no DJ.

Nancy Outside in July

Ackley, Clifford

Olympic Marketing Corp

One of the most recognizable of American artists, and one of America's most innovative printmakers, Jim Dine has created a multidisciplinary oeuvre tied together by his continued use and reinvention of familiar imagery. Hearts, bathrobes, skulls, tools, the Crommelynck gate, Venus de Milo, self-portraits, plants, and flowers--Dine infuses these personal metaphors with new meanings and continually depicts them in novel and diverse contexts. Over time, some of these motifs have become recognized as clearly symbolic: the bathrobe figures as a self-portrait, the heart as a symbol of his love for wife Nancy. And also over time, Dine has added new images to his iconic repertory. Mountains, ancient Greco-Roman sculpture, owls, hands, trees, apes, Pinocchio, and ravens figure prominently in the prints he has made since 1985. This catalogue raisonne fully documents Dine's evolving imagery and technical experimentation from the late 80s through the millennium, including his limited-edition illustrated books, and establishes his absolute maturity as an artist. A glossary of printmaking terms, a selected print exhibition history and bibilography, and a discussion of his poetry and literary leanings make this catalog complete.

Jim Dine Prints, 1985-2000: A Catalogue Raisonne

Campbell, Richard

Carpenter, Elizabeth

Ruzicka, Joseph

Maurer, Evan

Maurer, Evan M.

History & Criticism

The Minneapolis Institute of Arts

Jim Dine: Recent Work

Pace Gallery Pubns

Poetry. Art. Edited by Vincent Katz. "I swore I would never write another blurb, but Jim Dine's COLLECTED POEMS has pulled me temporarily out of blurb retirement. The same verve that drives his paintings drives these poems, and added to it are a wonderfully goofy playfulness and a no-holds-barred, slightly scary exhilaration. Arp, Schwitters, and Picabia, move over."—Ron Padgett "In the flutter of blue alcohol flame a figure enters its shadow asking where do you keep all the things / that don't fit in your mind? Characters appear, vanish, reappear in the darkness but there is no space behind language. A mountain opens and red is registered. I've carried Jim Dine's first book Welcome Home, Lovebirds through many moves since 1969. Now almost half a century later I have the delight of being again in that mind. The poems are as direct as brush-strokes, as casual as conversation, as passionate as loss. The background shifts. 'The Short History of New York' beautifully nails that. London in the 1960s is palpable; Paris, Rome, flicker. Friends share the space. 'Portrait' is a concisely brilliant one of Robert Creeley. Kenneth Koch, a hometown boy, makes occasional appearances. But all these are tones, not the foreground that is the restlessness, the questioning, the observation inhabited by the reader. For me a particular pleasure of these poems has been the privilege of at times perceiving the world as a painter—Jim Dine made my eyes feel. POEMS TO WORK ON is not only 'NIGHT'S / FRIABLE / RAGE,' but 'making life / without reason / is the reason / for a / common dream.' Writing well worth reading."—Tom Raworth

Poems To Work On: The Collected Poems of Jim Dine

Literature & Fiction

Cuneiform Press

The youngest of the brash upstarts (soon to be labeled Pop artists) who stole the spotlight from the Abstract Expressionists in the late 1950s and early 1960s, Jim Dine has been a restlessly creative force ever since. He has refused to limit himself to any one way of making art, though he has been surprisingly faithful to certain subjects, including his famous hearts, tools, bathrobes, and Venuses.

Jim Dine (Modern Masters Series)

Feinberg, Jean E.

Abbeville Press

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Books by DINE, Jim