Blackstone's Emergency Planning, Crisis, and Disaster Management is a practical guide for those involved in all aspects of emergency preparedness, resilience, and response. Primarily focused on the requirements of the Civil Contingencies Act 2004, it has been developed from the highly regarded Emergency Planning Officers' Handbook. The complete toolkit for anyone involved in emergency planning, business continuity, and resilience management, this must-have guide offers a comprehensive, chronological guide to each stage of emergency planning, from creating a plan or exercise through to setting up a control room and debriefing for future improvement and development. There is also full coverage of how the emergency response is managed by each of the main agencies involved, helping you to gain a greater understanding of what to expect from each agency and the individuals participating, so they can be better integrated into an exercise or plan. Overviews at the start of each chapter, key point and top tip boxes, as well as tasks and flowcharts provide you with the complete reference, whether you are beginning your emergency planning or simply need to refresh your memory as you initiate an exercise.

Blackstone's Emergency Planning, Crisis, and Disaster Management

Dillon, Brian

Law Practice

Oxford University Press

Book by Zon, Hans Van, Dillon, Brian, Hausner, Jerzy, Kwieciska, Dorota, Van Zon, Hans

Central European Industry in the Information Age

Business & Money

Zon, Hans Van

Van Zon, Hans

Hausner, Jerzy

Kwieciska, Dorota

Management & Leadership

Ashgate Pub Ltd

The "ruins" of the modern era are the landmarks of recent art's turn toward site and situation, history and memory. The abiding interest of artists in ruination and decay has led in particular to the concept of the modern ruin - an ambiguous site of artistic and architectural modernism, personal and collective memories, and the cultural afterlife of eras such as those of state communism and colonialism. Contemporary art's explorations of the ruin can evoke on the one hand diverse experiences of nostalgia and on the other a ceaselessly renewed encounter with catastrophes of the recent past and apprehensions of the future. For every relic of a harmonious era or utopian dream stands another recalling industrial decline, environmental disaster, and the depredations of war. This anthology provides a comprehensive survey of the contemporary ruin in cultural discourse, aesthetics, and artistic practice.It examines the development of ruin aesthetics from the early modern era to the present; the ruin as a privileged emblem of modernity's decline; the relic as a portal onto the political history of the recent past; the destruction and decline of cities and landscapes, with the emergence of "non-places" and "drosscape"; the symbolism of the entropic and decayed in critical environmentalism; and the confusing temporalities of the ruin in recent art--its involution of timescales and perspectives as it addresses not just the past but the future. Artists surveyed include Edgar Arceneaux, Miroslaw Balka, Bernd & Hilla Becher, Walead Beshty, Martin Boyce, Gerard Byrne, Adam Chodzko, Jeremy Deller, Katja Eydel, Angela Ferreira, Cyprien Gaillard, Dominique Gonzalez-Foerster, Susan Hiller, Roger Hiorns, Runa Islam, Ilya Kabakov, Joachim Koester, Robert Kusmirowski, Zoe Leonard, Vera Lutter, Goshka Macuga, Teresa Margolles, Dorit Margreiter, Edgar Martins, Julie Mehretu, Christian-Philipp Muller, Mike Nelson, Paulina Olowska, The Otolith Group, Philippe Parreno, Mai-Thu Perret, Walid Raad - The Atlas Group, Conrad Shawcross, Robert Smithson, Rachel Whiteread and Jane & Louise Wilson.Writers include Magali Arriola, J.G. Ballard, Jean Baudrillard, Svetlana Boym, Giuliana Bruno, J.J. Charlesworth, Barbara Clausen, Jonathan Crary, Jacques Derrida, Jorg Heiser, Martin Herbert, Andreas Huyssen, Patrick Keiller, Darian Leader, Mark Lewis, James Lingwood, Tom McDonough, Jeremy Millar, Celeste Olalquiaga, Nina Power, Ralph Rugoff, Lytle Shaw, Iain Sinclair, Robert Smithson, Rebecca Solnit, Susan Stewart, Anthony Vidler, Paul Virilio and Gilda Williams.

Ruins (DOCUMENTS OF CO)

Arts & Photography

History & Criticism

Whitechapel Gallery

Charlotte Brontë found in her illnesses, real and imagined, an escape from familial and social duties, and the perfect conditions for writing. The German jurist Daniel Paul Schreber believed his body was being colonized and transformed at the hands of God and doctors alike. Andy Warhol was terrified by disease and by the idea of disease. Glenn Gould claimed a friendly pat on his shoulder had destroyed his ability to play piano. And we all know someone who has trawled the Internet in solitude, seeking to pinpoint the source of his or her fantastical symptoms. The Hypochondriacs is a book about fear and hope, illness and imagination, despair and creativity. It explores, in the stories of nine individuals, the relationship between mind and body as it is mediated by the experience, or simply the terror, of being ill. And, in an intimate investigation of those lives, it shows how the mind can make a prison of the body by distorting our sense of ourselves as physical beings. Through witty, entertaining, and often moving examinations of the lives of these eminent hypochondriacs—James Boswell, Charlotte Brontë, Charles Darwin, Florence Nightingale, Alice James, Daniel Paul Schreber, Marcel Proust, Glenn Gould, and Andy Warhol—Brian Dillon brilliantly unravels the tortuous connections between real and imagined illness, irrational fear and rational concern, the mind’s aches and the body’s ideas.

The Hypochondriacs: Nine Tormented Lives

Biographies & Memoirs

Historical

Faber&Faber

Charlotte Brontë found in her illnesses, real and imagined, an escape from familial and social duties, and the perfect conditions for writing. The German jurist Daniel Paul Schreber believed his body was being colonized and transformed at the hands of God and doctors alike. Andy Warhol was terrified by disease and by the idea of disease. Glenn Gould claimed a friendly pat on his shoulder had destroyed his ability to play piano. And we all know someone who has trawled the Internet in solitude, seeking to pinpoint the source of his or her fantastical symptoms. 
The Hypochondriacs is a book about fear and hope, illness and imagination, despair and creativity. It explores, in the stories of nine individuals, the relationship between mind and body as it is mediated by the experience, or simply the terror, of being ill. And, in an intimate investigation of those lives, it shows how the mind can make a prison of the body by distorting our sense of ourselves as physical beings. Through witty, entertaining, and often moving examinations of the lives of these eminent hypochondriacs―James Boswell, Charlotte Brontë, Charles Darwin, Florence Nightingale, Alice James, Daniel Paul Schreber, Marcel Proust, Glenn Gould, and Andy Warhol―Brian Dillon brilliantly unravels the tortuous connections between real and imagined illness, irrational fear and rational concern, the mind's aches and the body's ideas.

Community & Culture

Farrar. Straus and Giroux

American artist Julie Mehretu is celebrated for her large-scale paintings and drawings that layer abstract forms with familiar architectural imagery. Inspired by historical photographs, urban-planning grids, modernist structures and graffiti, these semi-abstract works explore the intersections of power, history, dystopia and the built environment, and their impact on identity formation. This volume marks the exhibition of a new series of works commissioned by Deutsche Guggenheim, Berlin. In conjunction with this project, Mehretu established a studio in Berlin where she produced a remarkable suite of paintings that deal with erasure and decay. Addressing what it means to be an American artist in Germany during the Iraq and Afghanistan wars under the Bush administration, Mehretu's canvases meditate on the idea of the modern ruin. Featuring essays by Joan Young and Brian Dillon, this monograph includes a section of photographs tracing the development of the series in the artist's Berlin studio.

Julie Mehretu: Grey Area

Young, Joan

Reference

Guggenheim Museum

A new, revised manual of archaeological illustrating, largely written by and for students, intended to aid the archaeologist with no formal training in art or drafting. Discussed under separate sections are basic tools and techniques, the rendering of maps, architectural floor plans and reconstructions, stratigraphic sections, relief monuments, ceramics, ceramic figurines, lithic artifacts, burials, artifacts of shell and bone, and illustrating from photographs.

Student's Guide to Archaeological Illustrating (ARCHAEOLOGICAL RESEARCH TOOLS)

Politics & Social Sciences

Archaeology

Cotsen Institute of Archaeology Press

Useful and instructive papers advocating the value of practical considerations in the field, addressing common problems from the real world of archaeology and proposing real solutions that have proven successful through trial and error. Includes papers on the chemical reduction of clay matrices, methods of establishing precise provenience in archaeological excavations, surface collecting with the aid of transits, simplified mapping techniques, the use of X rays in artifact analysis, archaeological surveying from muleback, choosing and maintaining an archaeological field vehicle, and the use of small boats in archaeological investigations.

Practical Archaeology: Field and laboratory techniques and logistics (ARCHAEOLOGICAL RESEARCH TOOLS)

This title was first published in 2000: A study of the diffusion and effective use of ICT in industry in Hungary, Poland, Lithuania and Ukraine. It explores quantitative and qualitative overviews of the current state of affairs with respect to computer-networking in industry, and examines prospects and obstacles.

Central European Industry in the Information Age (Routledge Revivals)

Religion & Spirituality

Routledge

Professionals & Academics

Blackstone Audiobooks

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