The Best Fight: a memoir of a martial art practitioner, publisher, and author

DeMarco M.A., Michael A.

Biographies & Memoirs

Via Media Publishing Company

The themes in this book—drawn from Chinese history, culture, and martial arts experience—are entwined in a fictional narrative to animate events envisaged to have occurred during the mid-eighteenth century. From the outset, a thin veil separates fact from fiction. Our story starts with a discovery.While conducting research at the Vatican Library on the Jesuit missions in China, two scholars find a folder of papers written in Chinese among documents belonging to Giuseppe Castiglione (1688–1766), a painter at the royal court in Beijing. The papers turn out to be written by a fellow court painter, Yang Mingbin (c. 1664–1765). Yang’s handwritten essays provide revelations vital for understanding the ingenuity of Chinese martial arts.Yang’s text is organized under sixty-four subheadings. The author elucidates theory and practice methods in a fashion unlike any other writings on this subject. This is a rare early text written during a transitional period for martial arts. It is the time when the Qing Dynasty (1644 to 1912) was at its peak of cultural splendor and expanding its borders by military expeditions. Cannons and smaller firearms show the Western influence, but traditional martial arts were ubiquitous in the village, province, and national levels.Master Yang offers fascinating reading on all aspects of the Chinese fighting traditions. He places great emphasis on the importance of the “martial arts family” and the role of secrecy in lethal arts. The arts are also adapted for health and entertainment. All reflect an infusion of philosophy and practices from Buddhism, Daoism, and Confucianism. How one thinks affects how one practices martial arts.Yang describes the qualities associated with different skill levels, from beginner to most advanced. As he does this, we learn secrets that set forth key ways for improving defensive and offensive applications. These topics include body alignment, coordination, spontaneity, naturalness, balance, distancing, relaxation, and power. The same principles apply to bare-hand and weapons practice, as well as martial arts for health. Yang’s learning methodology for studying martial arts can be useful in other areas, as in his work as a master painter at court.

Martial Art Essays from Beijing, 1760

Literature & Fiction

Genre Fiction

Via Media Publishing

Crossfire Southwest: Life Behind a Badge

Professionals & Academics

Combative forms of movement meet all the criteria required to be call "arts". Additionally, items associated with martial art theory and practice can be shown in a variety of media and appreciated as objets d'art in their own right. This anthology presents the aesthetic side of the martial arts as they are found in numerous examples of material culture and items of fine art. An often neglected but incredibly rich area for seeing martial themes represented in art are museum collections. Five of the fourteen chapters in this book deal with museum collections. In many museums you can find interesting items that reflect aspects derived from a martial tradition. Weaponry is the most obvious category. You may also discover items in other categories that are directly related, such as paintings and training equipment. Other fascinating items can be hidden in plain sight. It seems martial themes can be found in any museum category, including collections of statuary, ceramics, prints, paintings, jewelry, and calligraphy. For example, there are paintings of famous generals and battles, fearsome statues of temple guardian warriors, and philosophical insights in brush writings. While contemplating a particular collection from the interest of martial traditions, one museum curator said she had never previously thought of the collection from this perspective: It's enlightening. Objects that exhibit martial themes are made by artists and craftspeople. Only some of these items go into museums. Others are found in personal collections, stores, research institutes, art galleries, universities, practice halls, and elsewhere. Aid in recognizing martial themes in objects in one objective of this book, regardless of where these objects may be found. Who are the real martial art hero? What symbols were created to represent the warriors' bravery and ethical codes? This anthology, comprised of fourteen chapters conveniently gathered here for your ease of reading, assists anyone interested in discovering the artistic representations of martial traditions. In doing so, we hope that readers who appreciate the contents of this book will be inspired to discover and appreciate the artifacts associated with the martial side of the world's cultural heritage.

Martial Arts in the Arts

Sports & Outdoors

Macaraeg M.A., Ruel

DiCristofano, Anthony

Manyak M.A., Anne

Silvan B.A., Jim

Stein M.S., Joel

Svinth M.A., Joseph

Pegg Ph.D., Richard

Khorasani, Manouchehr

Bialokur, Nicolae

Individual Sports

CreateSpace Independent Publishing Platform

What we think are Asian martial arts is usually derived by Hollywood images, fanciful novels, and a superficial idea of what role combative played in the long histories of Far Eastern countries. There are only a few people in the world who can truly be called scholars in this field. A leading figure in the USA for the study of Chinese martial traditions is Stanley Henning. This special anthology is a collection of Henning’s superb articles that were previously published in the Journal of Asian Martial Arts, including one he co-wrote with Marnix Wells—a leading British scholar on Chinese martial traditions. Henning has little patience for those who miss the original essence of practical martial arts, and who fell under the enticement of “flowery boxing.” True combative arts are not play, although they influenced other practices. In the fifteen chapters included here, you’ll find a strong historic base for what the martial arts meant in old China and how they changed over the centuries. In order to understand martial arts as they were evolving over dynastic periods, it is necessary to look at the political and social settings, technology, and even geography and linguistics. When it comes to research, Henning presents clear facts and accurate conclusions. At the same time, he wisely states what is open to debate and requires further research. Why is the chapter on Korean martial arts included in this anthology?—Because the Chinese had tremendous influence on their neighbors, including Japan and Korea. Thanks to a few scholars like Henning and Wells, we are getting a clearer picture of just how much Chinese martial arts have influenced the fighting arts in other countries. Leading scholars are having an impact on how Asian martial traditions are perceived, understood, and practiced. Henning introduces the “new wave” of Chinese scholars who have presented their findings in various articles and books, opening new vistas for all interested in this growing field of study—at least for those who ready Chinese. Fortunately Henning’s work is in English! This anthology is not an easy read for those unfamiliar with Chinese history, the various dynasties, the terminology and variety of martial systems. However, it will no doubt benefit the serious scholar of Chinese martial arts, and hopefully others will likewise benefit by patiently reading each chapter to broaden their understanding of the rich martial culture of China.

Henning's Scholarly Works on Chinese Combative Traditions

Wells Ph.D., Marnix

Henning M.A., Stanley E.

Chinese Martial Arts: Changing Views and Practices

Reference

Stubenbaum, Dietmar

Holcombe Ph.D., Charles

Sutton M.A., Nigel

Sieg B.A., Brandon

Lam, Wing

Filipiak Ph.D., Kai

Acevedo M. Eng, William

Yang M.S., Nicholas

Zheng M.A., Shuai

Encyclopedias & Subject Guides

Independently published

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