For Gerhard Richter (born 1932), the category of drawing covers a multitude of techniques, including graphite, ballpoint, ink, colored ink and watercolor on paper. Throughout his career, drawings have appeared in series that sometimes only consist of a few works: in the 1960s, representational and mechanical drawings from projected photographs; in the 1970s, abstract drawings; in the 1980s, drawings of people and objects; and in the 1990s, both figurative and abstract ink drawings. Nonetheless, Richter notoriously once expressed disdain for drawing's vaunted guarantee of authenticity and virtuosity--in part from his insistent and complete commitment to painting. Drawing therefore sits at a fascinating angle to his painting, and provides an arena for aspects of his thinking that rarely surface in his painting. Lines Which Do Not Exist was published for the artist's Fall 2010 exhibition at The Drawing Center in New York--his first overview in a public institution in New York since 40 Years of Painting at The Museum of Modern Art (2002). It presents more than 50 color reproductions of graphite, watercolor and ink on paper drawings made by Richter over a period of five decades, from 1966 to 2005.

Gerhard Richter: Lines Which Do Not Exist (Drawing Papers)

Arts & Photography

Delahunty, Gavin

Individual Artists

The Drawing Center

Jackson Pollock (1912–1956) was one of the most influential and provocative American artists of the 20th century. This fully illustrated book accompanies the first exhibition in over three decades of a crucial phase of his work referred to as the Black Pourings. This controversial body of black enamel and oil paintings, which were exceptional in their absolute merging of color and surface, are accompanied here by drawings that are regarded as his most important and productive. A number of virtually unknown and rarely seen sculptures are also included, illuminating Pollock’s experimentations with space, density, and figuration. Accompanying a major exhibition and including insightful essays by a team of scholars, this book reveals a less-known aspect of Pollock’s work.

Blind Spots: Jackson Pollock

Applin, Jo

Fried, Michael

Straine, Stephanie

History & Criticism

Tate Publishing

The stories that Lewis Carroll based around the character of Alice have proved among the most enduring literary creations of all time. For almost 150 years they have led a double life as classics of children's literature and as endlessly fascinating sources of inspiration for all manner of artists, writers, filmmakers and avant-garde figures. Beneath the surface of "Alice's Adventures in Wonderland" and "Alice through the Looking Glass" lie important questions about individuality and self-knowledge, time and space, the relationship between fiction and reality and the function and authority of language itself. In this way, Alice and her adventures have become a metaphor for artistic engagement and the quest for meaning per se. For the first time, this book examines a wide range of the art that has been inspired by the Alice stories, including Lewis Carroll's original illustrations, Tenniel's iconic characterisations, Victorian games based on Alice, Surrealist paintings, sculpture, artist's books, film, psychedelia, comics, photography and installation. The authors bring fresh insights to Carroll's biography and the times in which he lived and the book includes a new fairy tale specially written by Carol Mavor. Artists featured include Balthus, Tim Burton, Peter Blake, Max Ernst, Nan Goldin, Grayson Perry, Pierre & Gilles, Annie Leibovitz, Rene Magritte, Sigmar Polke, Paula Rego and many more.

Alice in Wonderland /anglais

Reference

Tate

Carl Andre (born 1935) was a poet before he was an artist, and between 1960 and 1965 he produced a substantial body of innovative visual poetry. Arranging language on paper as carefully and as sculpturally as he was later to arrange pieces of metal or bricks on the floor, Andre approached words as adjustable entities, to be moved around within the limits of the space of the sheet of paper. These works, made during the height of the international Concrete poetry movement, appeared alongside his sculptures in exhibitions and were excerpted in scholarly writings about the artist. With this volume, Andre’s influential poetic oeuvre is now gathered comprehensively for the first time. The poems, which were often typed on 8 x 11 paper, are reproduced in quasi-facsimile, to convey Andre’s sculptural intentions. Also included are essays by art historians Gavin Delahunty and Valérie Mavridorakis, and curator Lynn Kost.

Carl Andre: Poems

Kost, Lynn

Mavridorakis, Valérie

JRP|Ringier

New York-based artist Charline von Heyl’s (born 1960) abstract paintings, in which dynamic forms enfold graphic structures and dazzling colors encounter muted shades, vibrate with tension. Now or Else offers an in-depth view of her oeuvre, focusing on works from the mid-1990s and a selection of current works on paper.

Charline von Heyl: Now or Else

Bell, Kirsty

Kerber

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Books by Delahunty, Gavin