Masterpieces from the Hermitage

Dedinkin, Mikhail

National Gallery of Victoria

In the early 2000s two albums of drawings were discovered in storage in the State Hermitage Museum in St. Petersburg. Purchased by Catherine the Great in 1783, they had lain unnoticed for over 200 years. Hermitage curator Mikhail Dedinkin identified the artist as John Spyers, Capability Brown's draughtsman and surveyor for many of his most famous landscape designs. The drawings in the first album are exclusively of Hampton Court Palace and its parks and gardens, where Capability Brown was Chief Gardener to King George III for the last 20 years of his life. The second album contains a mixture of landscapes, architectural drawings and studies. This book reproduces all 149 drawings. It also includes another remarkable discovery: in the course of restoration for an exhibition at Hampton Court Palace in 2016 - the tercentenary of Capability Brown's birth - pencil drawings precisely mirroring the final watercolors were found beneath 14 of the pages. Catherine the Great was a passionate enthusiast for the English style in gardening and landscape design. Although she did not succeed in persuading Capability Brown himself to visit Russia, she would have drawn inspiration from these albums, particularly for her new English park at Peterhof, near St Petersburg. Now finally in the public domain, it is clear that the drawings of Hampton Court represent one of the most complete visual records of an historic landscape ever captured before the age of photography.Contents: A Discovery in the Hermitage; The Hampton Court Albums of Catherine the Great; John Spyers, Capability Brown's Draughtsman and Surveyor, and his Views of Hampton Court; Album I: Drawings of the Royal Palace at Hampton Court; Album II: Landscapes, Studies and Anrchitectural Drawings; Index of Drawings.

The Hampton Court Albums of Catherine the Great

Arts & Photography

Jacques, Anthony David

History & Criticism

Fontanka Publishers

•New edition of Erté's work based upon recent (2016) Hermitage exhibition celebrating his life and work •Newly commissioned text by Hermitage curator Mikhail Dedinkin and Chairman of Estorick Collection, Michael Estorick, as well as contributions by Barbra Streisand and art critics Morgan Falconer and the late Brian Sewell Romain de Tirtoff (1892-1990), who changed his name to Erté ('R' and 'T' in French) when he left his native St Petersburg for Paris in 1912, became one of the most sought-after artists of the twentieth century. His illustrations for Harper's Bazaar and Vogue remain classics of the genre, proving that mass art can be genuine art. His work as stage, costume and fashion designer in Europe and America combined an eye for fashion and elegance with a sense of theatricality. In the early days Erté worked closely with the couturier Paul Poiret; he then took his remarkable talent to the stage, producing numerous designs for the revues and shows that were so popular at the time, as we well as to film with his work for MGM. Mata Hari, Lillian Gish, Anna Pavlova and George Balanchine were just some of those whose costumes were designed by Erté. Even when his fame dipped, Erté remained true to his life's work, continuing to create his wonderfully refined and delicate drawings, including the popular Alphabet series.

Erté: Romain de Tirtoff (1892-1990)

Falconer, Morgan

Sewell, Brian

Streisand, Barbra

Estorick, Michael

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