""A recommended addition to art collections providing informative commentary on contemporary artists."" -- Booklist""This provocative catalogue for an exhibition organized by the Indianapolis Museum of Art explores the nature of power and its manifestation in art over the past three decades.... The illustrations are fleshed out with fine essays... ""A -- Publishers Weekly""Now comes a provocative, tightly organized exhibition at the Indianapolis Museum of Art titled 'Power: Its Myths and Mores in American Art, 1961-1991.' The title itself exudes considerable authority, especially when you see it spelled out in metallic red on the institutional gray of the catalogue's cover.... this exhibition represents an unusually successful marriage of art and theory, of visual pleasure and intellectual skepticism. In the process, it creates a vivid portrait of late-century American society and of the different ways artists have mined it for both source material and targets."" -- The New York Times""Well done, indeed."" -- The Print Collector's NewsletterNinety works by twenty-eight artists reflect and criticize the images of power found in the mass media as well as in objects, rituals, and regalia of everyday life in the United States. From Andy Warhol and Frank Stella to Robert Longo and Jenny Holzer, the artists in this exhibit address issues of power through the use of materials and methods of mass communication.44 color plates, 76 b&w illustrations

Power: Its Myths and Mores in American Art, 1961-1991

Arts & Photography

Day, Holliday T.

Marcus, George E.

Wallis, Brian

Chave, Anna

History & Criticism

Indiana University Press

<p>Profiles of Latin American artists and their works</p>

Art of the Fantastic: Latin America, 1920-1987 (Indianapolis Museum of Art)

Sturges, Hollister

Indianapolis Museum of Art.

Collections, Catalogs & Exhibitions

Indiana Univ. Pr

Art of the Fantastic: Latin America, 1920-1987

"A recommended addition to art collections providing informative commentary on contemporary artists." —Booklist"This provocative catalogue for an exhibition organized by the Indianapolis Museum of Art explores the nature of power and its manifestation in art over the past three decades.... The illustrations are fleshed out with fine essays... "Â —Publishers Weekly"Now comes a provocative, tightly organized exhibition at the Indianapolis Museum of Art titled ‘Power: Its Myths and Mores in American Art, 1961-1991.’ The title itself exudes considerable authority, especially when you see it spelled out in metallic red on the institutional gray of the catalogue’s cover.... this exhibition represents an unusually successful marriage of art and theory, of visual pleasure and intellectual skepticism. In the process, it creates a vivid portrait of late-century American society and of the different ways artists have mined it for both source material and targets." —The New York Times"Well done, indeed." —The Print Collector’s NewsletterNinety works by twenty-eight artists reflect and criticize the images of power found in the mass media as well as in objects, rituals, and regalia of everyday life in the United States. From Andy Warhol and Frank Stella to Robert Longo and Jenny Holzer, the artists in this exhibit address issues of power through the use of materials and methods of mass communication.44 color plates, 76 b&w illustrations

Power: Its Myths and Mores in American Art 1961-1991

Felrath Hines

Hines, Felrath

Coleman, Floyd W.

<p>Crossroads of American Sculpture examines the works of six artists whose lives are linked by their place in the history of 20th-century sculpture. Painters and sculptors began to explore nontraditional subjects and to search for abstract ways of representing their ideas early in the 20th century, but it was during the period from 1945 to 2000 that sculpture radically expanded its forms, materials and subjects. Crossroads of American Sculpture looks at this remarkable period in which artists expressed new ideas and employed new mediums, including industrial materials, words, found objects, photography, neon, video and live performances. The resulting works include Smith’s "drawings in air" and his Forging and Cubi series; Rickey’s mesmerizing kinetic sculptures; Chamberlain’s colorful crushed auto bodies; Indiana’s wooden herms and LOVE sculptures; Wiley’s punning assemblages, like Nomad Is an Island, and the wide range of Nauman’s work, including his neon, fiber-glass, bronze and video pieces. More than 150 works by the artists, including 60 drawings, are reproduced in color.</p>

Crossroads of American Sculpture: David Smith, George Rickey, John Chamberlain, Robert Indiana, William T. Wiley, Bruce Nauman

Ashton, Dore

Vigna, Lena

New Orleans Museum Of Art

Shape of Space: The Sculpture of George Sugarman

Arts Pub

It is said that George Sugarman is one of the great innovators among American sculptors of the twentieth century. Here is an opportunity to see what you think.

Elyn Zimmerman: Images of the city, photographs and sculpture : August 3-September 15, 1985, Joslyn Art Museum, Omaha, Nebraska

The Museum

Shows examples of modern flower arranging, discusses traditional styles, color, dried flowers, and food and flowers, and suggests arrangements for living rooms, dining rooms, kitchens, bedrooms, and baths

New Art of Italy: Chia, Clemente, Cucchi, Paladino

Joslyn Art Museum

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Books by Day, Holliday T.