Haa Shuka: Our Ancestors (Classics of Tlinglit Oral Literature, Vol. 1) (English and Tlingit Edition)

Politics & Social Sciences

Dauenhauer, Richard

Dauenhauer, Nora Marks

Social Sciences

Univ of Washington Pr

These gripping and powerful prose narratives relate monumental events in the lives of the forebears of Tlingit clans, from the prehistoric migration to the coast of Southeast Alaska to the first contact with Europeans. The stories were recorded from the 1960s to the present by twelve tradition bearers who where passing down for future generations the accounts of haa shuka, which means "our ancestors." Their narratives tell of the origin of social and spiritual concepts and explain the complex relationships among members of a given clan to their relatives in other clans, to spirits of the land where the vents took place, to the spirits of departed ancestors, and to the spirits of various animals, including killer whale and bear. The focus here is on the stories and story tellers themselves, who lived amazingly different lives, reflecting in a small way the complexity of Tlingit life in the twentieth century, a period characterized by unprecedented political, economic, and social change. The stories were told in Tlingit and then transcribed from the tape recorded versions. The editors have attempted to write these stories the way they were told, and to then translate them into English keeping the unique Tlingit oral style. This book will be of interest to the general reader of Native American literature and comparative literature, as well as to folklorists, linguists, and anthropologists. Of special interest to linguist will be the new texts (transcribed in three different Tlingit dialects) containing many hitherto unattested grammatical forms.

Haa Shuká, Our Ancestors: Tlingit Oral Narratives (Classics of Tlingit Oral Literature)

History

Americas

University of Washington Press

Haa Tuwunaagu Yis, for Healing Our Spirit is the first publication of Tlingit oratory recorded in performance. It features Tlingit texts with facing English translations and detailed annotations; photographs of the orators and the settings in which the speeches were delivered; and biographies of the elders. There are thirty-two speeches by twenty-one Tlingit elders. Most were taped between 1968 and 1988, but two speeches were recorded on wax cylinders by the Harriman Expedition in Sitka in 1899, and are the oldest known sound recordings of Tlingit.The book is of importance both to native and non-native readers alike. For those of Native American heritage it articulates concepts understood and practiced by elders but difficult for them to explain, and often bewildering to younger generations. For people around the world interested in Northwest Coast culture, it offers new insights into a traditional world view and the classics of Tlingit oral literature.Careful attention is given to transcription, translation, and annotation by the collaboration of Nora Marks Dauenhauer, a native speaker of Tlingit and a published poet, with a degree in anthropology, and her husband Richard Dauenhauer, a translator of European poetry and a former poet laureate of Alaska, with a Ph. D. in comparative literature.

Haa Tuwunaagu Yis, for Healing Our Spirit: Tlingit Oratory (Classics of Tlingit Oral Literature) (English and Tlingit Edition)

Literature & Fiction

Haa Tuwunaagu Yis, for Healing Our Spirit is the first publication of Tlingit oratory recorded in performance. It features Tlingit texts with facing English translations and detailed annotations; photographs of the orators and the settings in which the speeches were delivered; and biographies of the elders. There are thirty-two speeches by twenty-one Tlingit elders. Most were taped between 1968 and 1988, but two speeches were recorded on wax cylinders by the Harriman Expedition in Sitka in 1899, and are the oldest known sound recordings of Tlingit. The book is of importance both to native and non-native readers alike. For those of Native American heritage it articulates concepts understood and practiced by elders but difficult for them to explain, and often bewildering to younger generations. For people around the world interested in Northwest Coast culture, it offers new insights into a traditional world view and the classics of Tlingit oral literature. Careful attention is given to transcription, translation, and annotation by the collaboration of Nora Marks Dauenhauer, a native speaker of Tlingit and a published poet, with a degree in anthropology, and her husband Richard Dauenhauer, a translator of European poetry and a former poet laureate of Alaska, with a Ph. D. in comparative literature.

Haa Tuwunáagu Yís, for Healing Our Spirit: Tlingit Oratory (Classics of Tlingit Oral Literature)

Reference

Haa Kusteeyi, Our Culture Haa Kusteeyi, Our Culture: Tlingit Life Stories is an introduction to Tlingit social and political history. Each biography is compelling in its own merit, but when all are taken together, the collection shows patterns of interaction among people and communities of today, and across the generations. By combining historical documents and photographs with accounts gathered from living memory, the book also enables the present, living generations to interact with their past. The book features biographies and life histories of more than 50 men and women, most born between 1880 and 1910, including a special section on the founders of the Alaska Native Brotherhood....

Haa Kusteeyí, Our Culture: Tlingit Life Stories (Classics of Tlingit Oral Literature)

Biographies & Memoirs

Community & Culture

The Tlingit Indians of southeastern Alaska are known for their totem poles, Chilkat blankets, and ocean-going canoes. Nora Marks Dauenhauer is a cultural emissary of her people and now tells the story of her own life within the context of her community's. Life Woven with Song re-creates in written language the oral tradition of the Tlingit people as it records memories of Dauenhauer's heritage--of older relatives and Tlingit elders, of trolling for salmon and preparing food in the dryfish camps, of making a living by working in canneries. She explores these recurring themes of food and land, salmon and rainforest, from changing perspectives--as a child, a mother, and a grandmother--and through a variety of literary forms. In prose, Dauenhauer presents stories such as "Egg Boat"--the tale of a twelve-year-old girl fishing the North Pacific for the first time alone--and an autobiographical piece that reveals much about Tlingit lifeways. Then in a section of short lyrical poems she offers crystalline tributes to her land and people. In a concluding selection of plays, Dauenhauer presents three Raven stories that were adapted as stage plays from oral versions told in Tlingit by three storytellers of her community. These plays were commissioned by the Naa Kahidi Theater and have been performed throughout America and Europe. They take the form of a storyteller delivering a narrative while other members of the cast act and dance in masks and costumes. Collectively, Dauenhauer's writings form an "autoethnography," offering new insight into how the Tlingit have been affected by modernization and how Native American culture perseveres in the face of change. Despite the hardships her people have seen, this woman affirms the goodness of life as found in family and community, in daily work and play, and in tribal traditions.

Life Woven with Song (Sun Tracks)

Essays & Correspondence

University of Arizona Press

The Tlingit Indians of southeastern Alaska are known for their totem poles, Chilkat blankets, and ocean-going canoes. Nora Marks Dauenhauer is a cultural emissary of her people and now tells the story of her own life within the context of her community's. Life Woven with Song re-creates in written language the oral tradition of the Tlingit people as it records memories of Dauenhauer's heritage--of older relatives and Tlingit elders, of trolling for salmon and preparing food in the dryfish camps, of making a living by working in canneries. She explores these recurring themes of food and land, salmon and rainforest, from changing perspectives--as a child, a mother, and a grandmother--and through a variety of literary forms. In prose, Dauenhauer presents stories such as "Egg Boat"--the tale of a twelve-year-old girl fishing the North Pacific for the first time alone--and an autobiographical piece that reveals much about Tlingit lifeways. Then in a section of short lyrical poems she offers crystalline tributes to her land and people. In a concluding selection of plays, Dauenhauer presents three Raven stories that were adapted as stage plays from oral versions told in Tlingit by three storytellers of her community. These plays were commissioned by the Naa Kahidi Theater and have been performed throughout America and Europe. They take the form of a storyteller delivering a narrative while other members of the cast act and dance in masks and costumes. Collectively, Dauenhauer's writings form an "autoethnography," offering new insight into how the Tlingit have been affected by modernization and how Native American culture perseveres in the face of change. Despite the hardships her people have seen, this woman affirms the goodness of life as found in family and community, in daily work and play, and in tribal traditions.

Life Woven with Song (Volume 41) (Sun Tracks)

United States

The Droning Shaman: Poems (English and Tlingit Edition)

Poetry

Black Current Pr

You, too, can become a Tlingit speaker! Lingít Xh'éináxh Sá! Is your practical companion in making the language a living part of your life. Browse through this phrase book and identify situations in which you could use a Tlingit phrase with someone else in a meaningful context. People have been learning this beautiful language for thousands of years; and you can, as well, if you start using one or two new phrases each day and make it a practice to do so with other Tlingit language enthusiasts. Tlingit is an Indigenous language of Southeast Alaska and adjacent portions of British Columbia and the Yukon Territory. It is classified linguistically as part of the Athabaskan-Eyak-Tlingit language family because it shows clear similarities in grammatical structure to the Eyak and Athabaskan languages. These Athabaskan-Eyak-Tlingit languages are unique, carrying to exquisite heights an attention to the detail of the form of an object when determining how to use an accompanying verb. The Tlingit language itself is unique in four sounds that seem to be found in no other language on our planet. With a multitude of carefully selected sentences for your analysis, this book gives students of linguistics and invaluable corpus of data. Practice locating and identifying the morphemes within Tlingit words, and the underlying logic of the language will open to you.

Say It in Tlingit: A Tlingit Phrase Book

Sealaska Heritage Institute

Sneaky Sounds: A Non-Threatening Introduction to Tlingit Sounds and Spelling

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