Monet

Daniel Wildenstein

Littlehampton Book Services Ltd.

Discusses the evolution of and influences upon Gauguin's artistic work and presents examples of his paintings, caricatures, and drawings

Gauguin

DOUBLEDAY

<p>Specifically illustrating the works that Claude Monet painted at Giverny, a collection of his most beloved art includes eighty-one colorplates that include examples of the Haystacks, Poplars, Morning on the Seine, Japanese Footbridge, and Water Lilies series.</p>

Monet's Years at Giverny: Beyond Impressionism

Arts & Photography

History & Criticism

Harry N. Abrams

Monet. Complete Paintings, 1858-1885. Vol. 1 of the Catalogue Raisonné. (Catalogue Raisonné)

Alan Wofsy Fine Arts

Monet : The Complete Paintings, 1899-1926 (English Edition, Four Volume Set)

Monet O El Triunfo del Impresionismo (Spanish Edition)

Taschen

Monet: Catalogue Raisonné, Werkverzeichnis, Vol. IV, Nos. 1596-1983 et Les Grandes Décorations

Monet: The Triumph Of Impressionism

Taschen America, LLC

<p>Review\n“This is the only readily available publication that gives a complete record of Monet’s work―in other words, it is definitive.” ― The Good Book Guide\nNo other artist, apart from J. M. W. Turner, tried as hard as Claude Monet (1840–1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cézanne called “only an eye, but my God what an eye!” who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object.\nIt could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of water lilies, painted in his own garden at Giverny, which, in their approach towards almost total formlessness, are really the origin of abstract art.\nThis biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.</p>

Monet. The Triumph of Impressionism

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Books by Daniel Wildenstein