Mozart's Don Giovanni: Libretto by Lorenzo Da Ponte

Arts & Photography

Mozart, Wolfgang Amadeus

Da Ponte, Lorenzo

Holden, Amanda

Music

David&Charles

Memoirs (Da Capo Press Music Reprint Series)

Individual Artists

Da Capo Press

Plot and counterplot lie at the heart of Don Giovanni, Così fan tutte, and The Marriage of Figaro, the three brilliant libretti that Lorenzo Da Ponte prepared for Mozart. They were also central to Da Ponte's own extraordinary life. His Memoirs record a fantastic variety of romantic, political, and professional intrigues, and tell of meetings with a host of remarkable men. In a life that took him from the canals of Venice to the streets of New York, Da Ponte was at different times priest, professional gambler, proprietor of a bordello, political agitator, court poet, impresario, grocery store owner, and the first professor of Italian literature at Columbia University. His Memoirs, a minor classic of Italian literature, are the picaresque and engrossing story of a man of enormous talent and unsurpassed flair who was, above all, an indefatigable survivor. "I shall speak of things . . . so singular in their oddity as in some manner to instruct, or at least entertain, without wearying." —Lorenzo da Ponte

Memoirs of Lorenzo Da Ponte (New York Review Books Classics)

Humor & Entertainment

NYRB Classics

Libretto d'opera de Le nozze di Figaro. Versione integrale di una delle più note creazioni di Mozart e del librettista Lorenzo Da Ponte, arricchito in appendice da un percorso di schede illustrate su storia, aneddoti e curiosità. La storia incomincia la mattina delle nozze di Figaro con Susanna e si sviluppa in opera buffa intorno alla richiesta del Conte d'Almaviva che rivendica lo ius primae noctis. Il formato tascabile ma al tempo stesso leggibile si prestano sia per una lettura domestica che per quella di sala.

Le nozze di Figaro: Libretto di scena integrale con schede illustrative (Libretti d'opera) (Italian Edition)

Literature & Fiction

Classics

Independently published

La cosa rara; a new comic opera, in two acts, as performed at the King's Theatre, in the Hay-Market, the music entirely new, by Signor Martini; under the direction of Mr. Mazzinghi.

Reference

Words, Language & Grammar

Gale ECCO, Print Editions

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T089995 The libretto only, which also appeared as 'Gli sposi in contrasto' and 'La capricciosa corretta'. Parallel Italian text and English prose translation. The English translation on the lower part of p.88 is numbered 89. London : printed by E. Jackson, [1798]. 88p. ; 8°

La scola de maritati. A comic opera, in two acts. Composed here by Da Ponte, performed at the King's Theatre in the Haymarket. The music by Sig. Vincenzo Martini, ...

Il burbero di buon core: a comic opera in two acts. As represented at the King's Theatre, Haymarket. The music by the celebrated Signor Vincenzo ... Federici. The words by Lorenzo da Ponte, ...

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++British LibraryT089996The libretto only, adapted from a work by Giuseppe Petrosellini. Parallel Italian text and English prose translation.London : printed by E. Jackson, [1798]. [2],93,[1]p. ; 8°

La Cifra. a Comic Drama. in Two Acts. by Da Ponte. Set to Music by Signor Salieri, ... Performed at the King's Theatre in the Haymarket.

Il Mezenzio; Le Nozze Di Figaro; Il Don Diovanni; Assur, Re D'Ormus (1834) (Italian Edition)

Dramas & Plays

Kessinger Publishing

1929. Edited and annotated by Arthur Livingston. The fascinating memoirs of the Italian poet, librettist, and pioneer in spreading Italian culture in the United States. Forced to leave Venice and Vienna due to scandals, he wandered through Europe, lived in London and then came to the US where he spent the rest of his life as a celebrated teacher of Italian language and culture (except for an unsuccessful period spent in Pennsylvania selling medicines). He taught nearly 2,000 private pupils and was appointed professor of Italian language and literature at Columbia in 1830.

Memoirs Of Lorenzo Da Ponte

Kessinger Pub

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