Lost Children

Literature & Fiction

Crooker, Barbara

Poetry

Heyeck Pr

Obbligato

Linwood Publishers

Barbara Crooker's sixth collection of poetry, Small Rain, is an exploration of the wheel of the year, the seasons that roll in a continuous circle and yet move inexorably forward. Here, gorgeous lyric poems praise poppies, mockingbirds, nectarines, mulch and compost, yet loss (stillbirth, cancer, emphysema), with its crow-black wings, is also always present. In poems that narrow in on the particular ("a cardinal twangs his notes of cheer; he has no truck with irony and post- / modernism"), poems that focus on aging and the body ("how many springs are left on my ticket?"), poems that open out into the larger world of politics, war, global climate change, Crooker's work embodies Wendell Berry's words, "Be joyful, though you have considered all the facts," reminding us that sometimes we need to stop in wonder, look at the natural world, which we are close to ruining forever, and let "our mouths say o and o and o."

Small Rain

purple flag

Ordinary life

ByLine Press

A politically-neutral collection of poetry, prose, and art inspired by the 2008 United States Presidential Election. Contributions from a Grammy award nominee, a National Endowment for the Arts Fellowship winner, Pushcart award nominees and winners, writers from various continents, university professors, professional artists, and some amateurs too.

A Dream in the Clouds

Joseph, Allison

Lifshin, Lyn

Brazaitis, Mark

Atuhaire, Grace

Hostovsky, Paul

Humphrey, Ben

Lang, Susanna

Leary, Mary

Leland, Christopher

Bobo Strategy

Art Through the Eyes of Mad Poets: An Ekphrastic Poetry Collection

Society, Mad Poets

Anderson, Nathalie

Sholevar, Fereshteh

Greenblatt, Raymond

Forrester, Sibelan

Nocella, Camille

Laub, Amy E.

Lake, Matt

Independently published

Gold (Poiema Poetry)

History & Criticism

Wipf and Stock

The Book of Kells (Poiema Poetry)

Barbara Crooker's eighth book of poetry, The Book of Kells, focuses on the illuminated medieval manuscript with a series of meditations on its various aspects, from the ink and pigments used by the scribes and illustrators to the various plants, animals, and figures depicted on its pages, including the punctuation and use of decoration in the capital letters. It also contains poems on the flora and fauna of Ireland (swans, hares, magpies, fuchsia, gorse, crocosmia, etc.) that Crooker encountered during writing residencies at the Tyrone Guthrie Centre in County Monaghan. The third thread in this volume is a series of glosas, a fifteenth-century Spanish form that incorporates a quatrain from other poems; here, Irish writers (Yeats, Heaney, O'Driscoll) provide the embedded lines. In her work, Crooker considers the struggle to pin lines to the page, to tie experience to the written word, to wrestle between faith and doubt, to accept the aging body as it tries to be fully alive in the world. Crooker contrasts the age of faith, when the Book of Kells was created, to our modern age of doubt, and uses as her foundation the old stones of Irish myth and lore from pre-Christian times. She juxtaposes a time when the written word was laborious and sacred against our electronic world, where communication by pixel is easy and brief. Above all, she captures the awe that the word inspired in preliterate times: “The world was the Book of God. The alphabet shimmered and buzzed with beauty.”

Cascade Books

Barbara Crooker's eighth book of poetry, The Book of Kells, focuses on the illuminated medieval manuscript with a series of meditations on its various aspects, from the ink and pigments used by the scribes and illustrators to the various plants, animals, and figures depicted on its pages, including the punctuation and use of decoration in the capital letters. It also contains poems on the flora and fauna of Ireland (swans, hares, magpies, fuchsia, gorse, crocosmia, etc.) that Crooker encountered during writing residencies at the Tyrone Guthrie Centre in County Monaghan. The third thread in this volume is a series of glosas, a fifteenth-century Spanish form that incorporates a quatrain from other poems; here, Irish writers (Yeats, Heaney, O'Driscoll) provide the embedded lines. In her work, Crooker considers the struggle to pin lines to the page, to tie experience to the written word, to wrestle between faith and doubt, to accept the aging body as it tries to be fully alive in the world. Crooker contrasts the age of faith, when the Book of Kells was created, to our modern age of doubt, and uses as her foundation the old stones of Irish myth and lore from pre-Christian times. She juxtaposes a time when the written word was laborious and sacred against our electronic world, where communication by pixel is easy and brief. Above all, she captures the awe that the word inspired in preliterate times: "The world was the Book of God. The alphabet shimmered and buzzed with beauty."

Barbara Crooker's new book Gold focuses on one of the most profound life-altering experiences possible: losing one's mother. This collection is an elegy, not just to the speaker's mother, but to a lost Eden that cannot be reclaimed. Beginning with a series of lyrics set in autumn, the poems become more narrative, recounting the long illness of Crooker's mother, her death, and the profound journey along the shores of grief. Throughout, Crooker is aware of the complexity and strength of the mother/daughter relationship and the chasm that this loss opens. The book includes other themes: poems about aging and the body, the loss of friends, the difficulties and joys in a long-term marriage, and always, the subtle ways faith influences the way Crooker experiences life. Her work has great scope, spanning the globe from rural Pennsylvania to Ireland, and reaching not just within herself but also outside of herself, to ekphrastic poems on the paintings of Gorky, Manet, Matisse, and others. This is the book of a mature writer, one who demonstrates an awareness of our own impermanence, our brokenness, and one who knows that if our parents go before us, we will have to learn to live with loss. In this book, we see the redemptive power of poetry itself to heal and to console.

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Books by Crooker, Barbara