The elegantly written RANDOM HOUSE HANDBOOK, 6/e, offers a comprehensive guide to writing and style, as well as special applications.

The Random House Handbook

Crews, Frederick

Literature & Fiction

McGraw-Hill Humanities/Social

Designed as an easy-to-use, non-jargon-bound reference for writers, the BORZOI features elegant, straightforward language suggestions and advice as it avoids complex grammatical explanations. The handbook is accompanied by a free Practice book that provides exercises based in real discourse units.

The Borzoi Handbook for Writers (text only--no practice book)

Reference

Schor, Sandra

Hennessey, Michael

Words, Language & Grammar

McGraw-Hill Humanities/Social Sciences/Languages

Designed as an easy-to-use, non-jargon-bound reference for writers, the BORZOI features elegant, straightforward language suggestions and advice as it avoids complex grammatical explanations. The handbook is accompanied by a free Practice book that provides exercises based in real discourse units.

The Borzoi Handbook for Writers

Hennessy, Michael

McGraw-Hill Companies

In 1974, Crews published The Random House Handbook, a best-selling college composition textbook that offered extensive rhetorical advice for writing academic essays as well as reference information on the correct and effective use of the English language. The book brought together two aspects of writing instruction not generally covered in a single text. It was widely praised for being highly readable and helpful and was written in a clear, often elegant style, with occasional flashes of humor, something rare in college writing handbooks then or now. It was also highly successful running to six editions.

Random House]

The Borzoi Handbook for Writers: Apple

Writing, Research & Publishing Guides

Offers a comprehensive guide to writing and style, as well as special applications

Random House Handbook

English as a Second Language

Mcgraw-Hill College

Skeptical Engagements

Eleven years ago, in Out of My System, the influential literary critic Frederick Crews served notice that his Freudian sympathies were being eroded. Now, in a closely reasoned and witty new book, he shows where that reappraisal took him and why he has come to regard himself as an opponent of all "self-validating" doctrines. The essays and occasional pieces that make up Skeptical Engagements are linked by a theme that Crews came to understand by trial and error: "the fear of facing the world, including its works of literature, without an intellectual narcotic ready at hand." Having witnessed psychoanalysis from the believer's vantage as well as the skeptic's, Crews offers a uniquely trenchant perspective on Freudian claims. Psychoanalysis, he argues, is a classical pseudoscience--a doctrine insisting on its rigorous evidential basis while refusing in practice to be bound by the ethics of disconfirmation. Such a doctrine becomes overelaborate and even self-contradictory as it continually attempts to appease its doubters and add escape clauses to its failed predictions. Unlike other critics of modern psychoanalysis, Crews traces this tendency to Freud himself, whose stance toward evidence, he shows, ranged from the opportunistic to the flatly dishonest. Skeptical Engagements is also a searing critique of pretension and folly in the literary academy, from deconstructive "freeplay" to post-structuralist Marxism. Such schools have explicitly set themselves against the empirical values which Crews takes to be a requisite in any thriving field of knowledge. And in a final section Crews applies his skepticism and his normative cultural concerns to such diverse figures as Joseph Conrad, Henry Miller, Norman Mailer, Philip Roth, Philip Rahv, and Leslie Fiedler. About the Author:  Frederick Crews, Professor of English at the University of California at Berkeley, is the author of nine books, including The Pooh Perplex, E.M. Forster: The Perils of Humanism, The Sins of the Fathers: Hawthorne's Psychological Themes, The Random House Handbook, and (with Sandra Schor) The Borzoi Book for Writers.

Oxford University Press

Eleven years ago, in Out of My System, the influential literary critic, Frederick Crews, disclosed the erosion of his Freudian sympathies. Now, in a carefully reasoned and witty new book, he reveals where that reappraisal has taken him and why he has come to regard himself as an opponent of all "self-validating" doctrines. The essays and pieces in this volume concern what Crews calls "the fear of facing the world, including its works of literature, without an intellectual narcotic ready at hand." Having witnessed psychoanalysis from the believer's vantage point as well as the skeptic's, Crews offers a uniquely trenchant perspective on Freudian claims. He also presents a searing critique of pretension and folly in the literary academy, from deconstructive "freeplay" to post-structuralist Marxism, applying his skepticism and his cultural concerns to such diverse figures as Joseph Conrad, Henry Miller, Norman Mailer, Philip Roth, Philip Rahv, and Leslie Fiedler.

Essays & Correspondence

Exercises designed to accompany: The Random House Handbook

Crews Random House Practice Book

Random House, Inc.

See the best price to sell, buy, or rent books by Crews, Frederick. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Crews, Frederick

See the best price to sell, buy, or rent books by Crews, Frederick. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Random House Handbook

The Borzoi Handbook for Writers (text only--no practice book)

The Borzoi Handbook for Writers

The Random House Handbook

The Borzoi Handbook for Writers: Apple

Random House Handbook

The Borzoi Handbook for Writers

Skeptical Engagements

Skeptical Engagements

Crews Random House Practice Book