Reasons for Living begins by exploring the development and psychological function of meaning, identity and spirituality in the lives of young people. This exploration can contribute significantly to the professional background of those engaged in the education and care of youth in various contexts. The book then focuses on what it means to educate young people in meaning, identity and spirituality. Implications are considered for three school contexts: the spiritual and moral dimension to the general curriculum in public and independent schools; religious education in religious schools; and state-based Religion Studies courses. Reasons for Living makes a much needed contribution to the philosophy of education by discussing the links between education and young people's spiritual and moral development. It also provides new insights and approaches to values education and religious education. Areas of fundamental importance in Australian education have long been held back not only by the gap between theory and practice, but also by the very complexities of young people's personal development in contemporary Western Culture. Reasons for Living offers a constructive and practical way forward.

Reasons for Living: Education and Young People's Search for Meaning, Identity and Spirituality - A Handbook

Crawford, Marisa

Rossiter, Graham

Religion & Spirituality

ACER Press

Poetry. Marisa Crawford's first collection of poetry evokes The Breakfast Club's angst with deliberate control and fresh upheaval. Centering on coming-of-age themes, Crawford is brutally honest yet careful in her representations and confessional moments—she invokes a preteen voice, capturing in detail female subjects, such as one who wears "cotton flowers on her undershirt," and describing "men who leave handprints all over your blankets." There is a maddening and desirous investment in the characters littered throughout: Ivy, Deidre, Virginia, Stephanie, Megan. Each girl is a catalyst for another brilliantly crafted poem; each poem is a catalyst for swizzle-stick nostalgia and a close re-examination of girlhood. The winner of the 2008 Gatewood Prize, Crawford reminds us that although we may make it out of our childhoods alive, we never quite shake our own personal geographies.

The Haunted House

Literature & Fiction

Poetry

Switchback Books

Poetry. "Rarely am I so submerged in the details of a poet's mind and world as I am with Marisa Crawford's work. It's bright and glitter roll-on scented, with a pitch-perfect 90s soundtrack. It's nostalgic, dark, surprising yet warmly familiar. I mourn for the girlhood of this book. In REVERSIBLE, Crawford has created an incredibly moving and vivid archive of growing up—part monologue, part lyric, part ethnography—distinct, striking, tender, and enchanting."—Morgan Parker "Marisa Crawford's poems give me a kind of ecstatic pleasure, as all the sensory and social strangeness of 90s youth come flooding back. I will never understand how she can remember all these details and evoke them with such feeling—she must have an off-the-charts EQ, and also an off-the- charts whatever the 'Q' is that measures the ability to remember every outfit you ever wore. 'E' is also for empathy: in Crawford's poems, everything that happens to her friends happens to her. And then I'm in their glow, and everything that happened to Crawford and her friends happens to me. Her poems also know, better than any I've ever read, that fashion is imagery; ditto for friendships and stickers and backyard pools and the things girls do to their bodies in their bedrooms late at night. It doesn't matter that the box of old cassette tapes that you hope will be in your parents' basement might not be findable: all we want to do is go searching alongside her, following her flashlight beam as it lights up the feelings inside the objects we put away or gave away or forgot we ever had."—Becca Klaver "Dear M,

Reversible

Diary

Spuyten Duyvil Publishing

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Books by Crawford, Marisa