This wonderful book explores the dramatic change in Western attitude toward the sea and seaside pleasures that occurred between 1750 and 1840. Interest in travel; the arrival of landscape painting, geology, and natural theology; fashions in medicine and the advent of the bathing-machine; the emergence of Romanticism and the Sublime—these are only some of the elements that helped transform perceptions. There was no sea in the Garden of Eden, and for centuries the Earth’s ocean was looked upon with hostility, as a chaotic remnant of the flood. But by the time Jane Austen wrote Sandition—perhaps the first ‘seaside’ novel—in 1817, the sea and shore had come to be viewed as something intensely and sensuously pleasurable, with beach holidays all the rage in new resorts from Brighton and Scarborough to Dieppe. “A compact and brilliant taxonomy of the shifting meanings of the sea and shore.”—The New York Review of Books

The Lure of the Sea: Discovery of the Seaside in the Western World 1750-1840, The

Corbin, Alain

Humor & Entertainment

Penguin??Books

In the French canton of Brienne in November 1799, local authorities were scandalized when a crowd of girls broke through the doors of the church and rang the bells in order to mark the festival of St. Catherine. Religious use of the bells was forbidden by law, but the villagers boldly insisted on their right to celebrate with peals the feast of a beloved saint. So begins Village Bells, Alain Corbin's exploration of the "auditory landscape" of nineteenth-century France, a story of lost sensory experiences and forgotten passions. In the nineteenth century, these instruments were symbols of their towns and objects of both ecclesiastic and civic pride. Bell-ringing served practical purposes of communication, marking both religious and secular time, as well as calling citizens to pray, assemble, take arms, or beware of danger. As Corbin shows, the bells also reflected the social, political, and religious struggles of the time. To control the bells was to control the symbolic order, rhythm, and loyalties of French village and country life. Using church archives and local documents, Corbin forges a unique history of the role of bells from the aftermath of the Revolution to the dawn of the twentieth century. He charts how the First Republic (1792–1804) moved toward a more secular society, turning many bells into coins and cannonballs and seizing others as property of the state. A gradual return to the religious use of bells occurred in the nineteenth century, even as their new secular roles were maintained. Corbin describes the battles over the marking of religious versus secular time, as calls to prayer, the celebration of religious feasts, and the marking of rites of passage―baptism, marriage, and death―competed with tolls indicating the passing hours or marking assemblies, elections, or republican holidays. Thoroughly documented and recounted with intriguing narratives, Village Bells provides an original approach to nineteenth-century French cultural, social, and political history. As Corbin notes, the bells are no longer essential to our lives―their qualitative, sacred time and space replaced by the quantitative, secular measures of the clock―but by understanding their lost symbolic and practical importance we open a window onto the age in which they rang.

Village Bells

Literature & Fiction

History & Criticism

Columbia University Press

"My task is piecing together a puzzle... I hope to reconstitute the existence of a person whose memory has been abolished.... I want to re-create him, to give him a second chance... to become part of the memory of his century." With these words, Alain Corbin embarks on a journey that is part history and part metaphysics: recreating the life and world of a man about whom nothing is known except for his entries in the civil registries and historical knowledge about the times in which he lived. Risen from death and utter obscurity is Louis-François Pinagot, a forester and clog maker who lived during the heart of the nineteenth century―the age of Romanticism, of Hugo and Berlioz―from the Napoleonic Wars to the Third Republic. The result is a fascinating picture of the way people lived along the forest's edge during this tumultuous and eventful time in the history of France―and of the world. How did the residents of this unique community live and work together? How did life in the village differ from life in the forest? How did the church and various governments of France affect the everyday lives of these people, and of Pinagot in particular? With The Life of an Unknown, Alain Corbin presents a full record of a life, comprised of supposition, with room for each reader to insert his/her own imaginings onto the scene. Ambitious in its aims and exquisite in its execution, The Life of an Unknown is nothing short of a bold and successful attempt by a master to correct historians' all-too-common neglect of those relegated to oblivion with the passage of time.

The Life of an Unknown

Biographies & Memoirs

Historical

"My task is piecing together a puzzle... I hope to reconstitute the existence of a person whose memory has been abolished.... I want to re-create him, to give him a second chance... to become part of the memory of his century." With these words, Alain Corbin embarks on a journey that is part history and part metaphysics: recreating the life and world of a man about whom nothing is known except for his entries in the civil registries and historical knowledge about the times in which he lived. Risen from death and utter obscurity is Louis-François Pinagot, a forester and clog maker who lived during the heart of the nineteenth century―the age of Romanticism, of Hugo and Berlioz―from the Napoleonic Wars to the Third Republic.The result is a fascinating picture of the way people lived along the forest's edge during this tumultuous and eventful time in the history of France―and of the world. How did the residents of this unique community live and work together? How did life in the village differ from life in the forest? How did the church and various governments of France affect the everyday lives of these people, and of Pinagot in particular? With The Life of an Unknown, Alain Corbin presents a full record of a life, comprised of supposition, with room for each reader to insert his/her own imaginings onto the scene. Ambitious in its aims and exquisite in its execution, The Life of an Unknown is nothing short of a bold and successful attempt by a master to correct historians' all-too-common neglect of those relegated to oblivion with the passage of time.

The Life of an Unknown: The Rediscovered World of a Clog Maker in Nineteenth-Century France (European Perspectives)

History

Europe

Columbia Univ. Pr.

In the French canton of Brienne in November 1799, local authorities were scandalized when a crowd of girls broke through the doors of the church and rang the bells in order to mark the festival of St. Catherine. Religious use of the bells was forbidden by law, but the villagers boldly insisted on their right to celebrate with peals the feast of a beloved saint. So begins Village Bells, Alain Corbin's exploration of the "auditory landscape" of nineteenth-century France, a story of lost sensory experiences and forgotten passions. In the nineteenth century, these instruments were symbols of their towns and objects of both ecclesiastic and civic pride. Bell-ringing served practical purposes of communication, marking both religious and secular time, as well as calling citizens to pray, assemble, take arms, or beware of danger. As Corbin shows, the bells also reflected the social, political, and religious struggles of the time. To control the bells was to control the symbolic order, rhythm, and loyalties of French village and country life.\nUsing church archives and local documents, Corbin forges a unique history of the role of bells from the aftermath of the Revolution to the dawn of the twentieth century. He charts how the First Republic (1792–1804) moved toward a more secular society, turning many bells into coins and cannonballs and seizing others as property of the state. A gradual return to the religious use of bells occurred in the nineteenth century, even as their new secular roles were maintained. Corbin describes the battles over the marking of religious versus secular time, as calls to prayer, the celebration of religious feasts, and the marking of rites of passage―baptism, marriage, and death―competed with tolls indicating the passing hours or marking assemblies, elections, or republican holidays.\nThoroughly documented and recounted with intriguing narratives, Village Bells provides an original approach to nineteenth-century French cultural, social, and political history. As Corbin notes, the bells are no longer essential to our lives―their qualitative, sacred time and space replaced by the quantitative, secular measures of the clock―but by understanding their lost symbolic and practical importance we open a window onto the age in which they rang.\nAmazon.com Review\nSince the Renaissance, France has been known as the country of ringing towns. By the 19th century, according to Alain Corbin, a renowned professor of contemporary history at the Sorbonne, a French village community could not live without its bells. Village peals were symbols and objects of both ecclesiastic and civic pride, and played such an integral role in town life that, according to Corbin, community leaders frequently allocated more money to their acquisition and maintenance than to relieving poverty or promoting education. Bell-ringing not only served practical purposes of communication, it also reflected the social, political, and religious struggles of the time. To control the bells was to control the symbolic order, rhythm, and loyalties of French village and country life. Furthermore, Corbin argues, possessing a peal of bells was a prerequisite of modernity in a society increasingly subject to haste but as yet without any other means of transmitting information instantaneously. Examinations of the social imagination have traditionally neglected materials pertaining to auditory perception, making Corbin's exploration of his thesis all the more original. --Bertina Loeffler

Arts & Photography

Music

Macmillan

Once seen as a dark and sinister force, the domain of monsters, the sea was associated with catastrophe and fear by many Europeans prior to the eighteenth century. Alain Corbin's engaging book reveals how attitudes toward the ocean gradually began to shift from the negative to the positive, so that by the mid-1800s our present-day salubrious notion of the seashore had come into being. Going back to ancient times, Corbin describes conceptions of the sea in relationship to how people thought and felt about their place in the world. He then shows how the Enlightenment and changing attitudes in science, literature, and art affected notions of the sea. Ocean bathing came to be seen as therapeutic, the sea was linked with the creation of life, and the shore became a locale for self-exploration and reverie. Discovery of the seaside had political, economic, and social effects, too. The shore as a place of pleasure led to the rapid growth of British coastal towns such as Brighton, followed by other resorts in Europe. All of this Corbin lays out in wonderful detail, blending history, theory, and anecdote into an absorbing whole. The Lure of the Sea suggests the fashioning of a modern sensibility in the West's discovery of the shore—one that is health-conscious and intent on regeneration through vigorous contact with nature. Written by one of today's most literate and imaginative historians, it offers an inviting cultural excursion for scholars and general readers alike.

The Lure of the Sea: The Discovery of the Seaside in the Western World

University of California Press

Looks at the influence of smells in eighteenth and nineteenth century France, and discusses science, medicine, public health, urban planning, and literature of the period in terms of the sense of smell

The Foul and the Fragrant: Odor and the French Social Imagination

Harvard University Press

In a book whose insight and originality have already had a dazzling impact in France, Alain Corbin has put the sense of smell on the historical map. He conjures up the dominion that the combined forces of smells--from the seductress's civet to the ubiquitous excremental odors of city cesspools--exercised over the lives (and deaths) of the French in the eighteenth and nineteenth centuries.

Americas

In August 1870, during a fair in the isolated French village of Hautefaye, a gruesome murder was committed in broad daylight that aroused the indignation of the entire country. A young nobleman, falsely accused of shouting republican slogans, was savagely tortured for hours by a mob of peasants who later burned him alive. Rumors of cannibalism stirred public fascination, and the details of the case were dramatically recounted in the popular press. While the crime was rife with political significance, the official inquiry focused on its brutality. Justice was swift: the mob's alleged ringleaders were guillotined at the scene of the crime the following winter. 
 The Village of Cannibals is a fascinating inquiry by historian Alain Corbin into the social and political ingredients of an alchemy that transformed ordinary people into executioners in nineteenth-century France. Corbin's chronicle of the killing is significant for the new light it sheds on the final eruption of peasant rage in France to end in murder. No other author has investigated this harrowing event in such depth or brought to its study such a wealth of perspectives. 
 Corbin explores incidents of public violence during and after the French Revolution and illustrates how earlier episodes in France's history provide insight into the mob's methods and choice of victim. He describes in detail the peasants' perception of the political landscape and the climate of fear that fueled their anxiety and ignited long-smoldering hatreds. Drawing on the minutes of court proceedings, accounts of contemporary journalists, and testimony of eyewitnesses, the author offers a precise chronology of the chain of events that unfolded on the fairground that summer afternoon. His detailed investigation into the murder at Hautefaye reveals the political motivations of the murderers and the gulf between their actions and the sensibilities of the majority of French citizens, who no longer tolerated violence as a viable form of political expression. The book will be welcomed by scholars, students, and general readers for its compelling insights into the nature of collective violence.

The Village of Cannibals: Rage and Murder in France, 1870

In August 1870, during a fair in the isolated French village of Hautefaye, a gruesome murder was committed in broad daylight that aroused the indignation of the entire country. A young nobleman, falsely accused of shouting republican slogans, was savagely tortured for hours by a mob of peasants who later burned him alive. Rumors of cannibalism stirred public fascination, and the details of the case were dramatically recounted in the popular press. While the crime was rife with political significance, the official inquiry focused on its brutality. Justice was swift: the mob’s alleged ringleaders were guillotined at the scene of the crime the following winter.
The Village of Cannibals is a fascinating inquiry by historian Alain Corbin into the social and political ingredients of an alchemy that transformed ordinary people into executioners in nineteenth-century France. Corbin’s chronicle of the killing is significant for the new light it sheds on the final eruption of peasant rage in France to end in murder. No other author has investigated this harrowing event in such depth or brought to its study such a wealth of perspectives.
Corbin explores incidents of public violence during and after the French Revolution and illustrates how earlier episodes in France’s history provide insight into the mob’s methods and choice of victim. He describes in detail the peasants’ perception of the political landscape and the climate of fear that fueled their anxiety and ignited long-smoldering hatreds. Drawing on the minutes of court proceedings, accounts of contemporary journalists, and testimony of eyewitnesses, the author offers a precise chronology of the chain of events that unfolded on the fairground that summer afternoon. His detailed investigation into the murder at Hautefaye reveals the political motivations of the murderers and the gulf between their actions and the sensibilities of the majority of French citizens, who no longer tolerated violence as a viable form of political expression. The book will be welcomed by scholars, students, and general readers for its compelling insights into the nature of collective violence.

The Village of Cannibals: Rage and Murder in France, 1870 (Studies in Cultural History)

See the best price to sell, buy, or rent books by Corbin, Alain. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Corbin, Alain

See the best price to sell, buy, or rent books by Corbin, Alain. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Lure of the Sea: Discovery of the Seaside in the Western World 1750-1840, The

Village Bells

The Life of an Unknown

The Life of an Unknown: The Rediscovered World of a Clog Maker in Nineteenth-Century France (European Perspectives)

Village Bells

The Lure of the Sea: The Discovery of the Seaside in the Western World

The Foul and the Fragrant: Odor and the French Social Imagination

The Foul and the Fragrant: Odor and the French Social Imagination

The Village of Cannibals: Rage and Murder in France, 1870

The Village of Cannibals: Rage and Murder in France, 1870 (Studies in Cultural History)