The Rhyme and Reason of Country Life

Cooper, Susan Fenimore

History

Wentworth Press

William West Skils

Biographies & Memoirs

Leaders & Notable People

The Rhyme And Reason Of Country Life: Or Selections From Fields Old And New (1854)

Historical

Kessinger Publishing

Rural Hours

Rural Hours (1850) is one of the earliest pieces of American nature writing and the first by a woman. This new edition, the only printing of the full original text since 1876, restores passages excised by the author for an 1887 edition.
The daughter of the novelist James Fenimore Cooper, Susan Fenimore Cooper (1813-1894), uses narratives and descriptions of her walks and excursions to reveal her ideal society as a rural one, carefully poised between the receding wilderness and a looming industrialization. She theorizes that knowledge of place causes people to approach the land humbly and gratefully and asserts the necessity of establishing a society that is sustainable in the natural world and that sees a moral obligation to deepen knowledge of the natural history of the environment.

Literature & Fiction

Johnson, Rochelle

Patterson, J. Daniel

Essays & Correspondence

Univ of Georgia Pr

Rural Hours (1850) is one of the earliest pieces of American nature writing and the first by a woman. This new edition, the only printing of the full original text since 1876, restores passages excised by the author for an 1887 edition. The daughter of the novelist James Fenimore Cooper, Susan Fenimore Cooper (1813-1894), uses narratives and descriptions of her walks and excursions to reveal her ideal society as a rural one, carefully poised between the receding wilderness and a looming industrialization. She theorizes that knowledge of place causes people to approach the land humbly and gratefully and asserts the necessity of establishing a society that is sustainable in the natural world and that sees a moral obligation to deepen knowledge of the natural history of the environment.

Patterson, Daniel

History & Criticism

University of Georgia Press

Essays on Nature and Landscape

Susan Fenimore Cooper (1813-1894), though often overshadowed by her celebrity father, James Fenimore Cooper, has recently become recognized as both a pioneer of American nature writing and an early advocate for ecological sustainability. Editors Rochelle Johnson and Daniel Patterson have assembled here a collection of ten pieces by Cooper that represent her most accomplished nature writing and the fullest articulation of her environmental principles. With one exception, these essays have not been available in print since their original appearance in Cooper's lifetime.
A portrait of her thoughts on nature and how we should live and think in relation to it, this collection both contextualizes Cooper's magnum opus, Rural Hours (1850), and demonstrates how she perceived her work as a nature writer. Frequently her essays are models of how to catch and keep the interest of a reader when writing about plants, animals, and our relationship to the physical environment. By lamenting the decline of bird populations, original forests, and overall biodiversity, she champions preservation and invokes a collective environmental conscience that would not begin to awaken until the end of her life and century.
The selections include independent essays, miscellaneous introductions and prefaces, and the first three installments from Cooper's work of literary ornithology, "Otsego Leaves," arguably her most mature and fully realized contribution to American environmental writing. In addition to a foreword by John Elder, one of the nation's leading environmental educators, an introduction analyzes each essay in various cultural contexts. Brief but handy textual notes supplement the essays. Perfect for nature-writing aficionados, environmental historians, and environmental activists, this collection will radically expand Cooper's importance to the history of American environmental thought.

BiblioLife

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

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