This exciting anthology of fiction, poetry, and drama provides students with a window into the cultures and literatures of the Caribbean, Latin America, the Middle East, sub-Saharan Africa, South Asia, and East Asia. The selections for the six parts of the book were assembled by a team of six regional experts under the general editorship of Arthur W. Biddle. The regional editors have also provided introductions, headnotes, and footnotes, apparatus that is designed to give students the information they need without overwhelming them.

Global Voices: Contemporary Literature from the Non-Western World

Literature & Fiction

Cooke, Miriam

Biddle, Arthur W.

Bien, Gloria

United States

Pearson College Div

Blood Into Ink: South Asian And Middle Eastern Women Write War

"These writings on war by Middle Eastern and South Asian women are passionate, bitter, and deeply attached to place and circumstance. They should be part of our essential reading. At the tail end of this century, they help to remap a vivid, splintering world".--Meena Alexander, author of "Fault Lines". Lightning Print On Demand Title

History

Asia

Routledge

This provocative collection addresses the ways in which Arab women writers are using Islam to empower themselves, and theorizes the conditions that have made the appearance of these new voices possible.

Women Claim Islam: Creating Islamic Feminism Through Literature

This provocative collection addresses the ways in which Arab women writers are using Islam to empower themselves, and theorizes the conditions that have made the appearance of these new voices possible.

History & Criticism

Women and the War Story

In a book that radically and fundamentally revises the way we think about war, Miriam Cooke charts the emerging tradition of women's contributions to what she calls the "War Story," a genre formerly reserved for men. Concentrating on the contemporary literature of the Arab world, Cooke looks at how alternatives to the master narrative challenge the authority of experience and the permission to write. She shows how women who write themselves and their experiences into the War Story undo the masculine contract with violence, sexuality, and glory. There is no single War Story, Cooke concludes; the standard narrative—and with it the way we think about and conduct war—can be changed.As the traditional time, space, organization, and representation of war have shifted, so have ways of describing it. As drug wars, civil wars, gang wars, and ideological wars have moved into neighborhoods and homes, the line between combat zones and safe zones has blurred. Cooke shows how women's stories contest the acceptance of a dyadically structured world and break down the easy oppositions—home vs. front, civilian vs. combatant, war vs. peace, victory vs. defeat—that have framed, and ultimately promoted, war.

University of California Press

In a book that radically and fundamentally revises the way we think about war, Miriam Cooke charts the emerging tradition of women's contributions to what she calls the "War Story," a genre formerly reserved for men. Concentrating on the contemporary literature of the Arab world, Cooke looks at how alternatives to the master narrative challenge the authority of experience and the permission to write. She shows how women who write themselves and their experiences into the War Story undo the masculine contract with violence, sexuality, and glory. There is no single War Story, Cooke concludes; the standard narrative―and with it the way we think about and conduct war―can be changed. As the traditional time, space, organization, and representation of war have shifted, so have ways of describing it. As drug wars, civil wars, gang wars, and ideological wars have moved into neighborhoods and homes, the line between combat zones and safe zones has blurred. Cooke shows how women's stories contest the acceptance of a dyadically structured world and break down the easy oppositions―home vs. front, civilian vs. combatant, war vs. peace, victory vs. defeat―that have framed, and ultimately promoted, war.

Tribal Modern: Branding New Nations in the Arab Gulf

In the 1970s, one of the most torrid and forbidding regions in the world burst on to the international stage. The discovery and subsequent exploitation of oil allowed tribal rulers of the U.A.E, Qatar, Bahrain, and Kuwait to dream big. How could fishermen, pearl divers and pastoral nomads catch up with the rest of the modernized world? Even today, society is skeptical about the clash between the modern and the archaic in the Gulf. But could tribal and modern be intertwined rather than mutually exclusive? Exploring everything from fantasy architecture to neo-tribal sports and from Emirati dress codes to neo-Bedouin poetry contests, Tribal Modern explodes the idea that the tribal is primitive and argues instead that it is an elite, exclusive, racist, and modern instrument for branding new nations and shaping Gulf citizenship and identity―an image used for projecting prestige at home and power abroad.

Africa

In the 1970s, one of the most torrid and forbidding regions in the world burst on to the international stage. The discovery and subsequent exploitation of oil allowed tribal rulers of the U.A.E, Qatar, Bahrain, and Kuwait to dream big. How could fishermen, pearl divers and pastoral nomads catch up with the rest of the modernized world? Even today, society is skeptical about the clash between the modern and the archaic in the Gulf. But could tribal and modern be intertwined rather than mutually exclusive? Exploring everything from fantasy architecture to neo-tribal sports and from Emirati dress codes to neo-Bedouin poetry contests, Tribal Modern explodes the idea that the tribal is primitive and argues instead that it is an elite, exclusive, racist, and modern instrument for branding new nations and shaping Gulf citizenship and identity―an image used for projecting prestige at home and power abroad.

By examining the writings of Lebanese women she calls the Beirut Decentrists, Miriam Cooke challenges the notion that only men write about war. Although of differing political and religious beliefs, it is these Decentrists--women bound by common exclusion from both the literary canon and social discourse--whose vision will rebuild shattered Lebanon. The author traces the transformation in consciousness that took place among women who observed and recorded the progress toward chaos in Lebanon. During the so-called two-year war of 1975-6, little comment was made about those who left the cauldron of violence (usually men in search of economic security), but with time attitudes changed. Women became increasingly aware that they had stayed out of responsibility for others and that they had survived. This growing awareness served as a catalyst, and the Beirut Decentrists began describing a society that had gone beyond the masculinization normal in most wars and achieved an almost unprecedented feminization. Emigration, expected behavior for men before 1975, was rejected; staying, expected behavior for women before 1975, became the standard of Lebanese citizenship. The writings of the Beirut Decentrists offer a way out of anarchy. If men and women could espouse the Lebanese woman's sense of responsibility, the energy that fueled unrelenting savagery could be turned to reconstruction.

War's Other Voices: Women Writers on the Lebanese Civil War (Cambridge Middle East Library, Series Number 14)

Cambridge University Press

This anthology of 20th-century South Asian and Middle Eastern women's writings illustrates how they have become active participants in conflicts, speaking about war not only as an extraordinary experience, but also as an ordinary experience of coping with violence on a daily basis. They show that women's involvements with the rituals of violence do not begin or end with traditional war, but that their daily struggles for survival stretch seamlessly into the more public arena of political war.

Rustomji-Kerns, Roshni

Rustomji, Roshni

Literary

Westview Press

See the best price to sell, buy, or rent books by Cooke, Miriam. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Cooke, Miriam

See the best price to sell, buy, or rent books by Cooke, Miriam. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Global Voices: Contemporary Literature from the Non-Western World

Blood Into Ink: South Asian And Middle Eastern Women Write War

Women Claim Islam: Creating Islamic Feminism Through Literature

Women Claim Islam: Creating Islamic Feminism Through Literature

Women and the War Story

Women and the War Story

Tribal Modern: Branding New Nations in the Arab Gulf

Tribal Modern: Branding New Nations in the Arab Gulf

War's Other Voices: Women Writers on the Lebanese Civil War (Cambridge Middle East Library, Series Number 14)

Blood Into Ink: South Asian And Middle Eastern Women Write War