Twenty Four Negro Melodies

Arts & Photography

COLERIDGE-TAYLOR, Samuel

Music

Da Capo Press

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Death Of Minnehaha: A Cantata For Soprano And Baritone Soli, Chorus, And Orchestra, Op. 30, Issue 2

History

Wentworth Press

Twenty-Four Negro Melodies: Transcribed For The Piano By S. Coleridge-Taylor (1905)

Biographies & Memoirs

Arts & Literature

Kessinger Publishing

Scenes From the Song of Hiawatha, Volume 3

Scenes from the Song of Hiawatha, Volume 3

Nabu Press

The Blind Girl of Castél-Cuillé: Cantata for Soprano and Baritone Soli, Chorus, and Orchestra : Op. 43

Literature & Fiction

Jasmin, Samuel

History & Criticism

Hiawatha'S Wedding Feast: A Cantata for Tenor Solo, Chorus and Orchestra, Issue 1

Scenes from the Song of Hiawatha: The Death of Minnehaha. - 3. Hiawatha's Departure

LONGFELLOW, HENRY-WADSWORTH

Literary

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Atonement: A Sacred Cantata for Soli, Chorus and Orchestra, Op. 53

Parsons, Alice

Sagwan Press

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