Banjo: A Story Without a Plot (Classic Reprint)

Excerpt from Banjo: A Story Without a Plot Hello, money! Replied the tallest of the four, who Was just Banjo's build. Good night, money. What I want to know is cf you-all made that theah hole in the bottom a that box car? I neyab yet seen no hole m the bottom of a box car, and I've rode some rails back home in the States. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Claude McKay

Children's Books

Forgotten Books

Excerpt from Spring in New Hampshire, and Other Poems An American edition is being published simultaneously by Alfred A. Knopf, 220 West Forty-second Street, New York. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Spring in New Hampshire, and Other Poems (Classic Reprint)

Literature & Fiction

Literary

In his 1918 autobiographical essay, "A Negro Poet Writes," Claude McKay (1889–1948), reveals much about the wellspring of his poetry. "I am a black man, born in Jamaica, B.W.I., and have been living in America for the last years. It was the first time I had ever come face to face with such manifest, implacable hate of my race, and my feelings were indescribable … Looking about me with bigger and clearer eyes I saw that this cruelty in different ways was going on all over the world. Whites were exploiting and oppressing whites even as they exploited and oppressed the yellows and blacks. And the oppressed, groaning under the leash, evinced the same despicable hate and harshness toward their weaker fellows. I ceased to think of people and things in the mass. [O]ne must seek for the noblest and best in the individual life only: each soul must save itself." So wrote the first major poet of the Harlem Renaissance, whose collection of poetry, Harlem Shadows (1922), is widely regarded as having launched the movement. But McKay's literary significance goes far beyond his fierce condemnations of racial bigotry and oppression, as is amply demonstrated by the universal appeal of his sonnet, "If We Must Die," recited by Winston Churchill in a speech against the Nazis in World War II. While in Jamaica, McKay produced two works of dialect verse, Songs of Jamaica and Constab Ballads, that were widely read on the island. In richly authentic dialect, the poet evoked the folksongs and peasant life of his native country. The present volume, meticulously edited and with an introduction by scholar Joan R. Sherman, includes a representative selection of this dialect verse, as well as uncollected poems, and a generous number in standard English from Harlem Shadows.

Selected Poems (Dover Thrift Editions: Black History)

Poetry

Dover Publications

McKay's account of his long odyssey from Jamaica to Harlem and then on to France, Britain, North Africa, Russia, and finally back to America. As well as depicting his own experiences, the author describes his encounters with such notable personalities as Charlie Chaplin, George Bernard Shaw, H. G. Wells, Leon Trotsky, W. E. B. Du Bois, Isadora Duncan, Paul Robeson, and Sinclair Lewis.

A Long Way from Home (Liberation Classics)

Pluto Press

Selected Poems of Claude McKay

Harcourt

Harlem Glory

Written in the late 1940s but unpublished till now, this superb portrayal of Black life during the Great Depression and the New Deal is virtually a sequel to the classic Home to Harlem. Mckay's vivid, warm evocations of the omnipresent numbers racket, all-night jazz parties and the whole exuberant and cacophonous clash of social movements and ideologies - Black nationalism and industrial unionism as well as incipient Muslim and other heterodox religious formations - provide the context for a fast-paced narrative of love, work, play and revolt in Black America during one of the most stirring periods in US history. Astutely sensitive to the extraordinary vitality and diversity of Black culture, and drawing on the author's experiences in the IWW and the extreme Left of the socialist movement, Harlem Glory reveals Claude McKay at his very best.

Harlem Glory: A Fragment of Aframerican Life

Contemporary

Charles H. Kerr Publishers Company

With sensual, often brutal accuracy, Claude McKay traces the parallel paths of two very different young men struggling to find their way through the suspicion and prejudice of American society. At the same time, this stark but moving story touches on the central themes of the Harlem Renaissance, including the urgent need for unity and identity among blacks.

Home To Harlem (New England Library Of Black Literature)

United States

Northeastern University Press

In his 1918 autobiographical essay, "A Negro Poet Writes," Claude McKay (1889-1948), reveals much about the wellspring of his poetry. "I am a black man, born in Jamaica, B.W.I., and have been living in America for the last years. It was the first time I had ever come face to face with such manifest, implacable hate of my race, and my feelings were indescribable ... Looking about me with bigger and clearer eyes I saw that this cruelty in different ways was going on all over the world. Whites were exploiting and oppressing whites even as they exploited and oppressed the yellows and blacks. And the oppressed, groaning under the leash, evinced the same despicable hate and harshness toward their weaker fellows. I ceased to think of people and things in the mass. [O]ne must seek for the noblest and best in the individual life only: each soul must save itself." So wrote the first major poet of the Harlem Renaissance, whose collection of poetry, Harlem Shadows (1922), is widely regarded as having launched the movement. But McKay's literary significance goes far beyond his fierce condemnations of racial bigotry and oppression, as is amply demonstrated by the universal appeal of his sonnet, "If We Must Die," recited by Winston Churchill in a speech against the Nazis in World War II. While in Jamaica, McKay produced two works of dialect verse, Songs of Jamaica and Constab Ballads, that were widely read on the island. In richly authentic dialect, the poet evoked the folksongs and peasant life of his native country. The present volume, meticulously edited and with an introduction by scholar Joan R. Sherman, includes a representative selection of this dialect verse, as well as uncollected poems, and a generous number in standard English from Harlem Shadows.

Selected Poems: Claude McKay

Politics & Social Sciences

Social Sciences

Lushena Books

Home to Harlem (Harlem Renaissance Series)

Vintage Classics

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Books by Claude McKay