The entire corpus of Beethoven's piano sonatas is contained in this two-volume work — 32 sonatas in all. Volume One contains the fifteen sonatas from Beethoven's first period, including the popular Pathétique, Moonlight, and Pastorale sonatas. Volume Two contains the 17 sonatas from Beethoven's second and third periods, including the Waldstein, the Appassionata, and the Hammerklavier. The music is reproduced directly from the exemplary Universal Edition set edited by Heinrich Schenker. Combining scrupulous scholarship and profound artistic vision, Schenker achieved an edition which is universally admired by musicians and scholars. He used more autographs as sources than any previous editor of the sonatas, and he was the first to reproduce in print the visual impression of the autographs. For this Dover edition, Schenker's footnotes have been translated into English and his preface translated. A new introduction by Carl Schachter has also been included. Noteheads have been reproduced in a size large enough to be read easily at the keyboard. Margins and spaces between staves are generous, permitting insertion of written notes, analysis, fingerings, etc. Running measure numbers and many fingerings have already been included by the editor — the last a particularly unusual and valuable feature of this edition. This edition will be welcomed by all pianists, both professional and amateur, for its accuracy and reliability; it is highly desirable for instruction, study, reference, and enjoyment.

Ludwig Van Beethoven Complete Piano Sonatas Volume 1 (Nos. 1-15)

Arts & Photography

Beethoven, Ludwig Van

Classical Piano Sheet Music

Music

Dover Publications

The entire corpus of Beethoven's piano sonatas is contained in this two-volume work — 32 sonatas in all. Volume One contains the fifteen sonatas from Beethoven's first period, including the popular Pathétique, Moonlight, and Pastorale sonatas. Volume Two contains the seventeen sonatas from Beethoven's second and third periods, including the Waldstein, the Appassionata, and the Hammerklavier. The music is reproduced directly from the exemplary Universal-Edition set edited by Heinrich Schenker. Combining scrupulous scholarship and profound artistic vision, Schenker achieved an edition which is universally admired by musicians and scholars. He used more autographs as sources than any previous editor of the sonatas, and he was the first to reproduce in print the visual impression of the autographs. For this Dover edition, Schenker's footnotes have been translated into English and his preface retranslated. A new introduction by Carl Schachter has also been included. Noteheads have been reproduced in a size enough to be read easily at the keyboard. Margins and spaces between staves are generous, permitting insertion of written notes, analysis, fingerings, etc. Running measure numbers and many fingerings have already been included by the editor — the last a particularly unusual and valuable feature of this edition. This edition will be welcomed by all pianists, both professional and amateur, for its accuracy and reliability; it is highly desirable for instruction, study, reference, and enjoyment.

Ludwig Van Beethoven Complete Piano Sonatas Volume 2 (Nos. 16-32)

Here is a choice selection of 25 of the most famous rags, several of which cannot be found elsewhere. Written during ragtime's golden age from 1904 to 1910, these melodies include three of Scott Joplin's finest works — Searchlight Rag, Rose Leaf Rag, and Fig Leaf Rag — plus songs by Tin Pan Alley's hottest composers of the day: George Botsford, Harry Armstrong, and Egbert Van Alstyne. Reprinted from the original editions, the songs in this value-packed volume were selected by David Jasen, a noted ragtime performer as well as a composer and historian of popular music. A splendid array of sheet music accompanies the full musical texts, offering glimpses of popular art from a century ago that range from the serenely beautiful to the eccentric.

Ragtime Gems: Original Sheet Music for 25 Ragtime Classics (Dover Music for Piano)

Universally recognized for his critically important role in raising instrumental music to its highest plane, Beethoven is also highly regarded for his leadership in developing and extending the piano repertoire. His bagatelles, once described by the composer himself as "Kleinigkeiten" — or "trifles" — are short, masterful works that have proved tremendously popular not only for their pleasing sounds but also for the technical challenges they offer intermediate as well as advanced piano students. This superb, high-quality collection, reproduced from the authoritative Breitkopf &amp; Härtel edition, contains the composer's most popular and most performed bagatelles, rondos, and shorter compositions, including: Six Minuets (c. 1795); the Polonaise in C, Op. 89 (1814); Six Bagatelles, Op. 126 (1823–24); the famed Rondo a capriccio in G (Rage Over a Lost Penny, 1795); the Andante in F (Andante favori, 1803), and a generous selection of other short works. An easily affordable volume, the present edition provides Beethoven devotees, students, teachers, and music lovers with a delightful sampling of a number of spirited works by one of the music world's supreme masters.

Bagatelles, Rondos and Other Shorter Works for Piano (Dover Music for Piano)

Dover `

The elegance, grace, and clarity of Mozart's piano music has charmed generations of music lovers. Now 37 of the composer's delightful piano pieces have been collected in this attractive volume, reproduced from the authoritative Breitkopf &amp; Härtel edition. Among the selections are: Variations on "Mio caro Andone" by Salieri, K.180/173c Variations on "Je suis Lindor" by Baudron, K. 354/299a Variations on "Ah vous dirai-je, maman," K. 265/300e Variations on "La belle françoise," K.353/300f Variations on "Salve tu, Domine" by Paisiello, K. 398/416e Variations on "Unser dummer Pöbel meint" by Gluck, K.455 Variations on a Minuet by Duport, K.573 Rondo in D Major, K.485 Rondo in A Minor, K.511 Minuet in G Major, K.1/1e Minuet in F Major, K.2 Minuet in D Major, K.355/576b Allegro in B-flat Major, K.3 Allegro in B-flat Major, K.400/372a Allegro in G Minor, K.312/590d Fugue in G Minor, K.401/3753 Fugue in E-flat Major, K.153/375f Fugue in G Minor, K.154/385k Capriccio in C Major, K.395/300g Allegro and Andante, K.533 Adagio in B Minor, K.540 Gigue in G Major, K.574 … and more.

Variations, Rondos and Other Works for Piano (Dover Music for Piano)

Mozart, Wolfgang Amadeus

Domenico Scarlatti (1685–1757) is recognized by most scholars and musicians as the founder of modern keyboard technique. He referred to the hundreds of sonatas he composed as "an ingenious jesting with art." But in these "jests," the great baroque composer explored new worlds of virtuoso technique, and created works of dazzling originality that are considered the crowning achievements of his career. These exciting, briskly paced compositions are filled with virtuoso technical devices — hand-crossing, rapid repetition of notes, extravagant arpeggios, and more — that celebrate the dynamic and expressive potential of the keyboard. The 40 sonatas selected for this volume, the fourth in Dover's series devoted to Scarlatti's keyboard sonatas, are those numbered K436–477 in the Kirkpatrick edition (K452 and 453 were not included by Longo). They have been reprinted directly from Ricordi's monumental 11-volume set, edited by Alessandro Longo.

Great Keyboard Sonatas, Series IV (Dover Music for Piano)

Scarlatti, Domenico

A contemporary of Bach, Handel, Scarlatti, and Telemann, Jean-Phillipe Rameau (1683–1764) was a notable theorist and innovator and the preeminent French composer of his day. The depth and power that characterize his music are in ample evidence in this volume of all 63 of Rameau's works for keyboard, published between 1706 and 1741, including such well-known pieces as "Musette en Rondeau," "Tambourin," "Les Niais de Sologne," "Les Cyclopes," and "La Poule." The music is reproduced here from the important and well-produced edition of Rameau's keyboard works edited by Camille Saint-Saëns. Because the composer attempted to use his keyboard as a sustaining instrument, these pieces lend themselves especially well to performance on modern pianos. Now today's musicians can enjoy Rameau's complete oeuvre for solo keyboard in this inexpensive high-quality edition.

Complete Works for Solo Keyboard (Dover Classical Piano Music)

Rameau, Jean-Philippe

Complete measure-for-measure piano transcriptions of the best-known Strauss waltzes, and many favorite polkas, galops, quadrilles and polka-mazurkas, reprinted from authoritative G. Schirmer editions. Included are waltz favorites such as On the Beautiful Blue Danube, Tales from the Vienna Woods, Vienna Blood, Voices of Spring, Roses from the South and the Emperor Waltz. Also included are highlights from Die Fledermaus, the sparkling Pizzicato Polka, the Bayadere galop and One Heart, One Mind polka-mazurka, all ready to delight pianists with their soaring Straussian spirits and haunting rhythms.

Favorite Waltzes, Polkas and Other Dances for Solo Piano (Dover Classical Piano Music)

Strauss Jr., Johann

Like Franz Liszt, Ferruccio Busoni (1866–1924) first earned a worldwide reputation as an extraordinary pianist, and only later turned his efforts to composing. Although he is widely known for his virtuoso transcriptions of music by Bach and Liszt, his original piano compositions are today highly regarded for their combination of technical brilliance and innovative ideas. This modestly priced volume brings together the best and most important Busoni original solo piano works: the seven Elegies; the six Sonatinas; the enormous and complex Contrapuntal Fantasy; the Fantasy after J. S. Bach; the Indian Diary (four piano studies on American Indian motifs); and the six Pieces, Op. 33b. Serious pianists and students of piano music will want to have this impressive and important new compilation in their music libraries.

The Complete Elegies, The Six Sonatinas: and Other Original Works for Solo Piano (Dover Music for Piano)

Busoni, Ferruccio

Norwegian composer Edvard Grieg (1843–1907) was a preeminent composer of music for the piano, in which he brilliantly utilized Norwegian folk music to create compositions remarkable for their originality, impressionistic harmonies, and melodic richness. This volume presents the best of Grieg's music for piano four hands in a convenient, inexpensive edition. Included are Grieg's own arrangements of his enormously popular Peer Gynt Suite Nos. 1 and 2 (with such favorites as "Morning Mood" and "In the Hall of the Mountain King"); the four Norwegian Dances, Op. 35, displaying strong folk-music influence; the elegant and urbane Waltz-Caprices, Op. 37; and the exuberant "Wedding Day at Troldhaugen," Op. 65, No. 6, a four-hand arrangement of one of Grieg's best-loved Lyric Pieces. Pianists, students, and performers of four-hand music will want to have this inexpensive treasury of repertoire favorites, reproduced from the authoritative C. F. Peters edition.

Norwegian Dances, Waltz-Caprices and Other Works for Piano Four Hands (Dover Music for Piano)

Grieg, Edvard

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