This volume of the College Art Association Monograph series examines Roman figural mosaics.

Roman Black-and-White Figural Mosaics (College Art Association Monograph)

Arts & Photography

Clarke, John R.

History & Criticism

Penn State University Press

The Houses of Roman Italy, 100 B.C.- A.D. 250: Ritual, Space, and Decoration

In this richly illustrated book, art historian John R. Clarke helps us see the ancient Roman house "with Roman eyes." Clarke presents a range of houses, from tenements to villas, and shows us how enduring patterns of Roman wall decoration tellingly bear the cultural, religious, and social imprints of the people who lived with them. In case studies of seventeen excavated houses, Clarke guides us through four centuries of Roman wall painting, mosaic, and stucco decoration, from the period of the "Four Styles" (100 B.C. to A.D. 79) to the mid- third century. The First Style Samnite House shows its debt to public architecture in its clear integration of public and private spaces. The Villa of Oplontis asserts the extravagant social and cultural climate of the Second Style. Gemlike Third-Style rooms from the House of Lucretius Fronto reflect the refinement and elegance of Augustan tastes. The Vettii brothers' social climbing helps explain the overburdened Fourth-Style decoration of their famous house. And evidence of remodelling leads Clarke to conclude that the House of Jupiter and Ganymede became a gay hotel in the second century. In his emphasis on social and spiritual dimensions, Clarke offers a contribution to Roman art and architectural history that is both original and accessible to the general reader. The book's superb photographs not only support the author's findings but help to preserve an ancient legacy that is fast succumbing to modern deterioration resulting from pollution and vandalism.

University of California Press

Looking at Lovemaking: Constructions of Sexuality in Roman Art, 100 B.C. - A.D. 250

What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question—and along the way, he reveals a society quite different from our own. Clarke reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works—many newly discovered and previously unpublished—in their ancient context and the first to define the differences between modern and ancient concepts of sexuality using clear visual evidence. Roman artists pictured a great range of human sexual activities—far beyond those mentioned in classical literature—including sex between men and women, men and men, women and women, men and boys, threesomes, foursomes, and more. Roman citizens paid artists to decorate expensive objects, such as silver and cameo glass, with scenes of lovemaking. Erotic works were created for and sold to a broad range of consumers, from the elite to the very poor, during a period spanning the first century B.C. through the mid-third century of our era. This erotic art was not hidden away, but was displayed proudly in homes as signs of wealth and luxury. In public spaces, artists often depicted outrageous sexual acrobatics to make people laugh. Looking at Lovemaking depicts a sophisticated, pre-Christian society that placed a high value on sexual pleasure and the art that represented it. Clarke shows how this culture evolved within religious, social, and legal frameworks that were vastly different from our own and contributes an original and controversial chapter to the history of human sexuality.

This splendidly illustrated book brings to life the ancient Romans whom modern scholarship has largely ignored: slaves, ex-slaves, foreigners, and the freeborn working poor. Though they had no access to the upper echelons of society, ordinary Romans enlivened their world with all manner of artworks. Discussing a wide range of art in the late republic and early empire—from familiar monuments to the obscure Caupona of Salvius and little-studied tomb reliefs—John R. Clarke provides a tantalizing glimpse into the lives of ordinary Roman people. Writing for a wide audience, he illuminates the dynamics of a discerning and sophisticated population, overturning much accepted wisdom about them, and opening our eyes to their astounding cultural diversity. Clarke begins by asking: How did emperors use monumental displays to communicate their policies to ordinary people? His innovative readings demonstrate how the Ara Pacis, the columns of Trajan and of Marcus Aurelius, and the Arch of Constantine announced each dynasty's program for handling the lower classes. Clarke then considers art commissioned by the non-elites themselves—the paintings, mosaics, and reliefs that decorated their homes, shops, taverns, and tombstones. In a series of paintings from taverns and houses, for instance, he uncovers wickedly funny combinations of text and image used by ordinary Romans to poke fun at elite pretensions in art, philosophy, and poetry. In addition to providing perceptive readings of many works of Roman art, this original and entertaining book demonstrates why historians must recognize, rather than erase, complexity and contradiction and asks new questions about class, culture, and social regulation that are highly relevant in today's global culture.

Art in the Lives of Ordinary Romans: Visual Representation and Non-Elite Viewers in Italy, 100 B.C.-A.D. 315

What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question―and along the way, he reveals a society quite different from our own. Clarke reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works―many newly discovered and previously unpublished―in their ancient context and the first to define the differences between modern and ancient concepts of sexuality using clear visual evidence. Roman artists pictured a great range of human sexual activities―far beyond those mentioned in classical literature―including sex between men and women, men and men, women and women, men and boys, threesomes, foursomes, and more. Roman citizens paid artists to decorate expensive objects, such as silver and cameo glass, with scenes of lovemaking. Erotic works were created for and sold to a broad range of consumers, from the elite to the very poor, during a period spanning the first century B.C. through the mid-third century of our era. This erotic art was not hidden away, but was displayed proudly in homes as signs of wealth and luxury. In public spaces, artists often depicted outrageous sexual acrobatics to make people laugh. Looking at Lovemaking depicts a sophisticated, pre-Christian society that placed a high value on sexual pleasure and the art that represented it. Clarke shows how this culture evolved within religious, social, and legal frameworks that were vastly different from our own and contributes an original and controversial chapter to the history of human sexuality.

In this fresh, accessible, and beautifully illustrated book, his third to examine an aspect of Roman visual culture, John R. Clarke explores the question, "What made Romans laugh?" Looking at Laughter examines a heterogeneous corpus of visual material, from the crudely obscene to the exquisitely sophisticated and from the playful to the deadly serious—everything from street theater to erudite paintings parodying the emperor. Nine chapters, organized under the rubrics of Visual Humor, Social Humor, and Sexual Humor, analyze a wide range of visual art, including wall painting, sculpture, mosaics, and ceramics. Archaeological sites, as well as a range of ancient texts, inscriptions, and graffiti, provide the background for understanding the how and why of humorous imagery. This entertaining study offers fascinating insights into the mentality of Roman patrons and viewers who enjoyed laughing at the gods, the powers-that-be, and themselves.

Looking at Laughter: Humor, Power, and Transgression in Roman Visual Culture, 100 B.C.- A.D. 250

This splendidly illustrated book brings to life the ancient Romans whom modern scholarship has largely ignored: slaves, ex-slaves, foreigners, and the freeborn working poor. Though they had no access to the upper echelons of society, ordinary Romans enlivened their world with all manner of artworks. Discussing a wide range of art in the late republic and early empire―from familiar monuments to the obscure Caupona of Salvius and little-studied tomb reliefs―John R. Clarke provides a tantalizing glimpse into the lives of ordinary Roman people. Writing for a wide audience, he illuminates the dynamics of a discerning and sophisticated population, overturning much accepted wisdom about them, and opening our eyes to their astounding cultural diversity. Clarke begins by asking: How did emperors use monumental displays to communicate their policies to ordinary people? His innovative readings demonstrate how the Ara Pacis, the columns of Trajan and of Marcus Aurelius, and the Arch of Constantine announced each dynasty's program for handling the lower classes. Clarke then considers art commissioned by the non-elites themselves―the paintings, mosaics, and reliefs that decorated their homes, shops, taverns, and tombstones. In a series of paintings from taverns and houses, for instance, he uncovers wickedly funny combinations of text and image used by ordinary Romans to poke fun at elite pretensions in art, philosophy, and poetry. In addition to providing perceptive readings of many works of Roman art, this original and entertaining book demonstrates why historians must recognize, rather than erase, complexity and contradiction and asks new questions about class, culture, and social regulation that are highly relevant in today's global culture.

Humor & Entertainment

The SBC Collection, formed by SBC Communications, Inc (formerly Southwestern Bell), reflects the intellectual and cultural trends that have influenced artists working in the United States during the 20th century. Works by many of the leading names in American art are illustrated in this book, which also contains 13 essays by scholars, critics and curators to offer an understanding of American art for both the general reader and the student of art history. Beginning at the turn of the century and closing with a look at Postmodernism and the visual culture of today, the essays investigate various aspects of American Modernism. Along the way they focus on major American movements, schools and artists of the century. The book also contains a complete catalogue of the SBC Collection.

American Images: The Sbc Collection of Twentieth-Century American Art

FAHLMAN, BETSY

Beardsley, John

Ashton, Dore

SANDLER, Irving

BAIGELL, MATTHEW

Agee, William C.

Larsen, Susan C.

Plagens, Peter

King-Hammond, Leslie

Quirarte, Jacinto

Sbc Communications

Collections, Catalogs & Exhibitions

Harry N.Abrams, Inc.

Roman Life vividly re-creates the lives and experiences of people living in the Roman Empire—not only the super-rich emperors and senators, but also ordinary citizens, merchants, slaves, and freedmen. Lavish, full-color illustrations, many made especially for this volume, invite the reader to explore all aspects of life as seen through Roman eyes, from religion, work, and the military to banqueting, funerals, and public architecture. An interactive CD-ROM provides a virtual exploration of the famous House of the Vettii—the most popular tourist attraction at Pompeii—that allows the user to experience its paintings, sculptures, and gardens as a slave, a client, a guest, or a family member, providing a deeper understanding of the complex culture of the Roman house. No other book has gone so far in bringing the ancient Romans to life in terms the 21st century reader can understand. It turns out that the Romans were both like us and quite different. Roman Life offers a fresh look—straight on—at the many facets of this important world culture, miraculously preserved in its beautiful art and architecture.

Roman Life: 100 B.C. to A.D. 200

History

Americas

Harry N. Abrams

See the best price to sell, buy, or rent books by Clarke, John R.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Clarke, John R.

See the best price to sell, buy, or rent books by Clarke, John R.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Roman Black-and-White Figural Mosaics (College Art Association Monograph)

The Houses of Roman Italy, 100 B.C.- A.D. 250: Ritual, Space, and Decoration

The Houses of Roman Italy, 100 B.C.- A.D. 250: Ritual, Space, and Decoration

Looking at Lovemaking: Constructions of Sexuality in Roman Art, 100 B.C. - A.D. 250

Art in the Lives of Ordinary Romans: Visual Representation and Non-Elite Viewers in Italy, 100 B.C.-A.D. 315

Looking at Lovemaking: Constructions of Sexuality in Roman Art, 100 B.C. - A.D. 250

Looking at Laughter: Humor, Power, and Transgression in Roman Visual Culture, 100 B.C.- A.D. 250

Art in the Lives of Ordinary Romans: Visual Representation and Non-Elite Viewers in Italy, 100 B.C.-A.D. 315

American Images: The Sbc Collection of Twentieth-Century American Art

Roman Life: 100 B.C. to A.D. 200