Andrea Mantegna

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Arts & Photography

Keith Christiansen

Suzanne Boorsch

Charles Hope

David Ekserdjian

David Landau

History & Criticism

Olivetti / Electa

Titian (National Gallery London Publications)

Few individuals have had a greater influence on the development of Western painting than the celebrated sixteenth-century Venetian artist Titian (c. 1480–1576). His vibrant colors and masterful brushwork have made his work a constant inspiration to artists, from Rubens to the Impressionists and beyond. Every generation has found something new to admire in his astonishing technique, which enabled him to produce fresh interpretations of the most familiar religious and mythological stories as well as portraits and landscapes. Written by some of the world’s most renowned Titian scholars, this beautifully illustrated book accompanies a major exhibition devoted to the work of this extraordinary artist. Authoritative essays on Titian’s life and times, portraits, replicas, and technique provide the background for a detailed examination of over 40 of his greatest masterpieces—works that provide evidence of Titian’s genius as a stylistic innovator and supreme manipulator of paint.

Jennifer Fletcher

Jill Dunkerton

National Gallery London

This extraordinary exhibition catalogue explores the rare works of one of the most enigmatic painters of the Renaissance, Zorzi da Castelfranco-universally known as Giorgione (Castelfranco Veneto, 1478-Venezia, 1510)-examining 15 out of an oeuvre of his 25 attributed paintings. Fellow student of Titian under Giovanni Bellini in Venice, almost nothing is known of Giorgione's life except that he worked in Venice, undertook various important commissions in oil and fresco, and died of the plague in his early 30s. A major innovator, he is acclaimed as the father of modern Venetian painting of the 16th century. In his revolutionary brushwork he skilfully combined Leonardo's sfumato with the colours and the thin layers of paint favoured by the Old Flemish masters to give a new dimension to light and colour. This monograph features masterpieces by Giorgione such as The Tempest, The Old Woman, The Nude, the recently restored Altarpiece of the Cathedral of Castelfranco, Christ Carrying the Cross, Three Philosophers and Laura as well as the only drawing by Giorgione View of Castel San Zeno at Montagnana and a Sitting Figure. Some seminal examples of works by Bellini, Titian, Dürer and Cranach help to place Giorgione's art in context and to document his influence on later painters. A team of international art historians and critics contribute original essays to the richly illustrated and well-documented book that features new discoveries in Giorgione's technique, an analysis of the results of restoration, and an updated bibliography.

Giorgione: Myth and Enigma

Sylvia Ferino-Pagden

Giovanna Nepi Scire

Augusto Gentili

Reference

Skira

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Books by Charles Hope