Serious study of the art of India began only in the nineteenth century. This small volume provides a masterly overview of the scholarship of the past century and a half. 
 Mr. Chandra's purpose is twofold: to help present–day students understand their scholarly heritage, and to encourage them to re-examine their own methods and assumptions. His histographical approach enables him to pay tribute to the great achievements of the pioneers in the field and also to notice the manner in which errors of fact and method have crept into some of the contemporary thinking and writing on the subject. Rather than attempt to discuss the writings of every scholar of note, he restricts himself to a few whose work, in his opinion, clearly represents the various stages of the development of the discipline. In analyzing their contributions, he concentrates on the broad methodological thrust of their work and not on the details of their conclusions. 
 The study of architecture is considered first, because it was regarded by the ancient Indians as the most important of the visual arts and was the earliest of the arts to receive careful, analytic treatment in modern times. Sculpture is taken up second, and last the study of Indian painting, the area in which the most remarkable progress has been made in the last twenty–five years. In the course of the discussion many topics of broad interest are touched upon, including the relation of art history to the other disciplines, problems presented by various methods of classification, iconography and iconology, the relevance of style, the meaning of form, and the connection between artists and patrons.

On the Study of Indian Art

Arts & Photography

Chandra, Pramod

History & Criticism

Harvard University Press

Among the many artistic events of 1985 and 1986 devoted to the history and culture of India, one of the most notable is the exhibition of Indian sculpture organized by Pramod Chandra for the National Gallery of Art. It comprises more than one hundred choice sculptures in stone, ivory, and bronze from all regions of the subcontinent, many from very remote locations. Approximately half of them have never left India before. Several are familiar masterpieces of the highest quality; others are newly discovered works of great interest and beauty. Collectively they epitomize the richness of India's artistic heritage.
The exhibition catalogue has been written by Chandra, one of the world's leading experts on Indian art. He provides an introductory survey of Indian sculpture over the ages―its various styles and schools and diverse idioms―followed by illuminating analyses of the individual works. His descriptions are accompanied by stunning photographs, most of them taken in India, in situ, especially for this volume. Beyond its visual appeal, the catalogue, which includes a glossary and bibliography, makes a significant contribution to the understanding of Indian art.

The Sculpture of India, 3000 B.C.–A.D. 1300: Catalogue of an Exhibition at the National Gallery of Art, May 3–September 2, 1985

Travel

The sculpture of India, 3000 B.C.-1300 A.D

National Gallery of Art

This book is a lavish illustration of first comprehensive effort to document a vivid colourful Kerala mural tradition to enrich Indian art history by A. Ramachandran.

Painted Abode Of Gods Mural Traditions of Kerala

Ramachandran, A.

Vadehra Art Gallery (Acc)

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