The sonnets in This Sweet Order sit at the confluence of music, intellect, and philosophy. Some sonnet-writers are content to fill in the pentameter like a puzzle where form trumps meaning. For Catherine Chandler, word and idiom are primary; she bends the form into the service of the content. The poem announces itself as a sonnet only insofar as its structure (quatrain, octave, sestet, couplet) is integral to the idea. The subject might be a flower, a highway, a season, or a loss: expect wisdom; expect plenty of wit: expect surprises. If poems like 'Matryoshka' and 'Sonnet Love' are easy on the ear, above all they delight the mind. Chandler is a philosopher: 'Assembly', 'She', and 'Mother's Day' (for example) articulate thoughts with such immediacy that I almost feel as if I'm inside the poem. These are not poems that let you get away with just reading them. They bring you right into the conversation. ~ Deborah Warren

This Sweet Order

Literature & Fiction

Chandler, Catherine

Poetry

White Violet Press

Poetry. LINES OF FLIGHT is the first full-length collection from Catherine Chandler, an acclaimed American poet of quiet elegance whose simple style belies the range and depth of her poems. She is equally at ease with poems of nature as with those of people, relationships, landscapes and realms—the domestic, the foreign, even those scanning the vast unknown of space or the esoterica of science. These poems, carefully crafted with formal dexterity in contemporary idiom, are deployed with precision in a showcase of forms such as the villanelle, sapphic, ballad, pantoum, triolet, nonce, and the sonnet—Chandler's specialty, for which she won the Howard Nemerov Sonnet Award. "Catherine Chandler's poems—I think particularly of the sonnet "Vermont Passage"—offer the reader a plain eloquence, a keen eye, and a graceful development of thought. Elsewhere in this fine book, she puts her gifts at the service of wit, as in the little anti-poetic poem "Supernova". LINES OF FLIGHT is altogether a lively performance"—Richard Wilbur.

Lines of Flight

Able Muse Press

Catherine Chandler’s Pointing Home offers a poignant look back at worlds too rich, and richly painful, to be forgotten. At its center stands the marvelous sonnet sequence “Madison Street” which remembers and restores the vibrant yet troubled community of a Pennsylvania neighborhood caught and transformed by time. Through characters as quirkily authentic as those who populate Spoon River, Chandler traces the entangled lives of “Boomers from a lost millennium” through love, sorrow, and tragedy, her narrative compass as unfailing as her metrical facility. Elsewhere, Chandler looks toward the broader world beyond—a world where families cross the Canadian border under cover of night, and the gunfire of Sandy Hook recalls the names of children whose duck-and-cover drills reflect the fears that define an era. Chandler’s multilayered translations of Uruguayan poets, her acute ekphrastic sequence on paintings by Edward Hopper, and her elegy for poet Timothy Murphy are but a few of the treasures in a book notable for its formal command, deep empathy, and leavening wit. Again and again, Chandler proves herself a master who deftly “parses the wild syllable of why.” 
—Ned Balbo, winner of the Poets’ Prize, the Richard Wilbur Award, the Donald Justice Poetry Prize and the New Criterion Poetry Prize

Pointing Home

Literary

Kelsay Books

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