A study of the novels of George Moore (Irish literary studies)

Cave, Richard Allen

Barnes&Noble

New British Drama in Performance on the London Stage, 1970 to 1985

Literature & Fiction

Dramas & Plays

St.Martin's Press

The White Devil and the Duchess of Malfi: Text and Performance (Text and Performance Series)

British & Irish

MACMILLAN PUB. LTD.

This collection of papers from a meeting of the International Association for the study of Anglo-Irish Literature provides a comprehensive survey of the Irish theatre.Contents: Acknowledgements; Introduction. Jacqueline Genet; The Dangers and Difficulties of Dramatising the Lives of Deirdre and Grania. Richard Allen Cave; Actors in Barrels: Views on Vivid Words in Yeats's Plays. Margaret Rose; Beckett's Irish Theatre. Katharine Worth; The Image of Ireland in Nineteenth-Century Drama. Heinz Kosok; 'Nothing was Decided': Louis Macneice's Treatment of Irish History in^R They Met on Good Friday. Maureen S.G. Hawkins; 'The Heartbreak's Relevant': Dramatic and Poetic Qualities of John Hewitt's^R The Bloody Brae. Britta Olinder; Ireland and the Caribbean. Two Caribbean Versions of J.M. Synge's Dramas: Derek Walcott's^R The Sea at Dauphin and Mustapha Natura's The Playboy of the West Indies. Paul F. Botheroyd; James Joyce's Italian Translation of^R Riders to the Sea. Joan Fitzgerald; The Masks of Language in Translations. Lucia Angelica Solaris; The Worlds of Brian Friel. Patrick Rafroidi; Three Irish^R Antigones. Christopher Murray; The Theatre of Thomas Kilroy: Boxes of Words. Denis Sampson; Field Day's Fables of Identity. Patrick Burke; Language and Act: Thomas Murphy's Non-Interpretive Drama. Joseph Swann; Notes; Notes on Contributors; Index^R. Irish Literary Studies Series No. 33.

Perspectives on Irish Drama and Theatre (Irish Literacy Studies Series) (Volume 33)

Genet, Jacqueline

Rowman & Littlefield Publishers

The playwriting career of Thomas Cornelius Murray (1873-1959) started in 1909 with the production of his first play, Wheel of Fortune (which he revised in 1913 and renamed Sovereign Love), at the Cork Little Theatre. His Birthright, produced at the Abbey Theatre in the following year, established him as a writer of stark and tragic realism. His most enduring plays were all written during the next two decades; none of the plays written after 1930 can be compared for quality with his earlier work.  The present selection containsSovereign Love, Birthright, Maurice Harte, The Briery Gap, Autumn Fire, and The Pipe in the Fields. Appendices contain Illumination and Murray's essay "George Shiels, Brinsley MacNamara, Etc." A bibliographical checklist of his writings is also included.

Selected Plays of T. C. Murray

Murray, Thomas F.

Catholic Univ of Amer Pr

The playwriting career of Thomas Cornelius Murray (1873-1959) started in 1909 with the production of his first play, Wheel of Fortune (which he revised in 1913 and renamed Sovereign Love), at the Cork Little Theatre. His Birthright, produced at the Abbey Theatre in the following year, established him as a writer of stark and tragic realism. His most enduring plays were all written during the next two decades; none of the plays written after 1930 can be compared for quality with his earlier work. 
The present selection contains Sovereign Love, Birthright, Maurice Harte, The Briery Gap, Autumn Fire, and The Pipe in the Fields. Appendices contain Illumination and Murray's essay "George Shiels, Brinsley MacNamara, Etc." A bibliographical checklist of his writings is also included.

Selected Plays of T.C. Murray (Irish Drama Selections, 10)

New British Drama in performance on the London Stage 1970-1985

Colin Smythe

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