Interpreting Shakespeare on Screen

This book explores Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen, within the classroom, and within the English curriculum. Shakespeare on screen is evaluated both in relation to the play texts and in relation to the realms of popular film culture. The book focuses on how Shakespeare is manipulated in film and television through the representation of violence, gender, sexuality, race, and nationalism. DeborahCartmell discusses a wide range of films, including Orson Welles' Othello (1952), Kenneth Branagh's Much Ado About Nothing (1993), Peter Greenaway'sProspero's Books (1991), Baz Luhrmann's William Shakespeare's Romeo and Juliet (1996) and John Madden'sShakespeare in Love (1998).

Literature & Fiction

Cartmell, Deborah

Dramas & Plays

PALGRAVE~MACMILLAN

This book explores Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen within the classroom and within the English curriculum. Shakespeare on screen is evaluated both in relation to the play texts and in relation to the realms of popular film culture. The book focuses on how Shakespeare is manipulated in film and television through the representation of violence, gender, sexuality, race and nationalism. Cartmell discusses a wide range of films, including Orson Welles' Othello (1952), Kenneth Branagh's Much Ado About Nothing (1993), Peter Greenaway's Prospero's Books (1991), Baz Luhrmann's William Shakespeare's Romeo and Juliet (1996) and John Madden's Shakespeare in Love (1998).

Palgrave

Alien Identities: Exploring Differences in Film and Fiction (Film Fiction)

A lively and stimulating look at representations, mutations and adaptations of 'the alien' in literature, film and television. Using notions of the alien and alienation in a broadly defined sense, the contributors cover early science fiction, from the gothic aliens of Dracula and H.G. Wells, to the classic fifties Cold War sci-fi movies, such as War of the Worlds, twentieth-century reworkings of various 'alien' metaphors, such as the Fly movies and the Alien series, and comic variations on the theme such as Mars Attacks. Moving beyond the conventional genre boundaries of the alien, particular essays look, too, at 'race' as an alien condition, and at the use of illness and disease as a metaphor for alienation in modern film and fiction. Alien Identities is a timely, carefully themed and much-needed study of an increasingly popular subject.

Humor & Entertainment

Hunter, I.Q.

Kaye, Heidi

WHELEHAN, Imelda

Movies

Pluto Press

Retrovisions: Reinventing the Past in Film and Fiction (Film/Fiction)

The contributors to Retrovisions consider what happens to history in the movies. Focusing on films and texts from the 1950s to the 1990s, the contributors argue that the past has always come to us by way of previous texts and culturally bounded aesthetic categories, and that history films - to the despair of historians - have always taken a 'postmodern' approach to their subject, seeing the past as a dynamic resource for exciting stories and poetic, morally uplifting untruths. Why do certain decades appeal at certain times? And what does the renewal of interest in narrative history reveal about our culture at the start of the new millennium?The authors address the variety of ways in which history can be used, refashioned and made over to reflect current concerns - and how history films from the past can be reinterrogated to learn what they tell us about their own times. The films discussed include Elizabeth, Shakespeare in Love, Culloden, The Avengers, Titus, and several adaptations of Les Liaisons Dangereuses, including Cruel Intentions.

The study of literature on screen is a growing area of study in schools and universities. Many students have to produce critical essays comparing the novel and film versions of a particular text. The Screen Adaptations series offers a wealth of study material: from the literary context of the original work, through to thought-provoking comparisons of the screen versions, critical commentary and the afterlife of the films.
 Pride and Prejudice is a classic piece of literature and any new adaptation is a major event. With several well-known Tv and film versions available (featuring stars such as Keira Knightley) as well as a Bollywood version, discussions around how these films interpret the story, themes and characters is a popular classroom choice for students and teachers alike. This new title in the Screen Adaptations series, provides a rich source of material to help students understand and write about the reciprocal relationship between film and literature. It offers in-depth analysis of the various screen versions and alternative `readings' as well as critical insight and an interview with writer Andrew Davies, best known for his 1995 Bbc adaptation. Following from Shakespeare, Jane Austen on screen is now an established part of literary studies and the volume will conclude with a survey of the growing body of literature in the field.

Screen Adaptations: Jane Austen's Pride and Prejudice: A Close Study of the Relationship between Text and Film

Methuen Drama

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Books by Cartmell, Deborah

See the best price to sell, buy, or rent books by Cartmell, Deborah. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Interpreting Shakespeare on Screen

Interpreting Shakespeare on Screen

Alien Identities: Exploring Differences in Film and Fiction (Film Fiction)

Retrovisions: Reinventing the Past in Film and Fiction (Film/Fiction)

Retrovisions: Reinventing the Past in Film and Fiction (Film/Fiction)

Screen Adaptations: Jane Austen's Pride and Prejudice: A Close Study of the Relationship between Text and Film