Training in public speaking is not a matter of externals--primarily; it is not a matter of imitation--fundamentally; it is not a matter of conformity to standards--at all. Public speaking is public utterance, public issuance, of the man himself; therefore the first thing both in time and in importance is that the man should be and think and feel things that are worthy of being given forth. Unless there be something of value within, no tricks of training can ever make of the talker anything more than a machine--albeit a highly perfected machine--for the delivery of other men's goods. So self-development is fundamental in our plan.

The Art of Public Speaking

Politics & Social Sciences

CARNAGEY, DALE

Esenwein, J. Berg

Social Sciences

Echo Library

Business & Money

IndyPublish

This book is one of the classic book of all time.

The Art Of Public Speaking

Literature & Fiction

Classics

CreateSpace Independent Publishing Platform

This book is one of  the classic book of all time.

This book is an introduction to public speaking by the master of the art, Dale Carnegie. It contains a wealth of information on the voice, delivery, distinctness and much more. This is a fascinating work and is thoroughly recommended for anyone interested in the skills of public speaking. Dale Breckenridge Carnegie, an American writer, lecturer, and the developer of famous courses in self-improvement, salesmanship, corporate training, public speaking, and interpersonal skills. Born into poverty on a farm in Missouri, he is the author of How to Win Friends and Influence People, a massive bestseller. He also wrote How to Stop Worrying and Start Living, Lincoln the Unknown, and several other books. He also founded the Dale Carnegie Institute for Effective Speaking and Human Relations, with branches all over the world. One of the core ideas in his books is that it is possible to change other peoples' behavior by changing one's behavior toward them.

Self-Help

Communication & Social Skills

CONTENTS: Chapter I - Acquiring Confidence Before an Audience, Chapter II - The Sin of Monotony, Chapter III - Efficiency Through Emphasis and Subordination, Chapter IV - Efficiency Through Change of Pitch, Chapter V - Efficiency Through Change of Pace, Chapter VI - Pause and Power, Chapter VII - Efficiency Through Inflection, Chapter VIII - Concentration in Delivery, Chapter IX - Force, Chapter X - Feeling and Enthusiasm, Chapter XI - Fluency Through Preparation, Chapter XII - The Voice, Chapter XIII - Voice Charm, Chapter XIV - Distinctness and Precision of Utterance, Chapter XV - The Truth About Gesture, Chapter XVI - Methods of Delivery, Chapter XVII - Thought and Reserve Power, Chapter XVIII - Subject and Preparation, Chapter XIX - Influencing by Exposition, Chapter XX - Influencing by Description, Chapter XXI - Influencing by Narration, Chapter XXII - Influencing by Suggestion, Chapter XXIII - Influencing by Argument, Chapter XXIV - Influencing by Persuasion, Chapter XXV - Influencing the Crowd, Chapter XXVI - Riding the Winged Horse, Chapter XXVII - Growing a Vocabulary, Chapter XXVIII - Memory Training, Chapter XXIX - Right Thinking and Personality, Chapter XXX - After-Dinner and Other Occasional Speaking, Chapter XXXI - Making Conversation Effective, Appendix A - Fifty Questions for Debate, Appendix B - Thirty Themes for Speeches, Appendix C - Suggestive Subjects for Speeches, Appendix D - Speeches for Study and Practise.

THE ART OF PUBLIC SPEAKING

BERG ESENWEIN, J.

Arts & Photography

Maven Books

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