Jazz was originally published in 1959, and since then it has become one of the most collectible photography books of the mid-twentieth century, ranking alongside the more widely known work of Christer Strömholm and Robert Frank. Like William Claxton's Jazzlife and Dennis Stock's Jazz Street, van der Elsken's entry into the niche of music photography appeared just before the decisive moment when rock cemented its place as the popular music of choice for young people. It is perhaps the most successful of the era's many photographic attempts to capture the essence of jazz, because it is more than just a succession of musicians' portraits or even a documentary record of performance, but a book that visually echoes the music itself. Van Der Elsken's work is that of both an authentic jazz fan and an experienced creator of photography books, who improvises in ways perfectly hooked in to both fields. Vince Aletti, writing in Artforum in 2000, said, "His jazz photos, made without flash in Amsterdam nightclubs, are gorgeous fields of grain, as moody and soulful as a sax riff," and called Jazz "utterly original."

Ed van der Elsken: Jazz

Arts & Photography

Carmiggelt, Simon

Claus, Hugo

Vrijman, Jan

Endt, Friso

de Ruyter, Michiel

Individual Artists

Edition 7L

Jazz was originally published in 1959, and since then it has become one of the most collectible photography books of the mid-twentieth century, ranking alongside the more widely known work of Christer Stromholm and Robert Frank. It is perhaps the most successful of the era's many photographic attempts to capture the essence of jazz, because it is more than just a succession of musicians' portraits or even a documentary record of performance, but a book that visually echoes the music itself. Van Der Elsken's work is that of both an authentic jazz fan and an experienced creator of photography books, who improvises in ways perfectly hooked in to both fields. Vince Aletti, writing in Artforum in 2000, said, "His jazz photos, made without flash in Amsterdam nightclubs, are gorgeous fields of grain, as moody and soulful as a sax riff," and called Jazz "utterly original."

<p>Dag in, dag uit, al een kwart eeuw lang, schrijft Simon Carmiggelt in de krant zijn cursiefje. Dit, en ook zijn werk voor de TV, heeft hem een nationale vermaardheid gegeven. Hoeveel lezers zouden in hun lijfblad éérst Kronkel lezen om dan gesterkt de rest van het nieuws te verteren? Uit die onafzienbare productie worden van tijd tot tijd door de schrijver na consciëntieuze selectie een aantal stukjes tot een bundeltje verenigd. 'Een stoet van dwergen' (de uitdrukking is van Willem Elsschot) is een bloemlezing uit alle bundels - en dat zijn er ooik alweer zoveel, dat wel bijna niemand ze allemáál zal bezitten. De meesterlijkste verhalen van de meesterlijke humorist vindt men hier als 'een stoet van dewergen' bijeen.</p>

Een stoet van dwergen: Een kleine bloemlezing uit een kwart eeuw stukjes schrijven (Salamander)

Querido

I'm just kidding: More of a Dutchman's slight adventures

De Arbeiderspers

Louter leugens; &, Poespas (Dutch Edition)

Arbeiderspers

Vroeger kon je lachen (Grote ABC ; nr. 292) (Dutch Edition)

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