<p>Singular Forms (Sometimes Repeated) examines the impulse toward reduction, restraint, and lucidity in postwar art. Drawing on the Guggenheim's exceptional holdings of minimalist painting and singular sculpture, Singular Forms begins with Robert Rauschenberg's historic White Painting (1951), a stark, monochrome canvas. This seminal work establishes twin trajectories in the development of contemporary art: the elimination of all extraneous details to achieve an art of pure, essential form, and the attention to issues of perception. After a prologue including other examples of radical, monochrome paintings by Ellsworth Kelly, Frank Stella, and Ad Reinhardt, Singular Forms explores how these parallel artistic strategies were manifest in Minimalist and Conceptual art of the 1960s and 70s through the work of Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Agnes Martin, and Lawrence Weiner, among others. Minimalism's impact on subsequent generations of contemporary artists begins with Postminimalism, which utilized the movement's deliberate paucity of formal means to explore a range of concerns including process, the dematerialization of the object, the performative nature of art, and the structural properties of light. Artists such as Bruce Nauman, Richard Serra, James Turrell, and Richard Long are included in this section. What follows are artists schooled in the deconstructivist tendencies of Postmodernism--such as Robert Gober, Felix Gonzalez-Torres, and Roni Horn--who resuscitated Minimalism as a style, infusing its unitary, nonreferential forms with content to bring to the fore trenchant cultural issues. Singular Forms concludes with recent work that shares the look of classic Minimalist art, but uses it to communicate deeply personal, political, or poetic messages. Also examined is the reach of Minimalism and Conceptualism beyond the visual arts into film, choreography, music, design, and architecture.</p>

Singular Forms (Sometimes Repeated)

Arts & Photography

MARK TAYLOR

Agnes Martin

Drew Daniel

Gia Kourlas

Robert Irwin

Douglas Wheeler

Carl Andre

Robert Gober

Felix Gonzalez-Torres

Deyan, Sudjic

Collections, Catalogs & Exhibitions

Guggenheim Museum

The Maximal implications of the minimal line

Linda Weintraub

Cecile Abish

Vito Acconci

Edith C. Blum Art Institute, Milton and Sally Avery Center for the Arts, Bard College Center

Carl Andre, sculptor 1996: Krefeld at home, Wolfsburg at large (German Edition)

Reference

Foreign Language Study & Reference

Oktagon Verlagsgesellschaft mbH

Personal Structures Time · Space · ExistencEThis book presents an ongoing project that deals with questions concerning Time, Space and Existence. It is the second book in this series and involves the personal participation of 46 artists from different parts of the world, in a combination of internationally renowned artists and others whose œuvre is less known. The concepts Time, Space and Existence are highlighted in very personal ways and from unusual points of view. The many photographs of the artworks and encounters with the artists convey fascinating insights into their being, ideas and work. Seven Art Projects with established artists centralize their thoughts to a great extent. In addition, the book emphasizes two PERSONAL STRUCTURES exhibitions that were part of the Venice Biennale in 2011 and 2013. This publication also contains several interviews, artists' statements, and symposium contributions that discuss the theme of this book in detail.PERSONAL STRUCTURES was initiated in 2002 by the Dutch artist Rene Rietmeyer. His observation that even in the most distant places artists are occupied with Time, Space and Existence, led to the idea of bringing several of these artists together in publications, symposia and exhibitions.

Personal Structures: Time, Space, Existence (English and Japanese Edition)

Lee Ufan

Yoko Ono

Marina Abramović

Lawrence Weiner

Antony Gormley

Karlyn De Jongh

Sarah Gold

Arata Isozaki

Rene Rietmeyer

Global Art Affairs Foundation

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Books by Carl Andre