The Thinking of the Sensible: Merleau-Ponty's A-Philosophy (Studies in Phenomenology and Existential Philosophy)

In this first English publication of a well-known and widely respected Italian scholar, readers will encounter the preeminent interpreter of the works of Maurice Merleau-Ponty engaged in a dialogue of critical concern to contemporary philosophy. In subtle and sensitive language eminently suited to the style and substance of Merleau-Ponty's own writings, Mauro Carbone fashions four essays around a central theme-the relations of the sensible and the intelligible, and of philosophy and non-philosophy-that occupied Merleau-Ponty in his later work. An original and innovative interpretation of the ontology of Merleau-Ponty--and themselves a significant contribution to the field of Continental thought--these essays constitute a sustained exploration of what Merleau-Ponty detected, and greeted, as a "mutation within the relations of man and Being," which would provide him with the basis for a new idea of philosophy or "a-philosophy." In lucid, often elegant terms, Carbone analyzes key elements of Merleau-Ponty's thought in relation to Proust's Recherche, Hegel's Phenomenology of Spirit, the new biology of Von Uexküll, Rimbaud's Lettre du voyant, and Heidegger's conception of "letting-be." His work clearly demonstrates the vitality of Merleau-Ponty's late revolutionary philosophy by following its most salient, previously unexplored paths. This is essential reading for any scholar with an interest in Merleau-Ponty, in the questions of embodiment, temporality and Nature, or in the possibility of philosophy today.

Politics & Social Sciences

Carbone, Mauro

Philosophy

Northwestern University Press

In this first English publication of a well-known and widely respected Italian scholar, readers will encounter the preeminent interpreter of the works of Maurice Merleau-Ponty engaged in a dialogue of critical concern to contemporary philosophy. In subtle and sensitive language eminently suited to the style and substance of Merleau-Ponty's own writings, Mauro Carbone fashions four essays around a central theme-the relations of the sensible and the intelligible, and of philosophy and non-philosophy-that occupied Merleau-Ponty in his later work. An original and innovative interpretation of the ontology of Merleau-Ponty--and themselves a significant contribution to the field of Continental thought--these essays constitute a sustained exploration of what Merleau-Ponty detected, and greeted, as a "mutation within the relations of man and Being," which would provide him with the basis for a new idea of philosophy or "a-philosophy." In lucid, often elegant terms, Carbone analyzes key elements of Merleau-Ponty's thought in relation to Proust's Recherche, Hegel's Phenomenology of Spirit, the new biology of Von Uexküll, Rimbaud's Lettre du voyant, and Heidegger's conception of "letting-be." His work clearly demonstrates the vitality of Merleau-Ponty's late revolutionary philosophy by following its most salient, previously unexplored paths. This is essential reading for any scholar with an interest in Merleau-Ponty, in the questions of embodiment, temporality and Nature, or in the possibility of philosophy today.

Merleau-Ponty's Poetic of the World: Philosophy and Literature (Perspectives in Continental Philosophy)

Merleau-Ponty has long been known as one of the most important philosophers of aesthetics, yet most discussions of his aesthetics focus on visual art. This book corrects that balance by turning to Merleau-Ponty's extensive engagement with literature. From Proust, Merleau-Ponty developed his conception of "sensible ideas," from Claudel, his conjoining of birth and knowledge as "co-naissance," from Valéry came "implex" or the "animal of words" and the "chiasma of two destinies." Literature also provokes the questions of expression, metaphor, and truth and the meaning of a Merleau-Pontian poetics. The poetic of Merleau-Ponty is, the book argues, a poetic of the flesh, a poetic of mystery, and a poetic of the visible in its relation to the invisible. Ultimately, theoretical figures or "figuratives" that appear at the threshold between philosophy and literature enable the possibility of a new ontology. What is at stake is the very meaning of philosophy itself and its mode of expression.

Literature & Fiction

Johnson, Galen A.

Saint Aubert, Emmanuel de

History & Criticism

Fordham University Press

Highlights Merleau-Ponty’s interest in film and connects it to his aesthetic theory.In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty’s often misunderstood notion of “flesh” was another way to signify what he also called “Visibility.” Considering vision as creative voyance, in the visionary sense of creating as a particular presence something which, as such, had not been present before, Carbone proposes original connections between Merleau-Ponty and Paul Gauguin, and articulates his own further development of the “new idea of light” that the French philosopher was beginning to elaborate at the time of his sudden death. Carbone connects these ideas to Merleau-Ponty’s continuous interest in cinema―an interest that has been traditionally neglected or circumscribed. Focusing on Merleau-Ponty’s later writings, including unpublished course notes and documents not yet available in English, Carbone demonstrates both that Merleau-Ponty’s interest in film was sustained and philosophically crucial, and also that his thinking provides an important resource for illuminating our contemporary relationship to images, with profound implications for the future of philosophy and aesthetics. Building on his earlier work on Marcel Proust and considering ongoing developments in optical and media technologies, Carbone adds his own philosophical insight into understanding the visual today.

Flesh of Images, The: Merleau-Ponty between Painting and Cinema (SUNY series in Contemporary Continental Philosophy)

State University of New York Press

Highlights Merleau-Ponty’s interest in film and connects it to his aesthetic theory. In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty’s often misunderstood notion of “flesh” was another way to signify what he also called “Visibility.” Considering vision as creative voyance, in the visionary sense of creating as a particular presence something which, as such, had not been present before, Carbone proposes original connections between Merleau-Ponty and Paul Gauguin, and articulates his own further development of the “new idea of light” that the French philosopher was beginning to elaborate at the time of his sudden death. Carbone connects these ideas to Merleau-Ponty’s continuous interest in cinema―an interest that has been traditionally neglected or circumscribed. Focusing on Merleau-Ponty’s later writings, including unpublished course notes and documents not yet available in English, Carbone demonstrates both that Merleau-Ponty’s interest in film was sustained and philosophically crucial, and also that his thinking provides an important resource for illuminating our contemporary relationship to images, with profound implications for the future of philosophy and aesthetics. Building on his earlier work on Marcel Proust and considering ongoing developments in optical and media technologies, Carbone adds his own philosophical insight into understanding the visual today.

The Flesh of Images: Merleau-Ponty Between Painting and Cinema (SUNY Series in Contemporary Continental Philosophy)

State Univ of New York Pr

Draws from twentieth-century French thought on film and aesthetics to address the philosophical significance of the pervasiveness of screens in contemporary technological life as well as the mutation of philosophy that such a pervasiveness seems to req

Philosophy-Screens (SUNY series in Contemporary Continental Philosophy)

Humor & Entertainment

Movies

Draws from twentieth-century French thought on film and aesthetics to address the philosophical significance of the pervasiveness of screens in contemporary technological life as well as the mutation of philosophy that such a pervasiveness seems to require. In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty’s interest in film and modern painting as it relates to his aesthetic theory and as it illuminates our contemporary relationship to images. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and extending that analysis to address our experience of electronic and digital screens in the twenty-first century. In the first part of the book, Carbone examines the ways that Sartre, Merleau-Ponty, Lyotard, and Deleuze grappled with the philosophical significance of cinema as a novel aesthetic medium unfolding in the twentieth century. He then considers the significance of this philosophical framework for understanding the digital revolution, in particular the extent to which we are increasingly and comprehensively connected with screens. Smartphones, tablets, and computers have become a primary referential optical apparatus for everyday life in ways that influence the experience not only of seeing but also of thinking and desiring. Carbone’s Philosophy-Screens follows Deleuze’s call for “a philosophy-cinema” that can account for these fundamental changes in perception and aesthetic production, and adapts it to twenty-first-century concerns.

Philosophy-Screens: From Cinema to the Digital Revolution (SUNY Series in Contemporary Continental Philosophy)

Chiasmi International 5: The Real and the Imaginary (French Edition)

Barbaras, Renaud

Lawlor, Leonard

Mimesis

Merleau-Ponty: Entre Esthétique et Psychanalyse / Between Aesthetics and Psychoanalysis / Tra Estetica e Psicoanalisi (Chiasmi International 6: New Series, 6) (French Edition)

See the best price to sell, buy, or rent books by Carbone, Mauro. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Carbone, Mauro

See the best price to sell, buy, or rent books by Carbone, Mauro. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Thinking of the Sensible: Merleau-Ponty's A-Philosophy (Studies in Phenomenology and Existential Philosophy)

The Thinking of the Sensible: Merleau-Ponty's A-Philosophy (Studies in Phenomenology and Existential Philosophy)

Merleau-Ponty's Poetic of the World: Philosophy and Literature (Perspectives in Continental Philosophy)

Merleau-Ponty's Poetic of the World: Philosophy and Literature (Perspectives in Continental Philosophy)

Flesh of Images, The: Merleau-Ponty between Painting and Cinema (SUNY series in Contemporary Continental Philosophy)

The Flesh of Images: Merleau-Ponty Between Painting and Cinema (SUNY Series in Contemporary Continental Philosophy)

Philosophy-Screens (SUNY series in Contemporary Continental Philosophy)

Philosophy-Screens: From Cinema to the Digital Revolution (SUNY Series in Contemporary Continental Philosophy)

Chiasmi International 5: The Real and the Imaginary (French Edition)

Merleau-Ponty: Entre Esthétique et Psychanalyse / Between Aesthetics and Psychoanalysis / Tra Estetica e Psicoanalisi (Chiasmi International 6: New Series, 6) (French Edition)