Byron: Selected Poems (Penguin Classics)

Byron, George Gordon

Literature & Fiction

Penguin Classic

Truly the epitome of the Romantic Poet, Lord Byron traveled and loved throughout Europe and wrote picaresque verse that proved immensely popular to audiences of his day. The man whose name is synonymous with romance gave his life in the noble cause of Greek liberty at the young age of thirty-six. Byron's love lyrics-like his epic works, Childe Harold's Pilgrimage and Don Juan-cast light on his legendary amorous exploits. The poems range from his schoolboy imitation of Catullus, to the poems praising such early loves as Mary Chaworth and Theresa Macri, to the tender lyrics for his half sister, Augusta Leigh, and poignant reflections on a failed marriage in "Fare Thee Well." Byron's poetry reveals a complex mix of self-revelation and breadth of knowledge plus an artistically modern sensibility. This selection of forty-four poems includes an introduction to Byron's life and notes on individual poems. Portraits of the various women in Byron's life contribute to this handsome collector's edition. The Love Poems of Lord Byron: A Romantic's Passion is the seventh volume in a poetry series that already includes The Sonnets: Poems of Love by William Shakespeare, The Love Poems of John Donne, Rubaiyat of Omar Khayyam, A Poet to His Beloved: The Early Poems of W.B. Yeats, Sonnets from the Portuguese: A Celebration of Love by Elizabeth Barrett Browning, and The Love Poems of John Keats: In Praise of Beauty.

The Love Poems of Lord Byron: A Romantic's Passion

Poetry

St.Martin's Press

Manfred: A Dramatic Poem

Franklin Classics

This volume offers a wide-ranging, comprehensive selection of Byron’s poetry and prose. It includes eighteen of his lyrics; Cantos One, Three, and excerpts from Canto Four of Childe Harold’s Pilgrimage; two verse romances, The Prisoner of Chillon and The Giaour, the latter newly receiving critical attention for its prophetically disjunctive structure; Manfred; The Vision of Judgment; and Don Juan, presented in long self-contained extracts―the First, Fifth, Ninth, and Sixteenth Cantos complete, with the close of the Second Canto. An unusually rich selection from Byron’s letters and journals accompanies the poems. The critical essays offer an integrated view of Byron’s achievement as well as analyses of its different facets. Published for the first time is Bergen Evans’s general essay "Lord Byron’s Pilgrimage"; other essays are by John D. Jump, Michael G. Cooke, Francis Berry, Robert F. Gleckner, James R. Thompson, Frank D. McConnell, Leslie A. Marchand, and E. D. Hirsch, Jr. A special section, "Images of Byron," presents 26 views of Byron as artist and as the epitome of the Romantic hero, ranging from the perspectives of his contemporaries to those of such modern writers as James Joyce, Virginia Woolf, T. S. Eliot, and Albert Camus. A Chronology sets forth the main events of Byron’s life, and a Selected Bibliography lists sources for further study.

Byron's Poetry (Norton Critical Edition)

History & Criticism

W.W.Norton&Company

Byron's Poetry and Prose presents an extensive selection of Byron's poetry, letters, and journal entries in chronological clusters, allowing readers to see the changes that took place in his writing in the context of the places he lived and his fame, exile, and travels. "Criticism" is chronologically keyed to Byron's poetry and reprints both classic and recent examinations of Byron's writing and life, including assessments by Anne Barton, Donald H. Reiman, Jane Stabler, Jerome J. McGann, Susan J. Wolfson, and James Chandler. A Biographical Register, Chronology, Selected Bibliography, and Index of Poem Titles and First Lines are also included.

Byron's Poetry and Prose (Norton Critical Edition)

British & Irish

The Poetical Works of Lord Byron: With Memoir and Notes (Classic Reprint)

Forgotten Books

Selected Poems of Lord Byron (1893)

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Literary

Kessinger Publishing

Byron was a superb letter-writer: almost all his letters, whatever the subject or whoever the recipient, are enlivened by his wit, his irony, his honesty, and the sharpness of his observation of people. They provide a vivid self-portrait of the man who, of all his contemporaries, seems to express attitudes and feelings most in tune with the twentieth century. In addition, they offer a mirror of his own time. This first collected edition of all Byron's known letters supersedes Prothero's incomplete edition at the turn of the century. It includes a considerable number of hitherto unpublished letters and the complete text of many that were bowdlerized by former editors for a variety of reasons. Prothero's edition included 1,198 letters. This edition has more than 3,000, over 80 percent of them transcribed entirely from the original manuscripts.
The first volume of Byron's letters and journals covers his early years and includes his first pilgrimage to Greece and to the East, ending with his last letter from Constantinople on July 4, 1810, before his departure for Athens. Here is the direct record of his rapid development from the serious schoolboy to the facetious youth with ambivalent reactions to his perplexed mother, and the maturing man of extraordinary perceptions and sympathies and friendships. By the end of this volume he has already written English Bards and Scotch Reviewers (in part a spirited reaction to the reception of his earliest published work) and the first two Cantos of Childe Harold (published in 1812), which was to make him famous.

‘In my hot youth,’ 1798–1810 (Volume I) (Byron's Letters and Journals)

Biographies & Memoirs

Arts & Literature

Belknap Press: An Imprint of Harvard University Press

George Gordon Byron was a superb letter-writer: almost all his letters, whatever the subject or whoever the recipient, are enlivened by his wit, his irony, his honesty, and the sharpness of his observation of people. They provide a vivid self-portrait of the man who, of all his contemporaries, seems to express attitudes and feelings most in tune with the twentieth century. In addition, they offer a mirror of his own time. This first collected edition of all Byron’s known letters supersedes Prothero’s incomplete edition at the turn of the century. It includes a considerable number of hitherto unpublished letters and the complete text of many that were bowdlerized by former editors for a variety of reasons. Prothero’s edition included 1,198 letters. This edition has more than 3,000, over 80 percent of them transcribed entirely from the original manuscripts.The second volume of Byron’s letters embraces his second year in Greece, his revealing accounts to Hobhouse and others of his life in Athens, his visit to Veli Pasha, and his return by Malta to England. It covers the period of the loss of his mother and of several of his closest friends, of his first acquaintance with Moore and Rogers, his maiden speech in the House of Lords, the publication of Childe Harold, and the resulting fame that brought him into Whig society. It marks the beginning of his correspondence with Lady Melbourne, who became the confidante of his liaisons with Lady Caroline Lamb and Lady Oxford, and who forwarded his first (rejected) proposal to Annabella Milbanke.Leslie A. Marchand, the author of critical studies and of the definitive biography of Byron, has brought a lifetime of study to the major task of editing these letters. He has done it with a restraint and objectivity that allows Byron to come through to us with unimpeded clarity.

‘Famous in my time,’ 1810–1812 (Volume II) (Byron's Letters and Journals)

Reference

George Gordon Byron was a superb letter-writer: almost all his letters, whatever the subject or whoever the recipient, are enlivened by his wit, his irony, his honesty, and the sharpness of his observation of people. They provide a vivid self-portrait of the man who, of all his contemporaries, seems to express attitudes and feelings most in tune with the twentieth century. In addition, they offer a mirror of his own time. This first collected edition of all Byron’s known letters supersedes Prothero’s incomplete edition at the turn of the century. It includes a considerable number of hitherto unpublished letters and the complete text of many that were bowdlerized by former editors for a variety of reasons. Prothero’s edition included 1,198 letters. This edition has more than 3,000, over 80 percent of them transcribed entirely from the original manuscripts.
The third volume starts with Byron at the first crest of his fame following the publication of Childe Harold. It includes his literary letters to Tom Moore, frank and intimate ones to Hobhouse, pungent ones to Hanson and Murray, and his lively and amusing missives to Lady Melbourne, his confidante through all his love affairs. To her he describes the backwash of his tempestuous affair with Caroline Lamb, his emotional crises with Lady Oxford, the beginning of his liaison with his half-sister, Augusta Leigh, and his flirtation with Lady Frances Webster. The volume contains the letters of 1813 and the journal of 1813–1814, the first of his five incomparable journals.
The letters display, as Martin Fagg puts it, a “bewitching amalgam of the picturesque and the earthy, of arrogance and modesty, of vituperation and tenderness, of soulfulness and sheer irresistible high spirits.” They confirm Max Beerbohm’s opinion, “Byron’s letters are, I think, the best ever written―the fullest and most spontaneous.”

‘Alas! the love of women,’ 1813–1814 (Volume III) (Byron's Letters and Journals)

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