Legacy: The West and the World

Butler, Michael

Gini-Newman, Garfield

Cohen, Tom

James, Usha

Watt, Jennifer

McGraw-Hill Ryerson School

What are the crucial elements of a strong Global Politics program? This is the question we posed to instructors around the country. The answer: critical thinking and theory. These constitute the foundation of Global Politics: Engaging a Complex World. This contemporary presentation stresses the importance of global events and offers students a number of lenses through which to view the world around them. With Connect, Global Politics is an integrated print and digital content program geared toward undergraduate students taking a first-time international relations course. This highly accessible, comprehensive, yet concise text will help students develop a deep appreciation of global politics―equipping them to encounter the threats and opportunities of their generation.

Global Politics: Engaging a Complex World

Politics & Social Sciences

Boyer, Mark

Hudson, Natalie

Politics & Government

McGraw–Hill Education

The Shunzhi era (1644-61), marking the end of the Ming Dynasty and the beginning of the Qing, was a transitional period in Chinese history. As far as porcelain was concerned, until the last 20 years, it was a little-known reign not only in the West but in China itself. 
By the late 1630s, painters on porcelain had developed a new, highly recognizable, and successful style. Many of the innovative themes were taken from woodblock prints, with landscapes and narrative scenes particularly inspired by contemporary scroll and album paintings. Soon after 1644, potters began to paint wonderful landscapes, with stylistic devices such as clouds and rock formations used to fill in the "back" of the pot. The beauty and liveliness of the pots' paintings, along with the evolving shapes of the pots, stands out and makes these years a most significant period the art history of China. In the Shunzhi era, more than any other time in the last 500 years of Chinese porcelain, there was a strong emphasis on individual works of art, each one unique.

Treasures from an Unknown Reign: Shunzhi Porcelain

Arts & Photography

Honolulu Academy of Arts

Little, Stephen

Curtis, Julia B.

Trammel & Margaret Crow Collection of Asian Art

University of Virginia Art Museum

Collections, Catalogs & Exhibitions

Art Services Intl

Discusses the development of Max Frisch's theatrical style, analyzes each of his plays, and examines his morality and skepticism

The Plays of Max Frisch

Literature & Fiction

Dramas & Plays

PALGRAVE~MACMILLAN

The Plays Of Max Frisch

McMillan

Frisch: Andorra (Critical Guides to German Texts)

History & Criticism

Grant & Cutler

Foyles

The Shunzhi era (1644-61), marking the end of the Ming Dynasty and the beginning of the Qing, was a transitional period in Chinese history. As far as porcelain was concerned, until the last 20 years, it was a little-known reign not only in the West but in China itself. By the late 1630s, painters on porcelain had developed a new, highly recognizable, and successful style. Many of the innovative themes were taken from woodblock prints, with landscapes and narrative scenes particularly inspired by contemporary scroll and album paintings. Soon after 1644, potters began to paint wonderful landscapes, with stylistic devices such as clouds and rock formations used to fill in the "back" of the pot. The beauty and liveliness of the pots' paintings, along with the evolving shapes of the pots, stands out and makes these years a most significant period the art history of China. In the Shunzhi era, more than any other time in the last 500 years of Chinese porcelain, there was a strong emphasis on individual works of art, each one unique.

Treasures from an Unknown Reign: Shunzhi Porcelain, 1644-1661

Other Media

Torts

Lucas, Neil

Taylor & Francis Books Ltd

Animal Cell Culture and Technology

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Books by Butler, Michael