The British have always been obsessed by the weather. Thomas Hornsby, who founded the Radcliffe Observatory in Oxford in 1772, began weather observations at the site. They continue daily to this day, unbroken since 14 November 1813, the longest continuous series of single-site weather records in the British Isles, and one of the longest in the world. Oxford Weather and Climate since 1767 represents the first full publication of this newly-digitised record of English weather, which will appeal to interested readers and climate researchers alike. The book celebrates this unique and priceless Georgian legacy by describing and explaining how the records were (and still are) made, examines monthly and seasonal weather patterns across two centuries, and considers the context of long-term climate change. Local documentary sources and contemporary photographs bring the statistics to life, from the clouds of 'smoak' from the Great Fire of London in 1666 to the most recent floods. This book explores all the weather extremes, from bitter cold winters to hot, dry summers, bringing to life the painstaking measurements made over the last 250 years.

Oxford Weather and Climate since 1767

Science & Math

Burt, Stephen

Burt, Tim

Earth Sciences

Oxford University Press

The British have always been obsessed by the weather. Astronomers at Durham Observatory began weather observations in 1841; weather records continue unbroken to this day, one of the longest continuous series of single-site weather records in Europe. Durham Weather and Climate since 1841represents the first full publication of this newly digitised record of English weather, which will be of lasting appeal to interested readers and climate researchers alike. The book celebrates 180 years of weather in north-east England by describing how the records were (and are) made and thepeople who made them, examines monthly and seasonal weather patterns and extremes across two centuries, and considers long-term climate change. Local documentary sources and contemporary photographs bring the statistics to life, from the great flood of 1771 and skating on the frozen River Wear inFebruary 1895 right up to Durham's hottest-ever day in July 2019 and its wettest winter in 2021. Extensive links are provided to full daily weather records back to 1843. This volume is a sister publication to Oxford Weather and Climate since 1767 by the same authors, published by Oxford UniversityPress in 2019.

Durham Weather and Climate since 1841

Randall Jarrell (1914–1965) was the most influential poetry critic of his generation. He was also a lyric poet, comic novelist, translator, children's book author, and close friend of Elizabeth Bishop, Robert Lowell, Hannah Arendt, and many other important writers of his time. Jarrell won the 1960 National Book Award for poetry and served as poetry consultant to the Library of Congress. Amid the resurgence of interest in Randall Jarrell, Stephen Burt offers this brilliant analysis of the poet and essayist. Burt's book examines all of Jarrell's work, incorporating new research based on previously undiscovered essays and poems. Other books have examined Jarrell's poetry in biographical or formal terms, but none have considered both his aesthetic choices and their social contexts. Beginning with an overview of Jarrell's life and loves, Burt argues that Jarrell's poetry responded to the political questions of the 1930s, the anxieties and social constraints of wartime America, and the apparent prosperity, domestic ideals, and professional ideology that characterized the 1950s. Jarrell's work is peopled by helpless soldiers, anxious suburban children, trapped housewives, and lonely consumers. Randall Jarrell and His Age situates the poet-critic among his peers―including Bishop, Lowell, and Arendt―in literature and cultural criticism. Burt considers the ways in which Jarrell's efforts and achievements encompassed the concerns of his time, from teen culture to World War II to the Cuban Missile Crisis; the book asks, too, how those efforts might speak to us now.

Randall Jarrell and His Age

Literature & Fiction

History & Criticism

Columbia University Press

The Forms of Youth: Twentieth-Century Poetry and Adolescence

Early in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms. This new idea of adolescence became the driving force behind some of the modern era's most original poetry. Stephen Burt demonstrates how adolescence supplied the inspiration, and at times the formal principles, on which many twentieth-century poets founded their works. William Carlos Williams and his contemporaries fashioned their American verse in response to the idealization of new kinds of youth in the 1910s and 1920s. W. H. Auden's early work, Philip Larkin's verse, Thom Gunn's transatlantic poetry, and Basil Bunting's late-modernist masterpiece, Briggflatts, all track the development of adolescence in Britain as it moved from the private space of elite schools to the urban public space of sixties subcultures. The diversity of American poetry from the Second World War to the end of the sixties illuminates poets' reactions to the idea that teenagers, juvenile delinquents, hippies, and student radicals might, for better or worse, transform the nation. George Oppen, Gwendolyn Brooks, and Robert Lowell in particular built and rebuilt their sixties styles in reaction to changing concepts of youth. Contemporary poets continue to fashion new ideas of youth. Laura Kasischke and Jorie Graham focus on the discoveries of a specifically female adolescence. The Irish poet Paul Muldoon and the Australian poet John Tranter use teenage perspectives to represent a postmodernist uncertainty. Other poets have rejected traditional and modern ideas of adolescence, preferring instead to view this age as a reflection of the uncertainties and restricted tastes of the way we live now. The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity.

Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts. 
 The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephen Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world.

The Art of the Sonnet

Mikics, David

Belknap Press

Winner of the 1999 Colorado Prize for Poetry

Popular Music (Colorado Prize for Poetry)

Poetry

Center for Literary Publishing

Poetry. Literary Nonfiction. Fourteen poems and an essay from Burt take on, take in, and take up the teams and the games of the Women's National Basketball Assocation, or WNBA. The poems—some in rhyming forms, some in slippery new ones—encompass word games, in-jokes, on-court moves and countermoves, and serious speculation on the enduring subjects of lyric poetry: love, fame, competition, solitude, obscure heroism, nostalgia, anger, longing, blocked shots, and the value of a well-thrown entry pass. The essay (first published in The Believer) looks at the mindset of one committed fan along with the past andfuture of the still-growing league.

Shot Clocks: Poems for the WNBA

Harry Tankoos Books

The Weather Observer's Handbook

Cambridge University Press

See the best price to sell, buy, or rent books by Burt, Stephen. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Burt, Stephen

See the best price to sell, buy, or rent books by Burt, Stephen. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Oxford Weather and Climate since 1767

Durham Weather and Climate since 1841

Randall Jarrell and His Age

Randall Jarrell and His Age

The Forms of Youth: Twentieth-Century Poetry and Adolescence

The Art of the Sonnet

Popular Music (Colorado Prize for Poetry)

Shot Clocks: Poems for the WNBA

The Weather Observer's Handbook

The Weather Observer's Handbook