Perhaps the most exciting aspect of the Harvard University Library today is that in this largest university library in the world primary emphasis is placed upon a regard for the individual which extends alike to staff, faculty, students, and general users. As director of the Library, Paul Buck was responsible for this attitude. This book reflects his view that as the center of university education and research a library owes a responsibility both to the people who use libraries and to those who operate them. Personal consideration must be united with the mechanization and automation that is essential in developing a modern library's collections, circulation, and special services. Here are addresses, articles, and reports in which Mr. Buck interprets the Harvard Library to its own staff, to the academic community, and to the general public. For the general reader who wants to know something of the nature and significance of university libraries, the author presents a historical view as well as an interesting picture of what the largest library of its kind is doing today. The collection begins with a talk given at Monticello in 1954 in which Mr. Buck announced his university library credo, emphasizing the importance of the university library, its personnel, and its services to the community. This credo he restates at the end of this volume. Throughout the book are speeches bearing on the author's conception of libraries for teaching and research as well as a description of the administrative program at Harvard that he based on this conception. He analyzes problems involved in recruiting, training, and retaining a quality staff of professional librarians. In one article he deals with the new personnel program adopted by the Harvard Library in 1958. In another he is concerned with the remarkably successful plan for recruiting "library interns" that is now in operation at Harvard. Still another paper discusses a landmark of his administration, the installation of a mechanized circulation system. Included here also are addresses reflecting Mr. Buck's broad historical perspective. He deals with the long-range future of libraries generally and with the prospects of American universities. He is concerned with relations between historians, librarians, and businessmen. In a short paper he touches on another landmark of his administration--the first steps taken in planning the John F. Kennedy library.

Libraries and Universities: Addresses and Reports

Politics & Social Sciences

Buck, Paul

Social Sciences

Harvard University Press

 Perhaps the most exciting aspect of the Harvard University Library today is that in this largest university library in the world primary emphasis is placed upon a regard for the individual which extends alike to staff, faculty, students, and general users. As director of the Library, Paul Buck was responsible for this attitude. This book reflects his view that as the center of university education and research a library owes a responsibility both to the people who use libraries and to those who operate them. Personal consideration must be united with the mechanization and automation that is essential in developing a modern library's collections, circulation, and special services.  Here are addresses, articles, and reports in which Mr. Buck interprets the Harvard Library to its own staff, to the academic community, and to the general public. For the general reader who wants to know something of the nature and significance of university libraries, the author presents a historical view as well as an interesting picture of what the largest library of its kind is doing today.  The collection begins with a talk given at Monticello in 1954 in which Mr. Buck announced his university library credo, emphasizing the importance of the university library, its personnel, and its services to the community. This credo he restates at the end of this volume. Throughout the book are speeches bearing on the author's conception of libraries for teaching and research as well as a description of the administrative program at Harvard that he based on this conception.  He analyzes problems involved in recruiting, training, and retaining a quality staff of professional librarians. In one article he deals with the new personnel program adopted by the Harvard Library in 1958. In another he is concerned with the remarkably successful plan for recruiting "library interns" that is now in operation at Harvard. Still another paper discusses a landmark of his administration, the installation of a mechanized circulation system.  Included here also are addresses reflecting Mr. Buck's broad historical perspective. He deals with the long-range future of libraries generally and with the prospects of American universities. He is concerned with relations between historians, librarians, and businessmen. In a short paper he touches on another landmark of his administration--the first steps taken in planning the John F. Kennedy library. 

Reference

Belknap Press of Harvard University Press

No Title

Literature & Fiction

Poetry

Potes & Poets Press

Naming Names

Spectacular Diseases

When Le Château de Cène (here translated as The Castle of Communion) first appeared in France in 1969, under the sonorous pseudonym of Urbain d’Orlhac, it created a sensation. Immediately recognised as being among the finest works of French literary eroticism (along with, say, Bataille’s Story of the Eye, or Reage’s Story of O), its author was soon identified: the poet and essayist Bernard Noël, born in 1930. 
The author recounts an intense initiatory sexual quest which occurs on a mysterious remote island. Chosen as the moon’s lover the hero undertakes a Dantesque voyage through sucessive levels of pain and ecstasy. The book’s climax is a beatific rite of sexual purification in the Castle of Communion, which is described in a poetic language at once incantatory, crude and almost mystical. The intensity of the book matches its method of composition: dictated into a tape recorder and finished in only 3 weeks, and written as a partial response to the atrocities of the French authorities in Algeria. 
This edition is postfaced by Noël’s essay The Outrage Against Words, his thoughts on the government’s unsuccessful attempts through the courts to supress the novel for "outraging public morals." He illuminates the intimate connection between writing and censorship in general.

The Castle of Communion (Atlas Press)

Noël, Bernard

George, Glenda

History & Criticism

Atlas Pr

Re/qui/re (qui)re

Pressed Curtains

A new and innovative series offering in-depth cultural, historical and literary guides to the great cities of the world. More than ordinary guidebooks, they introduce the visitor or armchair traveller to each city's unique present-day identity and its links with the past.
Paul Buck explores this seven-hilled city with a particular emphasis on its literature and arts. Viewing the "white city" from angles high and low, from miradouros and alleyways, pursuing songs and saudade, he discovers the confidence of a cosmopolitan city full of the sounds and tastes of its former colonies. A city in a hurry to modernize, but one that can slow anybody to its relaxed pace.

Lisbon: A Cultural History (Interlink Cultural Histories)

History

Europe

INTERLINK+BOOKS

A comprehensive history of major prison breaks by those who paid a heavy price for their misdeeds, and risked all to regain their freedom
In the folklore of World War II, the memory of those heroes who staged great escapes from POW camps still endure. But what about the other side of the coin: the audacious and daring breakouts of gangsters and villains today? This book focuses on great escapes from civilian prisons, whether the escape was planned or opportunistic, aided from within by corrupt guards or facilitated by a violent gang of intruders. The exploits of such legendary Houdini type figures as the 18th-century rogue Jack Sheppard and the Canadian serial escaper Wayne Carlson are recounted alongside tales of breakouts from seemingly unassailable jails; Alcatraz, Northern Ireland's Maze prison, and the Bangkok Hilton. This book thrillingly describes a phenomenon as old as imprisonment itself. For despite the ever more sophisticated technology of surveillance and security equipment, the escapee will always find the weakest link.

Prison Break - True Stories of the World's Greatest Escapes

John Blake

Library

Arts & Photography

MA BIBLIOTHEQUE

In this collaborative volume, the writer and artist Paul Buck works with the late Kathy Acker. Using as source the raw materials of their correspondence from the early 80s, a period when Acker was writing Great Expectations and trying to leave America for London, Buck confronts issues of appropriation, sampling, and plagiarism, relevant then and now. Spread Wide works to spread wide not only the thighs, but also the page and writing itself, to expose the textual and narrative pulsations that are fundamental to the creative process as experienced by both of these notable practitioners. Through Acker's letters and re-readings of her published work, Buck blurs the line between visual arts and literature, tramps documents into fiction, and creates a transgressive work that stretches back to the time of their first meetings in Amsterdam and Paris, when, as editor of the seminal magazine Curtains, he blasted French contemporary writings into the British bloodstream. Further encounters are triggered by writer Rebecca Stephens and artist John Cussans.

Kathy Acker & Paul Buck: Spread Wide

ACKER, Kathy

Dis Voir

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Books by Buck, Paul